塔斯马尼亚新旧艺术博物馆与英国浪漫主义的文本痕迹

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY

Journal of Curatorial Studies Pub Date : 2023-04-01 DOI:10.1386/jcs_00080_1

Paul Gladston, Lynne Howarth-Gladston

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引用次数: 0

摘要

在塔斯马尼亚州霍巴特的新旧艺术博物馆(MONA)展出的展览，被认为是一种创新的、民主化的、背离当前主流策展范式的展览。本文关注的是《蒙娜丽莎》与四个在十八世纪和十九世纪早期作为英国浪漫主义的一部分为社会精英观众构建的高度审美化的体验/展示场所之间的多重材料相似性以及意义和影响的共鸣。从这个角度来看，MONA可以被理解为重塑视觉实践和美学影响，其残留的互文痕迹解构地限定了博物馆现有的呈现和接待。

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Tasmania’s Museum of Old and New Art and the Intertextual Traces of English Romanticism

Displays at the Museum of Old and New Art (MONA) in Hobart, Tasmania have been presented and received as an innovative democratizing departure from currently dominant curatorial paradigms. Attention is drawn in this article to multiple material similarities as well as resonances of signified meaning and affect between MONA and four sites of sublimely aestheticized experience/display constructed for socially elite audiences during the eighteenth and early nineteenth centuries as part of English romanticism. Viewed in this light, MONA can be understood to recast visual practices and aesthetic affects whose residual intertextual traces deconstructively qualify the museum’s existing presentation and reception.

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来源期刊

Journal of Curatorial Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes ''the curatorial''. Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology. As a critical and responsive forum for debate in the emerging field of curatorial studies, the journal will foster scholarship in the theory, practice and history of curating, as well as that of exhibitions and display culture in general. The journal supports in-depth investigations of contemporary and historical exhibitions, case studies of curators and their engagements, and analyses of the critical dynamics influencing the production of exhibitions in art and broader display culture. The Journal of Curatorial Studies invites contributions from scholars within curatorial studies, art history, museum studies, cultural studies, and other academic disciplines. The journal publishes both thematic and open issues, and features research articles, contemporary and historical case studies, interviews with curators, artists and theorists, and reviews of books, exhibitions and conferences.