Made by the Empire: Wang Xizhi’s Xingrangtie and Its Paradoxes

IF 0.2 1区 艺术学 0 ART
M. Kern
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引用次数: 2

Abstract

Abstract:The essay explores the history of one of the most celebrated pieces of Chinese calligraphy, an early Tang tracing copy of Ritual to Pray for Good Harvest (Xingrangtie) by Wang Xizhi (303-ca. 361). The Tang paper slip with its fifteen characters is merely 8.9 cm wide but embedded into a scroll of 372 cm, with seals and colophons from three Chinese emperors and an illustrious line of connoisseurs. The essay explores the numerous paradoxes in the reception of both the scroll and the Wang Xizhi persona, with the scroll exemplifying the constructed nature of Wang’s persona in its dialectic relationship to Chinese imperial culture.
帝国制造:王羲之的兴发铁及其悖论
摘要:本文探讨了中国最著名的书法作品之一——王羲之(303-ca)的初唐描摹本《祈福礼》的历史。361)。这张有15个字的唐纸宽仅8.9厘米,但嵌在372厘米的卷轴上,上面有三位中国皇帝的印章和印章,还有一排杰出的鉴赏家。本文探讨了在接受卷轴和王羲之人格的过程中存在的诸多悖论,而卷轴则体现了王羲之人格在其与中国帝国文化的辩证关系中的建构本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
20.00%
发文量
13
期刊介绍: Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
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