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Los Cynegetica de pseudo-Opiano, ¿poema incompleto? 假的，不完整的诗?

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.441281

Sebastián Martínez García

{"title":"Los Cynegetica de pseudo-Opiano, ¿poema incompleto?","authors":"Sebastián Martínez García","doi":"10.6018/myrtia.441281","DOIUrl":"https://doi.org/10.6018/myrtia.441281","url":null,"abstract":"En las primeras ediciones y estudios consagrados a los Cynegetica de pseudo-Opiano se argumentaba que el poema estaba incompleto; esta opinión se basaba principalmente en la promesa incumplida de III 404-6 y en la falta de un epílogo. Dando por válidas esas razones, el presente artículo estudia, en primer lugar, el contenido de los libros II y III, en los cuales se observan numerosos indicios de que el poeta conocía muchos más datos sobre la caza que los expuestos en el libro IV. En segundo lugar, estas páginas prestan atención al marcado contraste que se aprecia entre el esmerado proemio del libro IV y su abrupto final. Ambos aspectos, que anteriormente no habían sido apenas tenidos en cuenta, permiten completar la argumentación a favor del estado inacabado de los Cynegetica.\u0000 From the first editions and studies about the Cynegetica of pseudo-Oppian it has been argued that the poem was incomplete; it was based on the broken promise of III 404-6 and on the lack of an epilogue. Considering these reasons as valid, this article first studies the content of the books II and III, in which it is possible to find many indications that the author knew much more about the theme of the book IV (the description of hunting) than he revealed. Next, we pay attention to the contrast between the careful proem of the book IV and its abrupt ending. Both aspects that have been scarcely considered before enable to show the shortcoming of the book IV.","PeriodicalId":41220,"journal":{"name":"Myrtia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47469373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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El mito troyano de Memnón y el coloso que canta: variantes del relato en Filóstrato 门农的特洛伊神话和唱歌的巨像:菲洛斯特拉图斯故事的变体

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500161

Ivana Selene Chialva

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Tre personaggi in cerca di autore: il Mimiambo 3 di Eronda e la critica letteraria nel Giambo 2 di Callimaco 三个寻找作者的角色:Eronda的Mimiambo 3和Callimaco的Giambo 2中的文学评论家

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500101

Nicola Piacenza

{"title":"Tre personaggi in cerca di autore: il Mimiambo 3 di Eronda e la critica letteraria nel Giambo 2 di Callimaco","authors":"Nicola Piacenza","doi":"10.6018/myrtia.500101","DOIUrl":"https://doi.org/10.6018/myrtia.500101","url":null,"abstract":"The first part of the article offers a metapoetic interpretation of Herondas’ Mimiamb 3, suggesting that the Hellenistic poet describes Cottalos and his passion for dice with allusion to Alexander Aetolus that wrote Astragalistai. In the second part, starting from some touch points between Mimiamb 3 and Calliamchus’ Iambus 2 (in particular the presence of three mysterious characters with similar names), the author gives some evidence for the identification of that characters with three poets who lived at that time and had undoubted contacts both with Alexander Aetolus and Callimachus: they are Antagoras of Rhodes, Philicus of Corcyra and Timon of Phlius. L’articolo offre nella prima parte un’interpretazione metapoetica del Mimiambo 3 di Eronda, suggerendo che il poeta ellenistico descriva Cottalo e la sua passione per i dadi con allusione ad Alessandro Etolo che scrisse gli Astragalistai. Nella seconda parte, prendendo le mosse da alcuni punti in comune tra il Mimiambo 3 ed il Giambo 2 di Callimaco (in particolare la presenza di tre misteriosi personaggi con nomi simili), vengono fornite alcune prove per l’identificazione di tali personaggi con tre poeti che vissero in quel periodo ed ebbero sicuri contatti sia con Alessandro Etolo che con Callimaco: si tratta di Antagora di Rodi, Filisco di Corcira e Timone di Fliunte.","PeriodicalId":41220,"journal":{"name":"Myrtia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45048410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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La parodo dell’Eracle di Euripide: tradizione critica della colometria e del testo 欧里庇德斯的赫拉克勒斯:色彩测量和文字的关键传统

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.460511

P. Santé

{"title":"La parodo dell’Eracle di Euripide: tradizione critica della colometria e del testo","authors":"P. Santé","doi":"10.6018/myrtia.460511","DOIUrl":"https://doi.org/10.6018/myrtia.460511","url":null,"abstract":"Analizo el texto y la colometría de los mss. Laurentianus plut. 32,2 (L) y Laurentianus conv. soppr. 172 + Palatinus gr. 287 (P) para el canto de entrada del coro de Heracles. Muchos lugares han sido discutidos y corregidos por un autorizado grupo de filólogos. Los discutiré nuevamente, proponiendo una defensa del texto antiguo y la colometría donde creo haber encontrado argumentos adecuados. Las ediciones modernas modifican la colometría en varios lugares, anulando la mezcla de cola yámbicos y trocaicos, que en cambio tiene su propia ratio. La presencia de los ἴαμβοι podría remontarse al género ialemos, una forma de lamento fúnebre, y la mezcla con los τροχαῖοι es típica del estilo de Eurípides, cuando quiere insistir en un tono sombrío y lúgubre. Cuando la atención de los ancianos de sí mismos se desplaza a los niños de Heracles, la versificación se vuelve en hypodochmi y τροχαῖοι como resultado de un tono más trepidante.\u0000 This work analyzes text and colometry of mss. Laurentianus plut. 32,2 (L) and Laurentianus conv. soppr. 172 + Palatinus gr. 287 (P) for the chorus’ entrance song of Heracles. Many places have been discussed and corrected by an authoritative group of philologists. I will re-discuss them, proposing a defense of the ancient text and colometry, where I believe I have found suitable arguments. The modern editions modify the colometry in several places, cancelling the mixture of iambic and trochaic cola, which instead has its own ratio. The presence of ἴαμβοι could be traced back to ialemos genus, a form of funeral lament, and the mixture with τροχαῖοι is typical of Euripide’s style, when he wants to insist on a sombre and mournful tone. When the attention of the elderly people from themselves shifts to Heracles’ children, the versification turns into hypodochmi and τροχαῖοι as a result of a more trepidating tone.","PeriodicalId":41220,"journal":{"name":"Myrtia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71331233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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La terminología musical en Las ranas de Aristófanes 亚里士多德青蛙中的音乐术语

