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Journal of Curatorial Studies最新文献

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No Master Territories: Feminist Worldmaking and the Moving Image 《无主领域:女权主义世界制造与动态影像》
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00081_7
Katherine Adams
{"title":"No Master Territories: Feminist Worldmaking and the Moving Image","authors":"Katherine Adams","doi":"10.1386/jcs_00081_7","DOIUrl":"https://doi.org/10.1386/jcs_00081_7","url":null,"abstract":"Review of: No Master Territories: Feminist Worldmaking and the Moving Image\u0000 \u0000 Curated by Erika Balsom and Hila Peleg, Haus der Kulturen der Welt, Berlin, 19 June–28 August 2022","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46962341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Gallery as Contact Zone: Renée Green’s Taste Venue, 1994, at Pat Hearn Gallery, New York 作为联系区的画廊：蕾妮·格林的品味场所，1994年，位于纽约Pat Hearn画廊
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00078_1
Jeppe Ugelvig
{"title":"The Gallery as Contact Zone: Renée Green’s Taste Venue, 1994, at Pat Hearn Gallery, New York","authors":"Jeppe Ugelvig","doi":"10.1386/jcs_00078_1","DOIUrl":"https://doi.org/10.1386/jcs_00078_1","url":null,"abstract":"In 1994, artist Renée Green rendered the Pat Hearn Gallery as an open-ended site to study shifting taste cultures in New York City’s SoHo. The project tested the commercial gallery as a potential ‘contact zone’ (Mary Louise Pratt), where cultures meet and grapple with each other in asymmetrical relations of power. By embracing curatorial and museological tactics, she activated long-standing issues regarding the representation of race, first by ‘curating’ an exhibition of real and mimetic historical artefacts and second by refashioning the gallery as a venue for events. This article discusses how exhibitions may or may not facilitate contact zones. Focusing on postmodern ‘hipness’ in the 1990s, I argue that Green’s framing of the gallery as a site of trendiness complexifies Pratt’s idea of the contact zone as well as more classic sociological theories of class.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49544648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Curatorial Condition, Beatrice Von Bismarck 《策展条件》，碧翠丝·冯·俾斯麦
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00083_5
Alessandro Ferraro
{"title":"The Curatorial Condition, Beatrice Von Bismarck","authors":"Alessandro Ferraro","doi":"10.1386/jcs_00083_5","DOIUrl":"https://doi.org/10.1386/jcs_00083_5","url":null,"abstract":"Review of: The Curatorial Condition, Beatrice Von Bismarck\u0000 Berlin: Sternberg Press (2022), 206 pp., p/bk,\u0000 ISBN: 978-3-9567-9534-3, €22.00","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47103861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exposure: Native Art and Political Ecology 曝光:本土艺术与政治生态
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00082_7
Zoe Weldon-Yochim
{"title":"Exposure: Native Art and Political Ecology","authors":"Zoe Weldon-Yochim","doi":"10.1386/jcs_00082_7","DOIUrl":"https://doi.org/10.1386/jcs_00082_7","url":null,"abstract":"Review of: Exposure: Native Art and Political Ecology\u0000 \u0000 Curated by Kóan Jeff Baysa, Nivi Christensen (Inuit), Satomi Igarashi, Erin Vink (Ngiyampaa), Tania Willard (Secwepemc Nation) and Manuela Well-Off-Man, Institute of American Indian Arts, Museum of Contemporary Native Arts, Santa Fe, 20 August 2021-10 July 2022","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48977773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tasmania’s Museum of Old and New Art and the Intertextual Traces of English Romanticism 塔斯马尼亚新旧艺术博物馆与英国浪漫主义的文本痕迹
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00080_1
Paul Gladston, Lynne Howarth-Gladston
{"title":"Tasmania’s Museum of Old and New Art and the Intertextual Traces of English Romanticism","authors":"Paul Gladston, Lynne Howarth-Gladston","doi":"10.1386/jcs_00080_1","DOIUrl":"https://doi.org/10.1386/jcs_00080_1","url":null,"abstract":"Displays at the Museum of Old and New Art (MONA) in Hobart, Tasmania have been presented and received as an innovative democratizing departure from currently dominant curatorial paradigms. Attention is drawn in this article to multiple material similarities as well as resonances of signified meaning and affect between MONA and four sites of sublimely aestheticized experience/display constructed for socially elite audiences during the eighteenth and early nineteenth centuries as part of English romanticism. Viewed in this light, MONA can be understood to recast visual practices and aesthetic affects whose residual intertextual traces deconstructively qualify the museum’s existing presentation and reception.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44396427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Vogue for a New Interior: A Study of the Presentation and Interpretation of Servants’ Quarters in Country House Visits 新室内的时尚：乡村家访中公仆宿舍的呈现与解读研究
IF 0.3
Journal of Curatorial Studies Pub Date : 2023-04-01 DOI: 10.1386/jcs_00079_1
Riccardo Bela
