{"title":"The Girls Are Alright: Examining Protective Factors of US Black Culture and Its Impact on the Resilience of Black Girls and Women","authors":"Bennefield Zinobia, Jackson Taylor","doi":"10.1515/culture-2022-0148","DOIUrl":"https://doi.org/10.1515/culture-2022-0148","url":null,"abstract":"Abstract An overarching narrative exists that the self-concept of Black girls is adversely impacted by the negative portrayals of Black Americans in the mainstream media. We assert that this mainstream narrative presents a deficit model account in which Black girls are perpetual victims of white racism. A more complete narrative, one that we offer in this essay, is that while the white patriarchal society has tried, through various means, to undermine the self-esteem of Black Americans, Black girls are healthy, confident, and full of belief in themselves, their beauty, and their power. We argue that much of the power exhibited by Black girls can be attributed to three crucial supports. First, the Black childhood facilitated by the Black family, Black spirituality or “Black girl magic” as it has come to be known in the mainstream, and sisterhood with peers and elders. We offer this counter narrative in order to challenge the predominate account but also to enable critical thought about the resilience Black girls possess, a magic wherein they engage in self-definition and see their worth despite society’s attempts to crush their souls.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"218 - 227"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48818253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Topoanalysis and the City Space in the Literary Writings of Amitava Kumar","authors":"A. Anand, P. Tripathi","doi":"10.1515/culture-2022-0143","DOIUrl":"https://doi.org/10.1515/culture-2022-0143","url":null,"abstract":"Abstract In the postmodernist transnational moment, the “city” is a “distinctive location of diasporic dwelling, belonging and attachment” and that the city as home is rooted in “city-specific memories” (Blunt and Bonnerjee 237). Emotions and feelings are not static in nature; the very place where one is born becomes a memory house once the individual moves out. Thus, with dispersion, the spaces of “home” transcend to other physical aspects related to it, i.e., the “locality, town or city spaces” (Roy 141) where one has spent a considerable amount of time. Gaston Bachelard in his formulation of “topoanalysis” analyzes the subjective phenomenological expression vis-à-vis “home” and contends that memories of it are not something remembered, but rather, are entwined with the present. From the literary writings of Amitava Kumar, whose major setting is his hometown “Patna,” the article considers the “city” as a sentimental space of “home” that often forms the core of his varied literary works and manifested through the diasporic consciousness of the author. His literary writings, such as Passport Photos, Bombay-London-New York and A Matter of Rats, showcase the author’s constant negotiation of Patna. The literary texts under consideration explore how Kumar extrapolates through his “sense of place” (Agnew in Creswell 7), where “home” becomes an instrument of “topoanalysis” (Bachelard 8). Using Kumar’s literary texts as a literary example, this article offers new ways into thinking of the associated concerns of diaspora, home, city spaces and topoanalysis.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"64 - 75"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41591477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
V. N. Oliphant, Deja Broyles, Déjà N. Clement, LaRicka R Wingate
{"title":"Mental Health Strategies Informed by Black Feminist Thought","authors":"V. N. Oliphant, Deja Broyles, Déjà N. Clement, LaRicka R Wingate","doi":"10.1515/culture-2022-0151","DOIUrl":"https://doi.org/10.1515/culture-2022-0151","url":null,"abstract":"Abstract There is currently a gap in the literature that explicitly connects Black feminist thought with psychological theory, research, or intervention. This article review aims to assist in filling the gap and inspire scholars to actively utilize the knowledge of Black feminism and apply it to culturally specific mental health resources for Black women. There is a need for a new generation of Black feminists to intentionally center Black women’s mental health in psychological research and therapeutic practices. Black women’s mental health is an important part of Black feminism, and accordingly psychological theory, research, and intervention should actively incorporate Black feminist thought. This article seeks to call attention to specific ways Black women can preserve and strengthen their mental health and maintain resiliency. Specifically, this review highlights three Black feminist-informed strategies that can aid in supporting Black women’s mental health: practicing essential/critical affirmations, raising Black consciousness, and intentional self-definition.