Filmmaking as Cultural Aggression

IF 0.2 0 ART

Images Pub Date : 2023-10-20 DOI:10.14746/i.2023.34.43.2

Yuri Shevchuk

引用次数: 0

Abstract

The article discusses cinematic depopulation, the strategy of appropriation of the colonized by the colonizer widely used in the Soviet and post-Soviet cinema made in Ukraine and Russia and, until now, never analyzed in academic literature. The cinematic depopulation is a mode of filmic representation whereby a given ethnoscape (Ukraine) is cleansed of its national community (Ukrainians) and instead is populated by the colonizer (Russians) as if it were an integral part of his historical territory. As a form of cultural imperialism, this strategy has, until quite recently, been widely used in both Soviet and post-Soviet Russian and Ukrainian filmmaking to promote the idea of Ukraine conceivable outside of and without the Ukrainian language, culture, and other attributes of Ukrainian identity.

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作为文化侵略的电影制作

& # x0D;& # x0D;& # x0D;本文讨论了在乌克兰和俄罗斯的苏联和后苏联电影中广泛使用的、尚未在学术文献中分析过的、被殖民者占有的电影人口减少策略。电影人口减少是一种电影表现模式，在这种模式下，一个特定的民族景观(乌克兰)被清洗掉了它的民族社区(乌克兰人)，取而代之的是殖民者(俄罗斯人)，就好像它是他历史上领土的一个组成部分。作为文化帝国主义的一种形式，这种策略直到最近才被广泛用于苏联和后苏联时期的俄罗斯和乌克兰电影制作中，以促进乌克兰在乌克兰语言，文化和乌克兰身份的其他属性之外或没有乌克兰的想法。 & # x0D;& # x0D;

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Images ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.