{"title":"“To Act or Not to Act”: Arendt, Hegel, and Shakespeare on Action","authors":"Mirt Komel","doi":"10.3986/fv.42.1.08","DOIUrl":"https://doi.org/10.3986/fv.42.1.08","url":null,"abstract":"The contribution links three unusually connected suspects in order to tackle the question of human action, which is eminently at stake not only in the realms of politics and in the field of history, but also in philosophy, and, as a peculiar link between the two, theatre, namely: Hannah Arendt (Human Condition), G.W.F. Hegel (Phenomenology of Spirit), and William Shakespeare (Hamlet). And In order to connect all three authors and their respective fields of philosophy, politics, and theatre as regards the particular issue of action, the starting point will be the figure of Achilles as portrayed in Homer’s Iliad.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49569962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Necropolitics by Achille Mbembe: Extended Essay on the Book","authors":"Marina Gržinić","doi":"10.3986/fv.42.1.10","DOIUrl":"https://doi.org/10.3986/fv.42.1.10","url":null,"abstract":"Necropolitics by Achille Mbembe takes us back to his seminal text on “Necropolitics” translated and published in the US in 2003. At this point, 40 years after Foucault’s Biopolitics, Mbembe was re-theorizing biopolitics through a necro (death) horizon, which turned out to be a robust conceptual shift from Western thought. Not much else is explicitly said about necropolitics in the titular book, which comes 17 years after the seminal text that had a significant impact on the theory and practice of philosophy, politics, anthropology, and esthetics. Mbembe presents the layers of forms, modes, and procedures of the necropolitical working through contemporary neoliberal global societies. It is therefore not surprising that Mbembe makes reference to theory in forms, form is the way to redefine or rephrase content, and “who should live and who must die” is currently the beginning. But how this is done in the 21st century, what are the methods and procedures to implement this central act in neoliberal global democracy —that is the task of this book.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45026072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photography between Affective Turn and Affective Structure","authors":"Rok Benčin","doi":"10.3986/FV.41.1.07","DOIUrl":"https://doi.org/10.3986/FV.41.1.07","url":null,"abstract":"The affective turn in photography theory takes as its point of departure Roland Barthes’s move from semiology to affective phenomenology in Camera Lucida. This article, however, considers the way affective phenomenology is itself grounded in the semiological structure of photography. It looks at how, before Camera Lucida was even written, Thierry de Duve had already discussed the affective implications of Barthes’s understanding of photography’s indexical nature. The article then proceeds to rethink the structural affectivity of photography beyond Barthes’s and de Duve’s emphasis on a direct relation between indexicality and loss. Reconsidering photography through Jacques Rancière’s conception of the aesthetic regime of art, the article rather puts emphasis on the indeterminacy of photography, which results from the way the camera captures and isolates a spatio-temporal fragment. Shifting the focus from indexicality to indeterminacy sheds a different light on the loss implied by the structure of photography, parallel to how Freud understood the difference between mourning and melancholy.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47849133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Truth of the Work of Art: Freud and Benjamin on Goethe","authors":"T. Espinoza","doi":"10.3986/FV.41.1.08","DOIUrl":"https://doi.org/10.3986/FV.41.1.08","url":null,"abstract":"Juliet Mitchell’s psychoanalytic account of sibling rivalry, fluctuating between narcissistic identification (love) and fear of annihilation (hate), also applies to Walter Benjamin’s model of true love in his reading of Goethe’s Elective Affinities. This model is found in the utopian novella “The Curious Tale of the Childhood Sweethearts,” inserted within Goethe’s novel. By reducing the relationship between the novella and its framing narrative to an opposition between truth and semblance, Benjamin replicates in his reading the specular logic that is love’s obstacle. On the other hand, Freud’s analysis of an episode in Goethe’s autobiography can be said to retroactively operate what Mitchell calls “lateral castration,” for Freud compares the great writer to patients in analysis and thus establishes the necessary seriality that creates “space for one who is the same and different.” Still, and although elements of his own autobiography facilitate the construction of alternative scenarios, Freud exempts Goethe’s sisters from the position of rivals. Recognising “the sister” as earliest playmate, and object of hatred and narcissistic identification, like Mitchell does, might be the first step necessary for drawing a model of love for women as peers this side of utopia.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43311469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Adorno humoriste malgré lui","authors":"Antonia Birnbaum","doi":"10.3986/FV.41.1.05","DOIUrl":"https://doi.org/10.3986/FV.41.1.05","url":null,"abstract":"What insight is there to gain when Adorno is put “beside himself”? The humoristic tendency of Theodor W. Adorno and Max Horkheimer’s famous essay on the culture industry highlights the non-categorical modalities borrowed from the avant-gardes and psychoanalysis that disorganize Kant’s supposedly invariant concepts a priori: partialities of the driven montage, allegorisation. This tendency opens on the decentering consequences for the thinking of another subject, beyond the logic of suspicion and the melancolic jouissance that block it.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41719990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“One or Many Ontologies? Badiou’s Arguments for His Thesis ‘Mathematics is Ontology’”","authors":"O. Feltham","doi":"10.3986/FV.41.2.02","DOIUrl":"https://doi.org/10.3986/FV.41.2.02","url":null,"abstract":"This article explores rival interpretations of Badiou’s strategy behind the claim ‘mathematics is ontology’, from his construction of an alternative history of being to that of Heidegger to his exposure of the radical contingency of the ‘decisions on being’ carried out by transformative practices in the four conditions of philosophy: art, politics, love and science. The goal of this exploration is to open up the possibility of another strategy that responds to Badiou’s initial intuition – that being is multiple – by embracing the writing of multiple ontologies in the sphere of action.