Imperial Apparitions: Manchu Buddhism and the Cult of Mañjuśrī

IF 0.2 1区艺术学 0 ART

ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI:10.1353/AAA.2016.0004

Wen-shing Chou

引用次数: 2

Abstract

Abstract:This essay reconsiders the Qing imperial appropriation of the sacred mountain range of Wutai Shan through a study of three Manchu monasteries, Baodi Si, Baoxiang Si, and Shuxiang Si, built at the court of the Qianlong emperor between 1750 and 1775. Qianlong’s consuming interest in the vision cult of Wutai Shan’s resident deity Mañjuśrī is displayed in the building of the three monasteries, which were all modelled after famed temples at Wutai Shan. An investigation of the ritual, architectural, and artistic productions surrounding the three monasteries reveals the crafting of a distinct Manchu Imperial Buddhist identity centered on Qianlong himself as the apparition of Mañjuśrī at Wutai Shan.

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帝国显灵:满族佛教和Mañjuśrī的崇拜

摘要:本文通过对1750年至1775年间建于乾隆朝廷的三座满清寺院——宝帝寺、宝香寺和树香寺的研究，重新审视了清帝国对五台山神山的侵占。乾隆对五台山住神Mañjuśrī视觉崇拜的浓厚兴趣体现在三座寺庙的建筑上，这三座寺庙都是以五台山著名寺庙为原型建造的。对这三座寺庙周围的仪式、建筑和艺术作品的调查揭示了一种独特的满清帝国佛教身份的制作，其中心是乾隆自己在五台山的幽灵Mañjuśrī。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ARCHIVES OF ASIAN ART Multiple-

CiteScore

0.40

自引率

20.00%

发文量

期刊介绍： Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.