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The Literati, the Eunuch, and a Memorial: The Nelson-Atkins’s Red Cliff Handscroll Revisited 文人、太监与纪念:纳尔逊-阿特金斯的赤壁手卷重访
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-06-06 DOI: 10.1353/AAA.2016.0011
Lei Xue
{"title":"The Literati, the Eunuch, and a Memorial: The Nelson-Atkins’s Red Cliff Handscroll Revisited","authors":"Lei Xue","doi":"10.1353/AAA.2016.0011","DOIUrl":"https://doi.org/10.1353/AAA.2016.0011","url":null,"abstract":"Abstract:The Nelson-Atkins Museum of Art’s Illustration to the Second Prose Poem on the Red Cliff, attributed to Qiao Zhongchang, has been long celebrated as a major achievement of early Chinese literati painting. Nevertheless, the lifelike portraiture of Su Shi and the depiction of an actual site, as well as the contemporary colophons, all point to a memorial function for the scroll. The early provenance of this handscroll indicates that Liang Shicheng, the eunuch at Emperor Huizong’s court, was the one who commissioned it. The painting bears witness to the appropriation of the Li Gonglin style in the late Northern Song court.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"66 1","pages":"25 - 49"},"PeriodicalIF":0.5,"publicationDate":"2016-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
King Jeongjo’s Patronage of Kim Hong-do 正祖王对金弘道的庇护
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-06-06 DOI: 10.1353/AAA.2016.0012
K. Kim
{"title":"King Jeongjo’s Patronage of Kim Hong-do","authors":"K. Kim","doi":"10.1353/AAA.2016.0012","DOIUrl":"https://doi.org/10.1353/AAA.2016.0012","url":null,"abstract":"The eighteenth-century Korean painter Kim Hong-do 金弘道 (1745–ca. 1806) still dazzles today’s viewers with his paintings of genre scenes and Daoist immortals, just as he astonished his contemporaries with his talent and versatility. Although he had numerous patrons, none had as much impact on his art as King Jeongjo 正祖 (r. 1776–1800). By examining written records and Kim’s extant paintings, this paper explores and assesses the significance of King Jeongjo’s patronage in unlocking the opportunities that enabled Kim Hong-do to reach his full potential as the most versatile painter in Korea.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"66 1","pages":"51 - 80"},"PeriodicalIF":0.5,"publicationDate":"2016-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66579133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Made by the Empire: Wang Xizhi’s Xingrangtie and Its Paradoxes 帝国制造:王羲之的兴发铁及其悖论
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0003
M. Kern
{"title":"Made by the Empire: Wang Xizhi’s Xingrangtie and Its Paradoxes","authors":"M. Kern","doi":"10.1353/AAA.2016.0003","DOIUrl":"https://doi.org/10.1353/AAA.2016.0003","url":null,"abstract":"Abstract:The essay explores the history of one of the most celebrated pieces of Chinese calligraphy, an early Tang tracing copy of Ritual to Pray for Good Harvest (Xingrangtie) by Wang Xizhi (303-ca. 361). The Tang paper slip with its fifteen characters is merely 8.9 cm wide but embedded into a scroll of 372 cm, with seals and colophons from three Chinese emperors and an illustrious line of connoisseurs. The essay explores the numerous paradoxes in the reception of both the scroll and the Wang Xizhi persona, with the scroll exemplifying the constructed nature of Wang’s persona in its dialectic relationship to Chinese imperial culture.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"117 - 137"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Fifteenth-Century Sino-Tibetan Buddha Hall at the Lu Family Tusi 吕家土寺15世纪汉藏佛殿
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0002
Aurelia Campbell
{"title":"A Fifteenth-Century Sino-Tibetan Buddha Hall at the Lu Family Tusi","authors":"Aurelia Campbell","doi":"10.1353/AAA.2016.0002","DOIUrl":"https://doi.org/10.1353/AAA.2016.0002","url":null,"abstract":"This paper focuses on Miaoyinsi, a Buddhist temple in Yongdeng County, Gansu province, at the Sino-Tibetan frontier. Miaoyinsi was constructed by the Mongolian Lu family, who governed this region beginning in the fifteenth century under the hereditary title tusi. Miaoyinsi’s main hall is unusual architecturally because while it is primarily a traditional Chinese structure, a narrow corridor wraps around three sides of the building, a feature more commonly associated with the architecture of Tibet. This hybrid building type exists in several other temples within this borderland region and can be considered a local architectural response to Tibetan Buddhist ritual practices.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"115 - 87"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim’s “Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea” 从工作室到柴格里——跨文化之旅——金圣林的《柴格里:朝鲜后期的多维信息》简介
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/aaa.2016.0008
J. Silbergeld
{"title":"From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim’s “Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea”","authors":"J. Silbergeld","doi":"10.1353/aaa.2016.0008","DOIUrl":"https://doi.org/10.1353/aaa.2016.0008","url":null,"abstract":"","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"239 - 240"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Bitter Songs and Poetic Images: An Introduction to Susan Bush’s “Mi Youren’s and Sima Huai’s Joint Poetry Illustrations” 苦涩的歌曲与诗意的意象:苏珊·布什“米友人、司马怀联合诗歌插画”简介
