La Colère dans le vent: Entrevue avec Amina Weira

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
S. Niang
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引用次数: 0

Abstract

This is an interview with Amina Weira, born in Niger in the second decade after the wave of African independences. It addresses her life and work as a filmmaker. Along with Sani Magori and Aicha Macky, she came to cinema in the dry years of the 2000s yet managed to position herself at the forefront of film production in Niger. For Weira, the documentary form, a much-maligned genre due to its association with mass political manipulation in the 1960s and 1970s, is the tool of choice for artistic creation. The introduction focuses on the images she crafts in La Colère dans le vent expounding a beauty only rivalled by the excruciating pains of men suffering untold diseases, due to their exposure to uranium pollution. The interview explores the making of Anger in the Wind (2016) and reveals an artist with a keen sense of justice, a woman given to moments of nostalgia yet revolted by the unending traumas suffered by the inhabitants of her native town: Arlit.
风中的愤怒:阿米娜·韦拉访谈
这是对阿米娜·维拉的采访,她出生在非洲独立浪潮之后的第二个十年。它讲述了她作为一名电影制作人的生活和工作。她和萨尼·马戈里(Sani Magori)和艾查·麦基(Aicha Macky)一起,在21世纪初干旱的几年里来到了电影院,但却成功地将自己定位在尼日尔电影制作的前沿。对维拉来说,纪录片形式是艺术创作的首选工具,因为它与20世纪60年代和70年代的大规模政治操纵有关,因此备受诟病。引言集中在她在La Colère dans le vent创作的图像上,阐述了一种美,这种美只能与男性因暴露在铀污染中而遭受难以言喻的疾病的痛苦相媲美。采访探讨了《风中的愤怒》(2016)的创作过程,揭示了一位具有强烈正义感的艺术家,一位渴望怀旧的女性,却对家乡阿尔利特居民遭受的无尽创伤感到反抗。
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来源期刊
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES
INTERNATIONAL JOURNAL OF FRANCOPHONE STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
5
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