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Filming Mother Nature’s slow death: Representational pitfalls in African ecodocumentaries 拍摄大自然母亲的缓慢死亡：非洲生态纪录片中的代表性陷阱
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-12-01 DOI: 10.1386/ijfs_00019_1
Alexie Tcheuyap
{"title":"Filming Mother Nature’s slow death: Representational pitfalls in African ecodocumentaries","authors":"Alexie Tcheuyap","doi":"10.1386/ijfs_00019_1","DOIUrl":"https://doi.org/10.1386/ijfs_00019_1","url":null,"abstract":"This article uses ecocriticism and postcolonial theories to investigate the documentary topographies and politics of African ecosystem. Anger in the Wind (Weira), Breaking the Silence: Cleaning the Liquid Waste (Niyel) and The Day of the Great Blaze (Kadry Kodo)\u0000 illustrate how African documentarians shape their narratives to interrogate some pressing environmental challenges. This article looks at the ways in which the advent of global capitalism has transformed African ecosystems into sites for violent and irreversible destruction and exploitation,\u0000 leaving postcolonial subjects in situations of deplorable precarity.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48418214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La Colère dans le vent: Entrevue avec Amina Weira 风中的愤怒：阿米娜·韦拉访谈
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-12-01 DOI: 10.1386/ijfs_00024_7
S. Niang
{"title":"La Colère dans le vent: Entrevue avec Amina Weira","authors":"S. Niang","doi":"10.1386/ijfs_00024_7","DOIUrl":"https://doi.org/10.1386/ijfs_00024_7","url":null,"abstract":"This is an interview with Amina Weira, born in Niger in the second decade after the wave of African independences. It addresses her life and work as a filmmaker. Along with Sani Magori and Aicha Macky, she came to cinema in the dry years of the 2000s yet managed to position herself\u0000 at the forefront of film production in Niger. For Weira, the documentary form, a much-maligned genre due to its association with mass political manipulation in the 1960s and 1970s, is the tool of choice for artistic creation. The introduction focuses on the images she crafts in La Colère\u0000 dans le vent expounding a beauty only rivalled by the excruciating pains of men suffering untold diseases, due to their exposure to uranium pollution. The interview explores the making of Anger in the Wind (2016) and reveals an artist with a keen sense of justice, a woman given\u0000 to moments of nostalgia yet revolted by the unending traumas suffered by the inhabitants of her native town: Arlit.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48700683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From environmental degradation to the waste economy of postcolonial desire: Ecocritical footprints in Touki Bouki and Hyenas 从环境退化到后殖民欲望的废物经济：Touki Bouki和Hyenas的生态批判足迹
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-12-01 DOI: 10.1386/ijfs_00016_1
E. H. Diop
{"title":"From environmental degradation to the waste economy of postcolonial desire: Ecocritical footprints in Touki Bouki and Hyenas","authors":"E. H. Diop","doi":"10.1386/ijfs_00016_1","DOIUrl":"https://doi.org/10.1386/ijfs_00016_1","url":null,"abstract":"There is a tendency, among Mambety critics, to overemphasize his formal innovations and parodic contents, his virtuosic collages and subtle nods to auteur and genre cinema, at the expense of a sustained engagement with the acute environmental sensibility running through all his films,\u0000 notably at the start of a film career that is contemporaneous with the Great Sahel Drought of the late 1960s and early 1970s. This article focuses on the ecocritical edge neatly blended into the narrative structures and visual aesthetics of the classic Touki Bouki and Hyenas.\u0000 The point is, through a minute analysis of the tropes and metaphors of lack, scarcity and abundance, to cast a sharp light on the deep-ecological angst informing Mambety’s cinematic gaze.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49562096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Amina Weira’s Anger in the Wind: A premonitory tale of intertwined subjectivities 阿米娜·薇拉的《风中的愤怒》:一个交织在一起的主体性的先兆故事
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-12-01 DOI: 10.1386/ijfs_00022_7
S. Niang
{"title":"Amina Weira’s Anger in the Wind: A premonitory tale of intertwined subjectivities","authors":"S. Niang","doi":"10.1386/ijfs_00022_7","DOIUrl":"https://doi.org/10.1386/ijfs_00022_7","url":null,"abstract":"This article analyses Amina Weira’s Anger in the Wind (2016). It argues that Weira’s documentary tells the story of slowly dying men through an exploration of a failed Anthropocene mediated by subjectivity and memory. Behind an almost casual handling of the camera,\u0000 Weira casts a keen sympathetic eye on the ‘environmentally embattled’ populations of her native town, Arlit. Anger in the Wind is a documentary of painful, angry, recriminatory words; it tactfully yet pointedly exposes the devastation of the local ecosystems by staging the\u0000 life stories of men and women who now realize that they were seen as disposable entities, not worthy of a dignified life cycle, fit for sacrifice at the altar of western technological prowess and comfort. As much as a testimony, Anger in the Wind is a Bamako style indictment\u0000 of a destructive way of inhabiting the earth and a Hyenas’ style call to collective resistance.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45784246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’impérialisme écologique ou la recolonisation par l’agriculture industrielle: Une lecture de La Banane de Franck Bieleu 生态帝国主义或工业化农业的重新殖民:对Franck Bieleu香蕉的解读
