INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES最新文献_第6页

Unveiling the Myth of Mars and Venus in French rap: An analysis of the gender determinants of non-standard language use 在法国说唱中揭开火星和金星的神话：非标准语言使用的性别决定因素分析

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2019-08-01 DOI: 10.1386/IJFS.22.1-2.35_1

Martin R J Verbeke

{"title":"Unveiling the Myth of Mars and Venus in French rap: An analysis of the gender determinants of non-standard language use","authors":"Martin R J Verbeke","doi":"10.1386/IJFS.22.1-2.35_1","DOIUrl":"https://doi.org/10.1386/IJFS.22.1-2.35_1","url":null,"abstract":"This article studies the use of non-standard language (NSL) in a corpus of selected francophone rap tracks to see whether gender determinants have an impact on its use. This study relies on a lexicographic analysis to produce quantitative results, which are then analysed qualitatively with the help of extracts from francophone rap tracks and semi-structured interviews with francophone rappers. This article initially focuses only on male versus female rappers but the qualitative discussion takes more complex notions into account, such as gender performativity, queer linguistics or androgyny. Moreover, this research investigates unequal gender power relations in a male-dominated heterosexist industry. This study reviews how male and female artists react to and perpetuate these stereotypical gender manifestations in their lyrics. Some of the NSL use is also analysed in terms of speech acts to try and determine what the artists want to accomplish by using specific terms in certain contexts. It can be concluded that no real difference can be found between male and female rappers with respect to their NSL use. When differences are found, they are not very wide and can also be observed by only comparing men or only women.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47055182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Plurilinguisme dans l’oeuvre de Katalin Molnár Katalin molnar作品中的多语言主义

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2019-08-01 DOI: 10.1386/IJFS.22.1-2.11_1

Julia Ori

引用次数: 1

Réflexion sur la condition féminine dans Presqu’une vie de Carmen Toudonou et Mutilée de Khady Kiota 《卡门·图多努的一生》和《卡迪·基奥塔的残缺不全》中对女性地位的反思

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2019-08-01 DOI: 10.1386/IJFS.22.1-2.115_1

Vincent Nnaemeka Obidiegwu, Christiana Amaka Epundu

{"title":"Réflexion sur la condition féminine dans Presqu’une vie de Carmen Toudonou et Mutilée de Khady Kiota","authors":"Vincent Nnaemeka Obidiegwu, Christiana Amaka Epundu","doi":"10.1386/IJFS.22.1-2.115_1","DOIUrl":"https://doi.org/10.1386/IJFS.22.1-2.115_1","url":null,"abstract":"The condition of African women in contemporary society has become a topical issue in the field of francophone African literature. Works of some African women writers such as Carmen Toudonou and Khady Kiota among others, have demonstrated critical perception on issues concerning the lives and conditions of women in the society. The aim of this study is therefore, to analyse the conditions of African women in Presqu’une vie by Carmen Toudonou and Mutilee by Khady Kiota respectively. Specifically, these authors focus on enlightenment campaign and criticism of condition and lives of African women who are threatened by some social vices such as force marriage and domestic violence. In view of the above, this study tends to answer these questions: in spite of excellent contributions and suggestions made in recent studies in the area, why is the condition of African women continually threatened and what are prospective solutions to remedy the situation? To effectively carry out this study, the researchers adopt African womanism theory that was proposed by Chikwenye Okonjo Ogunyemi. Having observed that sensitization of women is pertinent; this study therefore, recommends that education of African women should be a priority because it is evident that the emancipation of women is possible through formal education.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41993940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The black Mediterranean reimagined: Counterfactual world-building in francophone speculative fiction 重新想象的黑色地中海:法语投机小说中的反事实世界建构

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2019-08-01 DOI: 10.1386/IJFS.22.1-2.63_1

Antje Ziethen

{"title":"The black Mediterranean reimagined: Counterfactual world-building in francophone speculative fiction","authors":"Antje Ziethen","doi":"10.1386/IJFS.22.1-2.63_1","DOIUrl":"https://doi.org/10.1386/IJFS.22.1-2.63_1","url":null,"abstract":"This article analyses francophone speculative literature and cinema and the way it mobilizes counterfactuals to challenge historical teleologies and spatial orders by exploring possible worlds and contingencies. The analysis will focus on four works of fiction from the francophone African diaspora including Bertene Juminer’s La revanche de Bozambo (2000), Boubacar Boris Diop’s Le temps de Tamango (1981), Abdourahman A. Waberi’s Aux Etats-Unis d’Afrique (2006) and Sylvestre Amoussou’s film Africa Paradis (2007). The four narratives erode conventional geographies and migration patterns through a counterfactual lens, depicting African countries either as imperial powers that have conquered European territories or as revolutionary forces that put an end to European interference. They thus create alternative versions of what Alessandra di Maio calls the black Mediterranean, an intercontinental space constituted by, and constitutive of, the cultures and histories of the African diaspora. Going beyond a purely aesthetic effect, these authors imagine a change of paradigm and intentionally cultivate an atmosphere of alienation for their readership. However, despite their disruptive potential, the speculative narratives remain limited in their world-building efforts because the African futures that they project remind readers more of what is than of what could be.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45734549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Contested commemoration: The Great War, memory and politics in contemporary Algeria 有争议的纪念活动：伟大的战争、记忆和当代阿尔及利亚的政治