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500091

Esteban Calderón Dorda

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Génesis y destino de dos manuscritos de Platón: de Bizancio al Escorial a través de la Biblioteca Vaticana 柏拉图两份手稿的起源和命运：从拜占庭到梵蒂冈图书馆的埃斯科里亚尔

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500191

Teresa Martínez Manzano

{"title":"Génesis y destino de dos manuscritos de Platón: de Bizancio al Escorial a través de la Biblioteca Vaticana","authors":"Teresa Martínez Manzano","doi":"10.6018/myrtia.500191","DOIUrl":"https://doi.org/10.6018/myrtia.500191","url":null,"abstract":"Utilizando datos de orden textual, paleográfico, codicológico e histórico se examina en primer lugar la historia del manuscrito platónico Escur. Ψ I 1 desde su confección en Corfú a cargo de Demetrio Triboles en 1461-1462 hasta su adquisición por parte de Antonio Agustín a mediados del s. XVI. Tras analizar las fuentes textuales del códice y la dinámica de la copia, se concluye, a través del examen de los inventarios de la Biblioteca Vaticana, que el manuscrito formó parte de los fondos de esa biblioteca hasta el Saco de Roma de 1527. Se demuestra asimismo que otro códice platónico conservado en El Escorial, Escur. y I 13, procede también de la Biblioteca Vaticana, de donde desapareció igualmente con motivo del Saco antes de ser adquirido por Juan Páez de Castro. Se intenta además demostrar que tanto el Escur. Ψ I 1 como el Escur. y I 13 formaban parte de los fondos de la Vaticana ya desde 1475.\u0000 Basing on textual, palaeographic, codicological and historic evidence, this paper firstly examines the history of the Platonic manuscript Escur. Ψ I 1 since its making in Corfu by Demetrios Triboles in 1461-62 till its purchase by Antonio Agustín in the middle of the 16th century. The textual sources of this codex and the copying process are also analysed. The conclusion reached through the examination of inventories in the Vatican Library is that the manuscript belonged to that library till the Sack of Rome in 1527. Secondly, this paper proves that another Platonic codex kept in El Escorial, Escur. y I 13, comes as well from the Vatican Library, from where it disappeared on the occasion of the Sack, and was later purchased by Juan Páez de Castro. Additionally, an attempt is made to prove that both Escur. Ψ I 1 and Escur. y I 13 belonged to the Vatican Library as early as 1475.","PeriodicalId":41220,"journal":{"name":"Myrtia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45749898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Cosa rappresenta il già famoso carro di Pompei? 庞贝著名的浮子代表什么?

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500241

P. Paolucci, L. Zurli

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La colère dans les Sentences attribuées à Publilius 对普布利乌斯的判决感到愤怒

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Myrtia Pub Date : 2021-11-11 DOI: 10.6018/myrtia.500121

Guillaume Flamerie de Lachapelle

{"title":"La colère dans les Sentences attribuées à Publilius","authors":"Guillaume Flamerie de Lachapelle","doi":"10.6018/myrtia.500121","DOIUrl":"https://doi.org/10.6018/myrtia.500121","url":null,"abstract":"In the Sententiae associated with Publilius, there are two main characteristics of anger: its brevity and its danger. Such a view was common by the end of the Republic. The moral assessment of anger can vary: when it is the result of a thoughtless impulsion, which occurs most of the time, the anger is blamed, but several verses seem to approve it when it came from a wise man. It is hard to understand whether this fact is influenced by a philosophy (Epicuraneism) or by dramaturgic necessities we do not know because of the fragmentary state of our corpus. It is nevertheless possible to assign a role to anger in several usual mime plots: it can provoke an argument as well as a reconciliation between two people who are in love and, as it appeared in Classical Comedy, it seems to occur often in a father-son relationship.\u0000 Dans les Sentences attribuées à Publilius, deux traits sont inhérents à la colère: sa brièveté et sa dangerosité, ce qui reflète une vision largement partagée à la fin de la République. L’appréciation morale, elle, est variable: lorsqu’elle procède d’un élan irréfléchi, ce qui est le cas ordinaire, la colère est condamnée, mais plusieurs vers semblent l’approuver quand elle émane d’un sage. Il est difficile de déterminer si ce fait résulte d’une influence philosophique (l’épicurisme) ou de nécessités dramaturgiques qui nous échappent en raison du caractère fragmentaire du corpus. Il est toutefois possible d’assigner un rôle à la colère dans certaines intrigues probablement classiques du mime: elle est susceptible de provoquer aussi bien la fâcherie que la réconciliation entre amoureux et, à l’instar de la comédie classique, paraît fréquente dans les relations entre un père et son fils.","PeriodicalId":41220,"journal":{"name":"Myrtia","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44616227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0