Synagogue Decorations in Present-Day Ukraine: Practice in Preservation of Cultural and Artistic Heritage

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
E. Kotlyar, L. Sokolyuk, T. Pavlova
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引用次数: 0

Abstract

There are approximately ten historical synagogue buildings left in Ukraine today which continue, to varying extents, to preserve their original wall paintings and decoration. A number of these were only recently discovered. The attempts underway, beginning in the early 2000s, to preserve as well as uncover old paintings often produce the opposite effect, destroying authentic works. The cultural significance of these historical landmarks requires that they be included in a single international register, along with supervision and an agreed upon preservation program designed individually for each. Synagogue wall paintings will inevitably perish unless ways of transferring this heritage are sought that will move these works to a different and more reliable “medium of cultural memory”. Different, innovative approaches to museum preservation and ways of presenting these works to public view are called for. Among the tried and tested options are: reconstructing old synagogue interiors which contain wall or ceiling paintings; using motifs taken from the original paintings in new works being produced for the Jewish community; and work on exhibition projects, catalogues and two-dimensional reconstruction models.
当代乌克兰犹太教堂装饰:文化和艺术遗产保护的实践
今天,乌克兰大约有10座历史悠久的犹太教堂建筑,它们在不同程度上继续保存着原始的壁画和装饰。其中一些是最近才发现的。从21世纪初开始,保护和发掘老画的努力往往会产生相反的效果,破坏真正的作品。这些历史地标的文化意义要求它们被列入一个单一的国际登记册,并受到监督,并为每个历史地标设计一个商定的保护计划。犹太教堂的壁画将不可避免地消亡,除非找到一种转移这种遗产的方法,将这些作品转移到一种不同的、更可靠的“文化记忆媒介”。我们需要不同的、创新的博物馆保存方法和向公众展示这些作品的方式。经过尝试和测试的选项包括:重建包含墙壁或天花板绘画的旧犹太教堂内部;在为犹太社区制作的新作品中使用取自原画的主题;并负责展览项目、图录和二维重建模型的制作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
13
审稿时长
45 weeks
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