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Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student 寻求现场:作为一名音乐研究生经历COVID-19大流行
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19268
Alice Rose
{"title":"Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student","authors":"Alice Rose","doi":"10.1558/prbt.19268","DOIUrl":"https://doi.org/10.1558/prbt.19268","url":null,"abstract":"Onaji jikan, onaji kukan. Same time, same place. These are the words I wrote down in an interview this summer—ironically a Zoom interview that took place both at 9 am in Oxford and 5 pm in Osaka. Needless to say, this was not the fieldwork I planned when I began my PhD in 2018, although in some ways it feels fitting for a thesis on digital technologies and the ‘live’. Yet today I remain, like many of my peers, so far behind, so ‘late’, that catching up seems almost impossible. In this article, I reflect on the importance of shared time and place, not only in Japanese ‘live culture’, but also in my experience of the pandemic as a postgraduate student.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46604499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The impact of COVID-19 on music venues in regional South Australia: A case study COVID-19对南澳大利亚地区音乐场所的影响:案例研究
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19334
Rosie Roberts, S. Whiting
{"title":"The impact of COVID-19 on music venues in regional South Australia: A case study","authors":"Rosie Roberts, S. Whiting","doi":"10.1558/prbt.19334","DOIUrl":"https://doi.org/10.1558/prbt.19334","url":null,"abstract":"As spaces of social, cultural and economic production, small regional music venues are an under-explored research area that can offer insights into changing music and performance practices, place-making, and the connections between urban and regional communities. Within the context of the COVID-19 crisis, the state of precarity in which such venues operate is emphasized and exacerbated. This article will present preliminary findings from our case study of a small, regional music venue in the mid-north of South Australia that has been heavily affected by the COVID-19 pandemic and associated government restrictions. The pandemic has dramatically changed the way that live music is both performed and experienced, and a case study such as this offers an opportunity to discuss its impact on niche cultural and community spaces that are geographically and socially removed from the urban milieu and its policy settings. Preliminary findings suggest COVID-19 brought about both challenges (capacity restrictions and disruption of interstate travel for audiences and artists) as well as opportunities (strengthening the presence of rural voices in policy settings). The case study also highlights the need for further research on strategies for developing and sustaining regional touring pathways throughout South Australia. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41634103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Virtual shakuhachi with dai-shihan Michael Chikuzen Gould: Shakuhachi learning before and during the pandemic Michael Chikuzen Gould:大流行之前和期间的尺八学习
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19346
Sarah Renata Strothers
{"title":"Virtual shakuhachi with dai-shihan Michael Chikuzen Gould: Shakuhachi learning before and during the pandemic","authors":"Sarah Renata Strothers","doi":"10.1558/prbt.19346","DOIUrl":"https://doi.org/10.1558/prbt.19346","url":null,"abstract":"Virtual learning environments have become commonplace in the midst of COVID-19. Although it was not unheard of, taking Skype lessons on a musical instrument was considered to be unusual ten-plus years ago. This article will briefly discuss the ways in which the pandemic has affected those who study shakuhachi online with dai-shihan (grandmaster) Michael Chikuzen Gould. While individuals and institutions continue to figure out how to navigate this new cyber context, virtual shakuhachi lessons with Sensei Gould continue as scheduled and remain unaffected as in-person workshops and intensives are cancelled until further notice. © Equinox Publishing Ltd 2021, Office 415, The Workstation","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42059742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic 现实漫游指南:在流行病中设计一个跨学科的广播剧
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19305
Briony Luttrell, H. Banks, A. Ward, Lachlan Goold
{"title":"Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic","authors":"Briony Luttrell, H. Banks, A. Ward, Lachlan Goold","doi":"10.1558/prbt.19305","DOIUrl":"https://doi.org/10.1558/prbt.19305","url":null,"abstract":"In this article we explore a collaborative interdisciplinary Theatre and Music production as part of two undergraduate courses at the University of the Sunshine Coast, Australia, during COVID-19. Tertiary intuitions all over the world are currently being forced to adapt in radical response to the pandemic. The specific conditions of the authors’ experience prompted this collaboration where both teaching and learning occurred in an unstable, unpredictable and unprecedented environment. Experiences during the semester and the outcomes of the project were rich, multifaceted, and exceeded expectations. This included several weeks of intensive collaborative rehearsal and creative development, university-facing performances, and a public-facing performance at a NightQuarter event which had over 4,500 attendees. This article unpacks the ideas of Project-Based Learning (Bell 2010) and interdisciplinary collaboration, in order to understand the impact on teaching and learning and the potential of this model. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47733223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘It Was COVID-19’: Keir Nuttall on life as a songwriter in the pandemic “这是COVID-19”:凯尔·纳托尔讲述大流行期间作为作曲家的生活