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-12-01 DOI: 10.1386/ijfs_00021_7
Etienne-Marie Lassi
{"title":"L’impérialisme écologique ou la recolonisation par l’agriculture industrielle: Une lecture de La Banane de Franck Bieleu","authors":"Etienne-Marie Lassi","doi":"10.1386/ijfs_00021_7","DOIUrl":"https://doi.org/10.1386/ijfs_00021_7","url":null,"abstract":"This article studies The Big Banana, a film by Cameroonian director Franck Bieleu, which shows how the intrusion of a cash crop such as bananas in a local environment brings about several ecological transformations with important sociocultural and ethical ramifications. Using\u0000 concepts from ecocriticism to analyse the narrative structures of the film, the article explains how the Njombé Penja banana plantation (PHP), construed as a replica of the colonial model of production and spatial organization, leaves the local populations with a strong feeling of dispossession\u0000 and alienation. It concludes that geographical and ecological forms of imperialism contributed, alongside sociopolitical issues, to the failure of the post-independence African utopia.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44309482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dire l’indicible: Children, trauma and silences in Kim Thúy’s Ru and Grace Ly’s Jeune fille modèle 说不出话来:金tue的Ru和格蕾丝·李的少女模特中的孩子、创伤和沉默
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-07-01 DOI: 10.1386/IJFS_00012_1
Ashwiny O. Kistnareddy
{"title":"Dire l’indicible: Children, trauma and silences in Kim Thúy’s Ru and Grace Ly’s Jeune fille modèle","authors":"Ashwiny O. Kistnareddy","doi":"10.1386/IJFS_00012_1","DOIUrl":"https://doi.org/10.1386/IJFS_00012_1","url":null,"abstract":"This article articulates the notion of silences that endure in the aftermath of the Indochina war and the traumatic impact on children. Through an analysis of two Francophone texts, Grace Ly’s Jeune fille modèle and Kim Thúy’s Ru, this study demonstrates that it is silence which evokes and solidifies the trauma experienced by victims of war; this is transmitted to their children despite attempts at secrecy and endeavours to protect children from such trauma. It examines the ways in which narrating trauma and breaking silences play a role in recuperating both history and personal history. In foregrounding the voices of those who have died and haunt subsequent generations, the article discusses the silences that pervade Ru and Jeune fille modèle in order to gauge the extent to which narrating stories, finding one’s voice and breaking silences become a means of obtaining freedom and alleviating some of the dolour of war and losses. In so doing, it analyses the ways in which children enable these healing processes to take place and eventually permit multiple voices to break through the narrative fibre in order to create redemption stories.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"23 1","pages":"99-117"},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44021665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Restitution of African colonial artefacts: A reassessment of France’s post-colonial identity 非洲殖民文物的归还:对法国后殖民身份的重新评估
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-07-01 DOI: 10.1386/IJFS_00013_1
Doris Duhennois
{"title":"Restitution of African colonial artefacts: A reassessment of France’s post-colonial identity","authors":"Doris Duhennois","doi":"10.1386/IJFS_00013_1","DOIUrl":"https://doi.org/10.1386/IJFS_00013_1","url":null,"abstract":"This article aims to investigate the way the French government has utilized the restitution of African colonial artefacts to reshape its postcolonial identity. The decision to return African artefacts to their country of origin is studied from a national perspective, shedding light on the postcolonial evolution of the French society, and from an international perspective, placing this decision within the structure of international relations. This article demonstrates that the restitution of African colonial artefacts is part of a political strategy aimed at addressing the national and international criticisms directed towards the French government without having to implement the structural reforms necessary to truly resolve them.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"23 1","pages":"119-142"},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46639758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
L’idée de l’exil chez Pham Van Ky et Linda Lê Pham Van Ky和Linda Lê的流亡理念
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-07-01 DOI: 10.1386/IJFS_00014_4