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"137 - 146"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48793438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Black Feminist Organizing and Caribbean Cyberfeminisms in Puerto Rico","authors":"M. Stephens","doi":"10.1515/culture-2022-0149","DOIUrl":"https://doi.org/10.1515/culture-2022-0149","url":null,"abstract":"Abstract This article centers Black feminist organizing in Puerto Rico, highlighting social media as a tool for racial and gender justice. Collaboration between Puerto Rican feminist organizations on social media platforms amplifies their on-the-ground work and demands. Mapping Caribbean Cyberfeminisms (2016) theorizes Caribbean cyberfeminisms as “knowledge-producing spaces of political thought and action” online by Caribbean feminists. I argue that through content creation and curation, reposting and sharing, commenting and captioning, broadcasting live, Black feminist collectives, organizations and projects in Puerto Rico use digital and virtual technologies to extend their Black feminist organizing and collaboration, building a Caribbean cyberfeminist network in the process.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"147 - 166"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42127134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Plural/Singular in Pierre Huyghe’s Interventions in the 1990s","authors":"Kamil Lipiński","doi":"10.1515/culture-2022-0161","DOIUrl":"https://doi.org/10.1515/culture-2022-0161","url":null,"abstract":"Abstract The essay aims to reexamine the underlying contexts and the nature of site-specific projection in Light Conical Intersect by Pierre Huyghe by addressing the critical intervention of Gordon Matta-Clark in public space. The essay offers a broad overview of the contexts and the nature of light metaphors. The aim of this research is to delve into how these sorts of light interventions stimulate the debate concerning the public sphere via live events. The essay moves from the approach of using a cone light across the gallery space to one that reflects the cone whole cut in a construction building. It finally illustrates a site-specific projection of the documentary footage from the intervention 20 years later. The crucial point is that layered superposition in projection is a special attribute of the interventions in the nineties of the twentieth century. The essay concludes that the theoretical framework of “plural/singular” arts articulated by Jean-Luc Nancy enables us to retrace the artistic contexts of cone-shaped installations that operate with a circumscribed reservoir of iconographic and thematic components.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"272 - 279"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47444336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Potentials and Occlusions of Zhonghua Minguo/Taiwan: In Search of a Left Nationalism in the Tsai Ing-wen Era","authors":"Mark McConaghy","doi":"10.1515/culture-2020-0131","DOIUrl":"https://doi.org/10.1515/culture-2020-0131","url":null,"abstract":"Abstract Tsai Ing-wen has consistently referred to the nation that she governs as 中華民國台灣 (The Republic of China Taiwan), the term representing a major rhetorical feature of her administration. Breaking from the exclusively Taiwan-centered discourse which traditionally defined DPP politics, Tsai has seemingly created an entirely new name for the state she governs. This article examines both the discursive potentials, but also the occlusions, of this newly coined neologism. It argues that the term is defined by a lack of materialist critique, in which essential questions regarding labor exploitation and private property regimes remain unaddressed. While Tsai has successfully combined the ROC’s old Cold War raison d'etre (Chinese humanism as anti-Communism) with the Taiwanese independence movement’s desire for global recognition through the nation-state form, what has been lost is any real commitment to a politics of working-class empowerment, which is reflected in the Tsai administration’s abandonment of progressive labor law reform in 2018, as well as increasing trade liberalization policies with the US introduced in 2020. Returning to the roots of Taiwanese socialist discourse, this article will examine the possibility that “ROC-Taiwan” as a political project could still have a socialist future, despite its markedly capitalist past and present.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"38 - 53"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47516053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Posthumanist Cultural Studies: Taking the Nonhuman Seriously","authors":"Florian Cord","doi":"10.1515/culture-2020-0138","DOIUrl":"https://doi.org/10.1515/culture-2020-0138","url":null,"abstract":"Abstract In recent years, there has been a pronounced (re-)turn to questions of ontology, matter, and realism in the humanities and social sciences. What all these theoretical formations have in common is their profound challenge to human exceptionalism. Taken together, these approaches have productively been described as constituting a “nonhuman turn.” This article is a theoretical exploration of the relationship between the intellectual and political practice of Cultural Studies on the one hand and the nonhuman turn on the other. For this purpose, it brings both “into encounter” (Donna Haraway), investigating points of affinity, tension, and compatibility. The essay argues that such a theoretical encounter could prove to be tremendously fruitful, both intellectually and politically, and that Cultural Studies should thus take a genuine interest in these new approaches, engage with them, put them to the test, and, when needed, “translate” and “re-articulate” them. The result could be a Cultural Studies for the Anthropocene which would have a lot to contribute to the critical (cultural/political/social/economic) struggles being fought today.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"25 - 37"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47772027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Bassam Al Saideen, Ahmad S. Haider, Linda S. Al-Abbas