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19348
G. Carfoot
{"title":"‘It Was COVID-19’: Keir Nuttall on life as a songwriter in the pandemic","authors":"G. Carfoot","doi":"10.1558/prbt.19348","DOIUrl":"https://doi.org/10.1558/prbt.19348","url":null,"abstract":"In this article I interview musician and songwriter Keir Nuttall about his experiences during the COVID-19 pandemic. Nuttall reflects on a number of key professional and personal issues that have affected his work and everyday life, starting with a discussion of his parody song ‘It Was COVID-19’, based on the song ‘I Was Only 19’ by Redgum. Nuttall discusses the role that the song played in coming to terms with the pandemic, and the reaction from the song’s original writer John Schumann. Nuttall reflects on how cancelled performances and opportunities have impacted his life as a creative professional, including cancelled tours and the postponed Broadway development of Muriel’s Wedding: The Musical, the musical that he wrote with his wife and creative partner Kate Miller-Heidke. Finally, Nuttall discusses how the lockdown in Melbourne and enforced periods of interstate quarantine have affected his creativity, his family life, the impacts on the broader music industry, and some of the rewarding personal and musical experiences that have also arisen at this time. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49260713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China 加入/退出:腾讯TME Live在疫情后中国的平台化
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19293
Weida Wang
{"title":"Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China","authors":"Weida Wang","doi":"10.1558/prbt.19293","DOIUrl":"https://doi.org/10.1558/prbt.19293","url":null,"abstract":"As the first country to experience the outbreak of COVID-19, China’s music industry reacted quickly to the change of the musical context. On 10 March 2020, China’s biggest music company Tencent Music Entertainment Group announced the launch of its music livestreaming concert brand—TME Live. It is understood that through its online live concerts, TME Live uses multi-scenario, innovative performance and digital audio-visual technology to create a panoramic environment for online musical performances, through which TME Live connects musicians and communities of fans. Through this model, Tencent Music Entertainment Group provides musicians with a full range of services, including customized performance styles and an immersive performing experience. Without the impact of Western dominated social media, China’s online music streaming platforms have developed their own biopolitical logics and characteristics in building up online music community and data connectivity. With the case study of TME Live, this article sets out to investigate how China’s major online music streaming platform survives, transforms and adapts in light of the COVID-19 pandemic. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41701127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Being a DJ in a time of zero social huddling: Tales from a locked-down India 在零社交时代做DJ：来自被封锁的印度的故事
IF 0.2
Perfect Beat Pub Date : 2021-08-27 DOI: 10.1558/prbt.19347
Pradipta Sarkar
{"title":"Being a DJ in a time of zero social huddling: Tales from a locked-down India","authors":"Pradipta Sarkar","doi":"10.1558/prbt.19347","DOIUrl":"https://doi.org/10.1558/prbt.19347","url":null,"abstract":"The COVID-19 pandemic has caused widespread disruptions in music industries globally, resulting in rapid cancellations of music festivals, concerts and club nights, and closure of international borders. The consequences of this pandemic have been especially dire for musicians, DJs and event promoters whose livelihoods and financial viability were tied largely to live performances. Within the independent music scenes in India, artists and event organizers rushed to social media and livestreaming platforms in their attempts to salvage brand visibility and explore monetization opportunities as drastic impositions of nationwide lockdowns came into effect. In a densely populated developing country rife with anxieties over exponential rates of COVID-19 infections, independent musicians in India have sought creative approaches to maintain visibility through digital platforms. Drawing on methods influenced by online ethnography, this article presents a discussion of how four professional Indian DJs explore and interrogate the affordances of various social media and livestreaming platforms in their efforts to remain artistically visible in the absence of state-initiated financial support and socially huddled dancefloors. The article offers insights into the triumphs, and trials and tribulations, experienced by independent musicians as they explore the material affordances of digital platforms at this critical moment in history. © Equinox Publishing Ltd 2021","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44267570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Interview: Pasifika climate activist music in New Zealand, queered and disabled 采访:新西兰帕西菲卡气候活动家音乐，酷儿和残疾人