Van Quang Pham
{"title":"L’idée de l’exil chez Pham Van Ky et Linda Lê","authors":"Van Quang Pham","doi":"10.1386/IJFS_00014_4","DOIUrl":"https://doi.org/10.1386/IJFS_00014_4","url":null,"abstract":"The contemporary world is characterized by the phenomena of displacement and human migration in different forms. The migrant subject enters into the paradoxical interiorization of identity: on the one hand, he has left what he was, and on the other, he must update what is shaping him in the present. Literary writing thus becomes a specific space for the expression and articulation of these existential states by bringing us to reflection on the experience of this existence ‘outside the world’ of writers. Pham Van Ky and Linda Lê are among the authors who allow us to question their condition of exile as a possibility of existence.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"23 1","pages":"143-154"},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48951715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tahar Ben Jelloun’s La Punition, or the (re)presentation of incarceration as lived experience 塔哈尔·本·耶伦的《惩罚》，或将监禁作为生活经历的（重新）呈现
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-07-01 DOI: 10.1386/IJFS_00009_1
Aparna Nayak
{"title":"Tahar Ben Jelloun’s La Punition, or the (re)presentation of incarceration as lived experience","authors":"Aparna Nayak","doi":"10.1386/IJFS_00009_1","DOIUrl":"https://doi.org/10.1386/IJFS_00009_1","url":null,"abstract":"This article examines Tahar Ben Jelloun’s La Punition (Gallimard, 2018), his first memoir about his imprisonment in 1966–68, but not his first foray into la littérature carcérale; in 2001, Ben Jelloun published Cette aveuglante absence de lumière, a fictionalized account based on the experience of Aziz Binebine, a former prisoner in Tazmamart. Cette aveuglante absence de lumière received much critical acclaim internationally, but attracted as much controversy in Morocco. I describe the conditions of ‘les années de plomb’, then I examine the debates surrounding Cette aveuglante absence de lumière before analysing his testimonial La Punition, written over five decades after his release. How does La Punition differ from Cette aveuglante absence de lumière in style and approach? What does Ben Jelloun write about candidly, so many years after the fact, and what does he elide? After addressing these questions, I demonstrate there is no serious reckoning with the structural systems that constrain Moroccan society, namely the monarchy and the army. While Ben Jelloun describes his imprisonment in detail, there is no unequivocal critique of royal power; while he criticizes the abuse of power by the army in the 1960s, he never overtly denounces the continued muzzling of detractors in contemporary Morocco.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"23 1","pages":"31-47"},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43383030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ali Dilem: Artivisme algérien et mémoire comique 阿里·迪勒姆：阿尔及利亚艺术主义和喜剧记忆
IF 0.1
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES Pub Date : 2020-07-01 DOI: 10.1386/IJFS_00008_1
Sandra Rousseau
{"title":"Ali Dilem: Artivisme algérien et mémoire comique","authors":"Sandra Rousseau","doi":"10.1386/IJFS_00008_1","DOIUrl":"https://doi.org/10.1386/IJFS_00008_1","url":null,"abstract":"This article analyses Algerian cartoonist Ali Dilem’s drawings from the first years of the décennie noire and contrasts them with his productions from the early months of 2019, when the Algerian demonstrators of the hirak ousted President Bouteflika. Dilem’s career – spanning over 30 years – has made him a staple of Algerian and European news, whether in newspapers or on TV. Both popular and prolific, Dilem produces cartoons that illustrate what I call ‘comic memory’, a recording and remembering of the past through humour. A diachronic analysis of this large corpus of drawings sheds light on the social and subversive potentials of humour, but most importantly allows for a discussion of its mechanisms over time. Through a careful reading of Dilem’s sardonic cartoons and their contexts of production, I show his work offers both a comic outlet unifying readers in a community of laughter, and a stern cultural commentary on how Algerians consider their history. In particular this article addresses two central motifs of Dilem’s work, on the one hand Algerians’ relationship to France, on the other hand the political pressures exerted on journalistic work in Algeria. Through themes such as censorship, racism and subversion, I explain how humour is a valuable source for memory studies. In fact, Dilem’s work participates in creating a comic archive that keeps track of the mentalités and sheds light on media politics, aesthetics and the poetics of humour.","PeriodicalId":41286,"journal":{"name":"INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES","volume":"23 1","pages":"9-29"},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43207927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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