Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage最新文献_第9页

Protection of national heritage in the light of the applicable law and the actions provided in this area by police in Poland 根据适用的法律和波兰警方在这方面采取的行动保护民族遗产

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.11

Jacek Dworzecki, I. Nowicka, A. Urbanek, Adam Kwiatkowski

引用次数: 0

Museum education in semi-peripheries: social, cultural and economic aspects of the globalisation of Polish and Slovak heritage institutions 半外围的博物馆教育:波兰和斯洛伐克遗产机构全球化的社会、文化和经济方面

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.2.3

Dominik Porczyński, L. Vargová

引用次数: 3

Values, strengths and futures of museums, libraries and community centres as seen by experts in the field: First round results of a Delphi study 专家眼中的博物馆、图书馆和社区中心的价值、优势和未来:德尔菲研究的第一轮结果

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.2.4

J. Tóth

{"title":"Values, strengths and futures of museums, libraries and community centres as seen by experts in the field: First round results of a Delphi study","authors":"J. Tóth","doi":"10.46284/mkd.2020.8.2.4","DOIUrl":"https://doi.org/10.46284/mkd.2020.8.2.4","url":null,"abstract":"In the process of building local communities with shared cultural values, museums, libraries and community centres are key agents in civil society. When these institutions project specific notions and ideal types of identity and citizenship, they have the potential to produce changes in people’s behaviour. It is only natural that political bodies are interested in these processes. On 16 September 2016, the Ministry of Human Capacities of the Hungarian Government launched an EU-funded project with the primary aim of strengthening social cohesion within the region. As a part of this project, we surveyed 59 professionals working in Hungarian museums, libraries and community centres, using the Delphi method, to gain insights about their capacities, needs, and visions. This article presents the results of the first round of analysis. Respondents’ answers were analysed using NVivo qualitative data analysis software, which resulted in a thematic map showing the main problems professionals in these sectors are struggling with, and highlighting the kinds of visions they had for their institutions’ future. The study clearly shows that the cultural sector is plagued by financial problems, and that there is a strong need for reform when it comes to the professional training of workers in these fields. Regarding the future, visions are centred around cultural institutions increasingly becoming community spaces, thinktanks, and ideas workshops that consciously guide community formation.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70477957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

African Art: The Journey from Ethnological Collection to the Museum of Art 非洲艺术:从民族学收藏到艺术博物馆的旅程

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.10

A. Pawłowska

{"title":"African Art: The Journey from Ethnological Collection to the Museum of Art","authors":"A. Pawłowska","doi":"10.46284/mkd.2020.8.4.10","DOIUrl":"https://doi.org/10.46284/mkd.2020.8.4.10","url":null,"abstract":"This article aims to show the transformation in the way African art is displayed in museums which has taken place over the last few decades. Over the last 70 years, from the second half of the twentieth century, the field of African Art studies, as well as the forms taken by art exhibitions, have changed considerably. Since W. Rubin’s controversial exhibition Primitivism in 20th Century Art at MoMA (1984), art originating from Africa has begun to be more widely presented in museums with a strictly artistic profile, in contrast to the previous exhibitions which were mostly located in ethnographical museums. This could be the result of the changes that have occurred in the perception of the role of museums in the vein of new museology and the concept of a “curatorial turn” within museology. But on the other hand, it seems that the recognition of the artistic values of old and contemporary art from the African continent allows art dealers to make large profits from selling such works. This article also considers the evolution of the idea of African art as a commodity and the modern form of presentations of African art objects. The current breakthrough exhibition at the Bode Museum in Berlin is thoroughly analysed. This exhibition, entitled Beyond compare, presents unexpected juxtapositions of old works of European art and African objects of worship. Thus, the major purpose of this article is to present various benefits of shifting meaning from “African artefacts” to “African objects of art,” and therefore to relocate them from ethnographic museums to art museums and galleries","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70478184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

VR technologies as an extension to the museum exhibition: A case study of the Silk Road museums in Samarkand VR技术作为博物馆展览的延伸——以撒马尔罕丝绸之路博物馆为例

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.6

K. Żyła, J. Montusiewicz, S. Skulimowski, Rahim Kayumov

引用次数: 12

Review of the exhibition: “Als Ich Can”, 10 July - 6 January 2020, Kunstkammer, Kunsthistorisches Museum, Viena 展览回顾:“我也能”，2020年7月10日至1月6日，维也纳艺术史博物馆

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.2.7

Oskar J. Rojewski

引用次数: 0

Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage 当代乌克兰犹太教堂装饰:文化和艺术遗产保护的实践

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.8

E. Kotlyar, L. Sokolyuk, T. Pavlova

{"title":"Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage","authors":"E. Kotlyar, L. Sokolyuk, T. Pavlova","doi":"10.46284/mkd.2020.8.4.8","DOIUrl":"https://doi.org/10.46284/mkd.2020.8.4.8","url":null,"abstract":"There are approximately ten historical synagogue buildings left in Ukraine today which continue, to varying extents, to preserve their original wall paintings and decoration. A number of these were only recently discovered. The attempts underway, beginning in the early 2000s, to preserve as well as uncover old paintings often produce the opposite effect, destroying authentic works. The cultural significance of these historical landmarks requires that they be included in a single international register, along with supervision and an agreed upon preservation program designed individually for each. Synagogue wall paintings will inevitably perish unless ways of transferring this heritage are sought that will move these works to a different and more reliable “medium of cultural memory”. Different, innovative approaches to museum preservation and ways of presenting these works to public view are called for. Among the tried and tested options are: reconstructing old synagogue interiors which contain wall or ceiling paintings; using motifs taken from the original paintings in new works being produced for the Jewish community; and work on exhibition projects, catalogues and two-dimensional reconstruction models.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70478943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Professional standards in museum pedagogy in the international context 国际背景下博物馆教育学的专业标准

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.3

Lucie Jagošová

{"title":"Professional standards in museum pedagogy in the international context","authors":"Lucie Jagošová","doi":"10.46284/mkd.2020.8.4.3","DOIUrl":"https://doi.org/10.46284/mkd.2020.8.4.3","url":null,"abstract":"Professional standards of museum work are defined by the clearly formulated International Council of Museums (ICOM) Code of Ethics and by the activity of professional organisations on both national and international levels. The goal to establish the general requirements for the education of museum workers was mainly pursued by the ICOM and some of its committees. Since museum pedagogy has developed into an independent discipline and museum pedagogue (educator) has became a full-value profession, the specialised commissions within individual professional organisations and the efforts of individual researchers have helped to gradually transform these general requirements into specific standards of museum pedagogy. These standards reflect both the scope of activities and necessary competencies of museum pedagogues, and the expected quality of education practice in museums (best practice). The varied views of professional standards for museum pedagogues in the international context represent a source of inspiration in the sphere of Czech museum pedagogy, which is undergoing a dynamic development in several areas of its activities (educational practice, consolidated legislative position) and gradually formulating its own professional standards.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70478423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Uniform buttons within the context of the collection of the Waldes Museum of Buttons and Fasteners 在瓦尔德斯钮扣和紧固件博物馆收藏的背景下统一的钮扣

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.1

K. Hrušková

引用次数: 1

How to exhibit a human mummy in a former monastery? The case of the body of Michael Willmann (1630–1706) 如何在以前的修道院展出一具木乃伊?迈克尔·威尔曼(1630-1706)的尸体

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Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-01-01 DOI: 10.46284/mkd.2020.8.4.7

Andrzej Kozieł

引用次数: 0