IF 0.2
Perfect Beat Pub Date : 2021-06-23 DOI: 10.1558/prbt.43081
K. Zemke, Luka Leleiga Lim-Cowley
{"title":"Interview: Pasifika climate activist music in New Zealand, queered and disabled","authors":"K. Zemke, Luka Leleiga Lim-Cowley","doi":"10.1558/prbt.43081","DOIUrl":"https://doi.org/10.1558/prbt.43081","url":null,"abstract":"This discussion is between Dr Kirsten Zemke, from the University of Auckland and her MA student-poet, dancer and climate activist, Luka Leleiga Lim-Cowley. Luka’s musical performance experiences in, and insights from, Pasifika climate activist and Pacific Indigenous sovereignty events led them to further explore the perspectives of Pasifika queer and/or disabled activists. Luka argues that disabled and gendersexuality-divergent folks should be at the foreground of these movements, as they are the most threatening to white supremacy—the ultimate culprit in Indigenous displacement and climate change. Luka’s poem, ‘Water (remix ii)’, is presented in full; the discussion flows through topics such as gender, religion, Indigeneity, and the continuums of time and space.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41672598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Seleka’s profane potency: Kava artists and rebellious music in Tonga 塞雷卡的亵渎力量:卡瓦艺术家和反叛音乐在汤加
IF 0.2
Perfect Beat Pub Date : 2021-06-23 DOI: 10.1558/prbt.40000
Arcia Tecun, Taniela Petelo
{"title":"Seleka’s profane potency: Kava artists and rebellious music in Tonga","authors":"Arcia Tecun, Taniela Petelo","doi":"10.1558/prbt.40000","DOIUrl":"https://doi.org/10.1558/prbt.40000","url":null,"abstract":"The Seleka art and kava collective is found in the heart of the Kingdom of Tonga’s urban centre and capital. Seleka is a transformed nickname which is a play on the word kasele, meaning toilet or outhouse, an external othering and internal acceptance of divergence within Tongan society. Seleka is a site where urban Tongans paint and drink kava together while listening to rebellious music, incorporating some of the aesthetics and politics of these musical genres into their group. They have a broader musical playlist than most kava clubs in Tonga, which includes punk, rock and metal. This article explores the character of Seleka as a radical critique to Western introduced social constructs such as puritan respectability, which have become part of Tonga’s modern cultural norms. Seleka performs and generates mana (potency/prestige) through noa (profanity/neutralization) by desecrating the ‘sacred’ and recreating a new alternative. This act of rebellion is presented as a contemporary manifestation of an ancient Tongan practice where the ‘profane’ was used to identify and bring balance to the most tapu (‘sacred’/protected).","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42078308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians 抵抗或灭亡!了解印尼DIY青年音乐人的反抗模式
IF 0.2
Perfect Beat Pub Date : 2021-06-23 DOI: 10.1558/prbt.40851
O. Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo
{"title":"Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians","authors":"O. Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo","doi":"10.1558/prbt.40851","DOIUrl":"https://doi.org/10.1558/prbt.40851","url":null,"abstract":"This article examines the practice of resistance among young DIY musicians in Yogyakarta, Indonesia in the context of the post-reform era. DIY young musicians negotiate how to provide for their everyday economic needs while also upholding their music genre’s spirit of resistance against market commodification. Lately, commodification not only comes from the music industry but also from the state through neoliberal-oriented creative economy policies. Music falls into the category of a creative sector and is seen as a product to boost economic growth. Based on our empirical data, young musicians resist this through DIY practices in their music scene. We show the struggle of young musicians to sustain their musical values of authenticity (otentisitas) and autonomy (kemandirian). Instead of viewing resistance as homogenous, we observed three modes of resistance: the rookie, the in-between, and the afficionado, based on their level of commitment to being a DIY careerist. Our research offers a real-world example of theories around popular music and youth studies based on the experiences of young Indonesian musicians.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44719052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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