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45227723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Intervening Prince: Althusser, Foucault, and a Theory of Strategy","authors":"Dave Mesing","doi":"10.3986/FV.41.1.02","DOIUrl":"https://doi.org/10.3986/FV.41.1.02","url":null,"abstract":"This paper stages an encounter between Foucault and Althusser on the question of strategy. By contrasting a few passages in La Volonté de savoir with some of Althusser’s writings on Machiavelli and Lenin, I propose an alternative between the two thinkers according to a schema of strategic thought (Foucault) and a philosophy for strategy (Althusser). This narrow focus enables me to generate a working definition of strategy as the anticipation of an encounter which modifies, abolishes, or otherwise alters the relations constituting its conjuncture. By staging the encounter between the Foucault and Althusser, I propose this definition as a reflection on the phrase “intervention into conjuncture,” and conclude by sketching implications concerning theory, practice, and the discipline of the conjuncture.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41740286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’infini entre deux bouts. Dualités, univers algébriques, esquisses, diagrammes","authors":"R. Guitart","doi":"10.3986/FV.41.2.09","DOIUrl":"https://doi.org/10.3986/FV.41.2.09","url":null,"abstract":"The article affixes a resolutely structuralist view to Alain Badiou’s proposals on the infinite, around the theory of sets. Structuralism is not what is often criticized, to administer mathematical theories, imitating rather more or less philosophical problems. It is rather an attitude in mathematical thinking proper, consisting in solving mathematical problems by structuring data, despite the questions as to foundation. It is the mathematical theory of categories that supports this attitude, thus focusing on the functioning of mathematical work. From this perspective, the thought of infinity will be grasped as that of mathematical work itself, which consists in the deployment of dualities, where it begins the question of the discrete and the continuous, Zeno’s paradoxes. It is, in our opinion, in the interval of each duality ― “between two ends”, as our title states ― that infinity is at work. This is confronted with the idea that mathematics produces theories of infinity, infinitesimal calculus or set theory, which is also true. But these theories only give us a grasp of the question of infinity if we put ourselves into them, if we practice them; then it is indeed mathematical activity itself that represents infinity, which presents it to thought. We show that tools such as algebraic universes, sketches, and diagrams, allow, on the one hand, to dispense with the “calculations” together with cardinals and ordinals, and on the other hand, to describe at leisure the structures and their manipulations thereof, the indefinite work of pasting or glueing data, work that constitutes an object the actual infinity of which the theory of structures is a calculation. Through these technical details it is therefore proposed that Badiou envisages ontology by returning to the phenomenology of his “logic of worlds”, by shifting the question of Being towards the worlds where truths are produced, and hence where the subsequent question of infinity arises.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42692123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La place de la mathématique : Badiou avec Lacan","authors":"Jelica Šumič Riha","doi":"10.3986/FV.41.2.04","DOIUrl":"https://doi.org/10.3986/FV.41.2.04","url":null,"abstract":"The paper attempts to give an account of two different ways of relating to mathematics: Lacan’s and Badiou’s. Its starting point is Badiou’s and Lacan’s interpretations of Russell’s infamous definition of mathematics, according to which mathematics is a discourse in which no one knows what one is talking about, nor whether what one is saying is true. While for Badiou, the ignorance that is supposed to characterise mathematics according to Russell only concerns the role philosophy assigns to it, namely, it being identified with the science of being qua being, for Lacan the ignorance constitutive of mathematics should rather be seen as a symptom resulting from the reduction of truth to a mere truth value. In discussing the detected divergences in these two readings, the paper shows how the access to psychoanalysis as well as the access to philosophy coincides with a certain access to mathematics, although we are not dealing with the same type of access. ","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46675412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anxiety and Ontology: Toward the Lacanian Materialist Metapsychology of the Affect","authors":"B. Nedoh","doi":"10.3986/FV.41.3.05","DOIUrl":"https://doi.org/10.3986/FV.41.3.05","url":null,"abstract":"In the history of modern philosophy, affects in general, and particularly the affect of anxiety, has experienced a rather peculiar and uneasy fate. In fact, after the Cartesian dualism of mind and body, of reason and senses, gained hegemony, the question of affects as something categorically different than both mind and senses was somehow “repressed” or excluded from serious philosophical engagement. The sole exception to this hegemonic disposition might indeed be Spinozistic monism, which in order to think affects, however, had to “repress” or exclude negativity and, consequently, subjectivity, whereby this exclusion led to the problem, roughly put, of the very indistinguishability of affects and sense, and also of affects and substance. It could be said that the first modern philosophical current that attempted to address the problem of affects broadly speaking is the post-Schellingian existentialist tradition, which, however, thought of affects in a very singular manner, i.e. as affective determinations of decisively subjective existence. Accordingly, Kierkegaardian existentialist affects (boredom, anxiety, despair) are popularly seen as inherently bound with the experience of subjective existence, which seemingly opposes itself to the (Hegelian) dialectics of objective spirit conceived as a system.","PeriodicalId":41584,"journal":{"name":"FILOZOFSKI VESTNIK","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43131596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}