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.209_1

D. Hassett

引用次数: 1

The influence of French colonial humanism on the study of late antiquity: Braudel, Marrou, Brown 法国殖民地人文主义对晚古代研究的影响：布劳德尔、马尔鲁、布朗

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.255_1

Thomas E. Hunt

引用次数: 1

The remains of an empire in ruin: Remembering torture and the colonial state of exception in Jérôme Ferrari’s Où j’ai laissé mon âme 废墟中的帝国遗迹:在Jérôme法拉利的Où j 'ai laiss<e:1> mon me中回忆酷刑和例外的殖民状态

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.279_1

Rachel Mihuta Grimm

{"title":"The remains of an empire in ruin: Remembering torture and the colonial state of exception in Jérôme Ferrari’s Où j’ai laissé mon âme","authors":"Rachel Mihuta Grimm","doi":"10.1386/IJFS.21.3-4.279_1","DOIUrl":"https://doi.org/10.1386/IJFS.21.3-4.279_1","url":null,"abstract":"Since the turn of the twenty-first century, the use of torture during the Algerian War of Independence has been the subject of renewed controversy in France, raising questions about the traumatic reverberations of France’s colonial past in the present. While scholars often address the violence of torture by analysing what it accomplishes, this article is concerned with the cognitive, discursive and ideological conditions under which torture becomes permissible. This article suggests that the systematic practice of torture is contingent on the construction of a perceptive reality in which the normative dictates of law and morality have been suspended or no longer apply. Drawing on the work of Giorgio Agamben, this article seeks to understand the progressive normalization of torture under the historical paradigm of the state of exception. Thinking paradigmatically about the past not only reveals the concealed sociopolitical coordinates underlying a specific historical experience, but also constitutes a broader historical context, producing forms of intelligibility that cut across temporal and territorial boundaries. Through a reading of Jerome Ferrari’s novel Ou j’ai laisse mon âme (2010), this article addresses the ethical and epistemological issues that arise when torture is remembered as a paradigmatic rendering of the state of exception.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42947420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Affect, postmemory and gender in Nina Bouraoui’s Sauvage and Garçon manqué Nina Bouraoui的《荒野与假小子》中的情感、后记忆和性别

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.325_1

Beatrice Ivey

引用次数: 2

Severed images: Women, the Algerian War of Independence and the mobile documentary idea 割裂的影像:女性、阿尔及利亚独立战争与移动纪录片的理念

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.233_1

Siona Wilson

{"title":"Severed images: Women, the Algerian War of Independence and the mobile documentary idea","authors":"Siona Wilson","doi":"10.1386/IJFS.21.3-4.233_1","DOIUrl":"https://doi.org/10.1386/IJFS.21.3-4.233_1","url":null,"abstract":"During the Algerian War of Independence (1954–62), conflicts over the meaning of appearances, particularly in relation to the bodies of Algerian women, were a major locus for political conflict, subterfuge and violence. As demonstrated in the most famous representation of the war, Gillo Pontecorvo’s widely celebrated film La bataille d’Alger (Pontecorvo, 1966), the strategic use of the veil and of unveiling was the mechanism that produced the Algerian woman as insurgent. What the eyes (or camera) saw was not always to be believed and nor was visual appearance akin, in any straightforward way, to truth. Drawing on key historical examples, including La bataille d’Alger, Marc Garanger’s Femmes algeriennes 1960 (1960) and Assia Djebar’s 1979 essay ‘Regard interdit, son coupe’, as well as Zineb Sedira’s contemporary film installation Gardiennes d’images (2010), this article proposes a theory of the documentary image in light of the political complexities over vision and appearance that have continued to haunt the historical representation of Algerian women. Placing an emphasis on the circulation of images and the mobility of meaning, the argument stresses communities of political belief rather than visual truth in establishing documentary meaning.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42011940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Algerian Revolution, the French state and the colonial counter-revolutionary strategy of the Holy Republic 阿尔及利亚革命、法国国家与神圣共和国的殖民反革命战略

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INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2018-10-01 DOI: 10.1386/IJFS.21.3-4.301_1

Selim Nadi

引用次数: 1