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0009
J. Silbergeld
{"title":"Bitter Songs and Poetic Images: An Introduction to Susan Bush’s “Mi Youren’s and Sima Huai’s Joint Poetry Illustrations”","authors":"J. Silbergeld","doi":"10.1353/AAA.2016.0009","DOIUrl":"https://doi.org/10.1353/AAA.2016.0009","url":null,"abstract":"","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"241 - 242"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66579256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Painted Palm-Leaf Manuscripts and the Art of the Book in Medieval South Asia 绘画棕榈叶手稿与中世纪南亚的书籍艺术
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0001
Jinah Kim
{"title":"Painted Palm-Leaf Manuscripts and the Art of the Book in Medieval South Asia","authors":"Jinah Kim","doi":"10.1353/AAA.2016.0001","DOIUrl":"https://doi.org/10.1353/AAA.2016.0001","url":null,"abstract":"What was the main principle behind the design strategies developed to prepare painted palm-leaf manuscripts in medieval South Asia? How did various Indic religious communities design their manuscripts? By bringing together surviving painted manuscripts of heterogeneous religious traditions as well as contemporaneous sculptural representations and textual sources relating to the ritual practices involving books, this study suggests that a book was conceived and designed as a temple in Indic context. Taking innovative design strategies of twelfth-century Buddhist manuscripts as a starting point, it also demonstrates how a larger, architectural approach can help us better understand the art of the book in India.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"57 - 86"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The Pulled Back View: The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan 向后看:伊彭的插图生活和中世纪日本因果报应的可见性
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0000
C. Foxwell
{"title":"The Pulled Back View: The Illustrated Life of Ippen and the Visibility of Karma in Medieval Japan","authors":"C. Foxwell","doi":"10.1353/AAA.2016.0000","DOIUrl":"https://doi.org/10.1353/AAA.2016.0000","url":null,"abstract":"Abstract:The Ippen hijiri-e (Illustrated Life of the Holy Man Ippen, 1299) by En’i is distinctive among medieval Japanese hagiographic emaki (picture handscrolls) for its use of a high, distant vantage point in each of the forty-eight scenes. This article situates the Ippen within the development of the landscape handscroll in East Asia. While the Ippen is usually understood as a biographical narative, it can also be seen as an ink landscape journey in handscroll form. A comparison between the Ippen hijiri-e, the Shōjūraigoji Six Realms paintings (before 1307), and the Yamai no sōshi (Scroll of Afflictions, 12th–13th centuries) suggests that the pulled back view also emphasizes the karmic interweaving of actions and individuals in the larger world.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"25 - 56"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66577999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Imperial Apparitions: Manchu Buddhism and the Cult of Mañjuśrī 帝国显灵:满族佛教和Mañjuśrī的崇拜
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0004
Wen-shing Chou
{"title":"Imperial Apparitions: Manchu Buddhism and the Cult of Mañjuśrī","authors":"Wen-shing Chou","doi":"10.1353/AAA.2016.0004","DOIUrl":"https://doi.org/10.1353/AAA.2016.0004","url":null,"abstract":"Abstract:This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong’s consuming interest in the vision cult of Wutai Shan’s resident deity Mañjuśrī is displayed in the building of the three monasteries, which were all modelled after famed temples at Wutai Shan. An investigation of the ritual, architectural, and artistic productions surrounding the three monasteries reveals the crafting of a distinct Manchu Imperial Buddhist identity centered on Qianlong himself as the apparition of Mañjuśrī at Wutai Shan.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"65 1","pages":"139 - 179"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Allegorical Landscape: Lang Jingshan’s Photography in Context 讽喻的风景:语境中的郎景山摄影
IF 0.5 1区 艺术学
ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI: 10.1353/AAA.2016.0006
Mia Yinxing Liu
{"title":"The Allegorical Landscape: Lang Jingshan’s Photography in Context","authors":"Mia Yinxing Liu","doi":"10.1353/AAA.2016.0006","DOIUrl":"https://doi.org/10.1353/AAA.2016.0006","url":null,"abstract":"Abstract:This paper examines Lang Jingshan’s landscape photography in its historical and political contexts. Tracing Lang’s oeuvre from Shanghai to Chongqing to Taiwan, it also studies how the pictures were commissioned, made, and perceived. I argue that Lang’s photographic art, often considered to be unoriginal and conservative or utopian escapism removed from reality, has in fact engaged with the political and historical turmoil of the times.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"188 1","pages":"1 - 24"},"PeriodicalIF":0.5,"publicationDate":"2016-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/AAA.2016.0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66578514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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