新室内的时尚：乡村家访中公仆宿舍的呈现与解读研究

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY

Journal of Curatorial Studies Pub Date : 2023-04-01 DOI:10.1386/jcs_00079_1

Riccardo Bela

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引用次数: 0

摘要

这篇文章是对英格兰和威尔士(Erddig, Lanhydrock, Audley End, Petworth和Ickworth)乡村别墅中仆人宿舍的呈现和解释的研究，旨在将最新流行的关于“楼下”的迷恋理论化。加斯顿·巴舍拉(Gaston Bachelard)对室内的双重解读是一个包含的物理空间和一个难以捉摸的想象空间，作为家庭生活场所的家的概念与乡村住宅的概念进行了比较，乡村住宅的“驯化”是通过对其房间，特别是仆人宿舍的一系列视觉和空间分析来调查的。探索“把绿色的粗呢门”“半开着”留给仆人宿舍的趋势，可以理解这种时尚开始和发展背后的原因，认为这是有形的日常体验，定义了乡村别墅访问的流行“行为”。

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The Vogue for a New Interior: A Study of the Presentation and Interpretation of Servants’ Quarters in Country House Visits

The article is a study of the presentation and interpretation of servants’ quarters in country houses in England and Wales (Erddig, Lanhydrock, Audley End, Petworth and Ickworth), directed at theorizing the latest popular fascination about the ‘downstairs’. Hinging on Gaston Bachelard’s twofold reading of the interior as a contained physical space and an elusive imaginal one, the notion of home as the site of domesticity is compared with that of the country house, whose ‘domestication’ is surveyed in a series of visual and spatial analyses of its rooms and, specifically, its servants’ quarters. Probing the tendency of ‘leaving the green baize door’ to the servants’ quarters ‘ajar’ allows for an understanding of the reasons behind the inception and development of such a vogue, arguing that it is the experience of the tangible everyday that defines the popular ‘doing’ of the country house visit.

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来源期刊

Journal of Curatorial Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes ''the curatorial''. Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology. As a critical and responsive forum for debate in the emerging field of curatorial studies, the journal will foster scholarship in the theory, practice and history of curating, as well as that of exhibitions and display culture in general. The journal supports in-depth investigations of contemporary and historical exhibitions, case studies of curators and their engagements, and analyses of the critical dynamics influencing the production of exhibitions in art and broader display culture. The Journal of Curatorial Studies invites contributions from scholars within curatorial studies, art history, museum studies, cultural studies, and other academic disciplines. The journal publishes both thematic and open issues, and features research articles, contemporary and historical case studies, interviews with curators, artists and theorists, and reviews of books, exhibitions and conferences.