{"title":"Erotizing Nabokov’s Lolita in Arabic: How Translation Strategies Shift Themes and Characterization of Literary Works","authors":"Bassam Al Saideen, Ahmad S. Haider, Linda S. Al-Abbas","doi":"10.1515/culture-2022-0163","DOIUrl":"https://doi.org/10.1515/culture-2022-0163","url":null,"abstract":"Abstract Given the conservative nature of Arab societies, Vladimir Nabokov’s English novel Lolita (1955) poses considerable challenges to Arab translators because of its pornographic nature and controversial themes: pedophilia, incest, and young teenage sex. This study mainly examines the translation of Lolita by Mola with occasional references to Jubaili’s translation of the novel. It also investigates the translation strategies employed by the two translators. The findings showed that Jubaili followed the literal approach of translation with no significant deviation from the novel’s themes and characterization. On the other hand, Mola dysphemized the expressions and eroticized the events, which were more euphemistic in the original. Mola’s utilization of some translation strategies such as omission, addition, and substitution affected the representation of the main characters, namely, Humbert (stepfather) and Lolita (stepdaughter), by shifting their roles as victim and victimizer, making Humbert’s actions less culpable, and removing any traces of Lolita’s innocence. In so doing, Mola reinforces sexual norms for young American women and diminishes the pedophile/incest angle. This study is significant, particularly within the context of translators’ training and for those interested in literary translation.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"307 - 321"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47189490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Painting, Interpretation, Education: Tables of Knowledge in the Imagines of Philostratus the Athenian","authors":"Jørgen Bakke","doi":"10.1515/culture-2022-0158","DOIUrl":"https://doi.org/10.1515/culture-2022-0158","url":null,"abstract":"Abstract This article shows how the descriptions of paintings (Imagines) by the ancient Greek author Philostratus (third century AD) can be viewed as pedagogical tools in the introduction to higher education. Philostratus presented his descriptions in the context of a tour in a picture gallery for young students. In the study presented here, the pedagogical context is taken seriously. With the means of three examples, the study shows how Philostratus uses his descriptions to guide his students into the interpretation of paintings, agriculture, and astronomy. Rather than simply present exemplary rhetorical descriptions of paintings as one would expect a rhetorical teacher to do, Philostratus uses paintings as pedagogical working tables where students can view simplified versions of complex fields of knowledge, an approach that is not unlike the visual presentation of introductory knowledge on old-fashioned cardboard wallcharts in modern schools.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"280 - 293"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47628272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fansubbers’ Subtitling Strategies of Swear Words from English into Arabic in the Bad Boys Movies","authors":"Omair Al-Zgoul, S. Al-Salman","doi":"10.1515/culture-2022-0156","DOIUrl":"https://doi.org/10.1515/culture-2022-0156","url":null,"abstract":"Abstract This research investigates the strategies used by fansubbers to translate English culture-bound expressions into Arabic. It further investigates the functions of swear words and how the fansubber regenerated their functional connotations. The corpus of the study consists of English subtitles and Arabic fansubs of the Bad Boys movies. The researchers analyzed the data both quantitatively and qualitatively. The frameworks adopted in this research are the strategies proposed by Diaz-Cintas and Remael and the classification model of swear words presented by Ljung. The findings showed that the fansubber rendered the culture-bound expressions using seven strategies, the most dominant of which is omission at almost 37%. Other strategies varied in their percentage with: transposition, second-most utilized at 29%, followed by explicitation (25%), calques (8%), loanwords (0.2%), lexical creation (0.5%), and compensation (0.13%). The results showed that these strategies were sometimes wrongly used due to the lack of guidelines for fansubs. On the other hand, the dominant function of swearing used in the movie is the standalone one. Noticeably, the connotation of functional elements was often neglected by the fansubber. Thus, the fansubs were sometimes lacking in accuracy. Finally, the current research provides some implications and recommendations for translators when handling culture-bound expressions.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":"6 1","pages":"199 - 217"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47444581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}