Painting, Interpretation, Education: Tables of Knowledge in the Imagines of Philostratus the Athenian

IF 0.5 Q3 CULTURAL STUDIES
Jørgen Bakke
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引用次数: 0

Abstract

Abstract This article shows how the descriptions of paintings (Imagines) by the ancient Greek author Philostratus (third century AD) can be viewed as pedagogical tools in the introduction to higher education. Philostratus presented his descriptions in the context of a tour in a picture gallery for young students. In the study presented here, the pedagogical context is taken seriously. With the means of three examples, the study shows how Philostratus uses his descriptions to guide his students into the interpretation of paintings, agriculture, and astronomy. Rather than simply present exemplary rhetorical descriptions of paintings as one would expect a rhetorical teacher to do, Philostratus uses paintings as pedagogical working tables where students can view simplified versions of complex fields of knowledge, an approach that is not unlike the visual presentation of introductory knowledge on old-fashioned cardboard wallcharts in modern schools.
绘画、阐释、教育:雅典人斐洛斯特拉图斯想象中的知识表
摘要本文展示了如何将古希腊作家Philostratus(公元三世纪)对绘画(意象)的描述视为高等教育入门的教学工具。Philostratus在一个为年轻学生开设的图片画廊的参观中介绍了他的描述。在这里提出的研究中,教学环境受到了重视。通过三个例子,该研究展示了Philostratus如何利用他的描述来引导他的学生理解绘画、农业和天文学。Philostratus并没有像修辞老师所期望的那样简单地对绘画进行典型的修辞描述,而是将绘画作为教学工作台,学生可以在这里查看复杂知识领域的简化版本,这种方法与现代学校在老式硬纸板挂图上视觉呈现入门知识并无不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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