{"title":"The Vogue for a New Interior: A Study of the Presentation and Interpretation of Servants’ Quarters in Country House Visits","authors":"Riccardo Bela","doi":"10.1386/jcs_00079_1","DOIUrl":"https://doi.org/10.1386/jcs_00079_1","url":null,"abstract":"The article is a study of the presentation and interpretation of servants’ quarters in country houses in England and Wales (Erddig, Lanhydrock, Audley End, Petworth and Ickworth), directed at theorizing the latest popular fascination about the ‘downstairs’. Hinging on Gaston Bachelard’s twofold reading of the interior as a contained physical space and an elusive imaginal one, the notion of home as the site of domesticity is compared with that of the country house, whose ‘domestication’ is surveyed in a series of visual and spatial analyses of its rooms and, specifically, its servants’ quarters. Probing the tendency of ‘leaving the green baize door’ to the servants’ quarters ‘ajar’ allows for an understanding of the reasons behind the inception and development of such a vogue, arguing that it is the experience of the tangible everyday that defines the popular ‘doing’ of the country house visit.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"185 2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41298996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Focalization and Embodied Viewing Experience in Exhibition Narrative: Asia > Amsterdam at the Rijksmuseum 展览叙事中的聚焦与具象化观展体验:亚洲博物馆/阿姆斯特丹
IF 0.3
Journal of Curatorial Studies Pub Date : 2022-10-01 DOI: 10.1386/jcs_00069_1
P. Yang
{"title":"Focalization and Embodied Viewing Experience in Exhibition Narrative: Asia > Amsterdam at the Rijksmuseum","authors":"P. Yang","doi":"10.1386/jcs_00069_1","DOIUrl":"https://doi.org/10.1386/jcs_00069_1","url":null,"abstract":"This article shows the importance of focalization in understanding potential ideological undertones and subjective interpretations of museum exhibitions. Focalization is conceived here as both a narrative device that denotes the perspectival filtration of a museum presentation and an analytical tool that can explicate the potential ideologies behind an exhibition. To illustrate facets of focalization often manifested in the interplay between exhibition designs and viewing experiences, I provide a close reading of the arrangement in Asia >\u0000 Amsterdam (2015), a temporary exhibition on cultural contact hosted by Amsterdam’s Rijksmuseum. Drawing on cultural theorist Mieke Bal’s conception of focalization, I call attention to an instance of internal focalization in a gallery that juxtaposed Chinese porcelain of the Ming dynasty (1368–1644) with seventeenth-century Dutch still lifes. This juxtaposition, along with the specific visual order of the showpieces, promoted an embodied spectatorship that is filtered by the subjective sensory impressions of the Dutch artists: a viewing experience that drew audiences into seeing the visual and material qualities of Ming porcelain as if through the eyes of Golden Age Dutch artists. In this way, the lens of focalization also offered a framework for examining the exhibition’s subtext regarding the Dutch domestication of Asian goods.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"63 8","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41246899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Okwui Enwezor: The Art of Curating, Jane Chin Davidson and Alpesh Kantilal Patel (eds) Okwui Enwezor:策展艺术，Jane Chin Davidson和Alpesh Kantilal Patel（编辑）
IF 0.3
Journal of Curatorial Studies Pub Date : 2022-10-01 DOI: 10.1386/jcs_00076_5
Joseph Konieczny
{"title":"Okwui Enwezor: The Art of Curating, Jane Chin Davidson and Alpesh Kantilal Patel (eds)","authors":"Joseph Konieczny","doi":"10.1386/jcs_00076_5","DOIUrl":"https://doi.org/10.1386/jcs_00076_5","url":null,"abstract":"Review of: Okwui Enwezor: The Art of Curating, Jane Chin Davidson and Alpesh Kantilal Patel (eds)\u0000 \u0000 Nka: Journal of Contemporary African Art, 48, May 2021, 152 pp.,\u0000 ISSN: 1478-0211-60, $27.00 USD","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45278134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
George Littlechild, ôta niya ê-ayâyân – kâ-ki-wâpamin? Here I am – Can you see me? George Littlechild， ôta niya ê-ayâyân - k<e:1> -ki- w<s:1> pamin?我来了，你能看见我吗?
IF 0.3
Journal of Curatorial Studies Pub Date : 2022-10-01 DOI: 10.1386/jcs_00073_7
Nadia S Kurd
{"title":"George Littlechild, ôta niya ê-ayâyân – kâ-ki-wâpamin? Here I am – Can you see me?","authors":"Nadia S Kurd","doi":"10.1386/jcs_00073_7","DOIUrl":"https://doi.org/10.1386/jcs_00073_7","url":null,"abstract":"","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42103474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Before Yesterday We Could Fly: An Afrofuturist Period Room 在昨天之前，我们可以飞:一个非洲未来主义时期的房间
IF 0.3
Journal of Curatorial Studies Pub Date : 2022-10-01 DOI: 10.1386/jcs_00072_7
Charlene K. Lau
{"title":"Before Yesterday We Could Fly: An Afrofuturist Period Room","authors":"Charlene K. Lau","doi":"10.1386/jcs_00072_7","DOIUrl":"https://doi.org/10.1386/jcs_00072_7","url":null,"abstract":"","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47115690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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