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Elliott, Richard. 2013. Nina Simone . Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp 理查德·艾略特，2013。尼娜·西蒙。流行音乐的图标系列。谢菲尔德:Equinox Publishing。ISBN 978-184553-988-7。168页
IF 0.2
Perfect Beat Pub Date : 2015-11-27 DOI: 10.1558/prbt.v16i1-2.29134
D. Hughes
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引用次数: 0
Music review: In a State of Flux: An Experimental Music Gallery , 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists 音乐评论:在一个变化的状态:一个实验音乐画廊，2015年9月18日。创作者:克里斯·托金和阿什利·史密斯，与西澳大学青年艺术家
IF 0.2
Perfect Beat Pub Date : 2015-11-27 DOI: 10.1558/PRBT.V16I1-2.28974
Patricia Alessi
{"title":"Music review: In a State of Flux: An Experimental Music Gallery , 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists","authors":"Patricia Alessi","doi":"10.1558/PRBT.V16I1-2.28974","DOIUrl":"https://doi.org/10.1558/PRBT.V16I1-2.28974","url":null,"abstract":"This review critically analyses the 7pm, 18 September 2015 UWA School of Music's State of Flux Concert, with students offering 38 simultaneous, innovative performances. Curated by Asst/Prof Chris Tonkin and Lecturer Ashley Smith, this Friday evening performance was the encore to the highly successful Thursday Lunchtime Concert held on 10 September 2015 through the School of Music’s main building, the Eileen Joyce Studio and the outdoor areas surrounding the School and Library.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"150-152"},"PeriodicalIF":0.2,"publicationDate":"2015-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past Dennis Kamakahi牧师的访谈:“Ka Manu”和与过去的对话
IF 0.2
Perfect Beat Pub Date : 2015-11-22 DOI: 10.1558/PRBT.V16I1-2.29125
Joseph Keola Donaghy
{"title":"An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past","authors":"Joseph Keola Donaghy","doi":"10.1558/PRBT.V16I1-2.29125","DOIUrl":"https://doi.org/10.1558/PRBT.V16I1-2.29125","url":null,"abstract":"0 0 1 141 807 University of Hawai'i at Hilo 6 1 947 14.0 Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE In this Riff article, Keola Donaghy interviews the now late Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi (b.1953-d.2014), one of the most renowned and beloved Hawaiian composers and performers of the late twentieth and early twenty-first centuries. This interview was originally arranged to discuss and examine elements and characteristics of mele (Hawaiian language poetic or song compositions). Over the course of their discussion, however, we learn about the important process of knowledge transmission from his elder mentors (composers who were native speakers of Hawaiian) to Kamakahi, particularly in relation to the nineteeth century composition “Ka Manu”. Today, Hawaiian composers look to the past for knowledge, inspiration, and models from which they can create their own compositions. This interview with Kamakahi reveals insights into an otherwise undisclosed Hawaiian musical ‘past’, concerning his mentors and the central character of the mele .","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"101-119"},"PeriodicalIF":0.2,"publicationDate":"2015-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67650337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry Liner笔记:珀斯独立流行/摇滚音乐产业对当地印刷音乐新闻的探索
IF 0.2
Perfect Beat Pub Date : 2015-11-17 DOI: 10.1558/PRBT.V16I1-2.23973
C. Ballico
{"title":"Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry","authors":"C. Ballico","doi":"10.1558/PRBT.V16I1-2.23973","DOIUrl":"https://doi.org/10.1558/PRBT.V16I1-2.23973","url":null,"abstract":"This article explores the role of free editorial coverage of local contemporary music in localized print media. The discussion here centres on activity which occurs in Perth, Western Australia, with a particular focus on the coverage of indie pop/rock music in three publications. The analysis presented here draws upon semi structured research interviews undertaken with editors of Drum Media Perth, X-Press Magazine and The West Australian. As this article argues, local print music media plays a key role in the promotion of local music activity as a cohesive ‘scene’ and industry to local audiences while also making a contribution to broader national music and media culture. In turn, this article also briefly comments upon recent debates about the climate of music journalism in Australia, as well as developments in this sector, such as the uptake of digital outlets.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"71-86"},"PeriodicalIF":0.2,"publicationDate":"2015-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/PRBT.V16I1-2.23973","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Allen, Tony, with Michael Veal. 2013. Tony Allen: An Autobiography of the Master Drummer of Afrobeat . Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp 托尼·艾伦和迈克尔·威尔2013。托尼·艾伦:非洲节拍乐队鼓手大师自传。达勒姆，北卡罗来纳州和伦敦:杜克大学出版社。ISBN 978- 0-8223-5577-9 (pbk)。199页
IF 0.2
Perfect Beat Pub Date : 2015-11-11 DOI: 10.1558/prbt.v16i1-2.28230
K. Windress
{"title":"Allen, Tony, with Michael Veal. 2013. Tony Allen: An Autobiography of the Master Drummer of Afrobeat . Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp","authors":"K. Windress","doi":"10.1558/prbt.v16i1-2.28230","DOIUrl":"https://doi.org/10.1558/prbt.v16i1-2.28230","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"141-143"},"PeriodicalIF":0.2,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960 . Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp 大卫·盖利，2014。《邪恶之行:1945-1960年英国爵士乐及其听众》谢菲尔德:Equinox。ISBN 978-1-84553-712-8 (hbk)。167页
IF 0.2
Perfect Beat Pub Date : 2015-11-11 DOI: 10.1558/PRBT.V16I1-2.27669
Aleisha Ward
{"title":"Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960 . Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp","authors":"Aleisha Ward","doi":"10.1558/PRBT.V16I1-2.27669","DOIUrl":"https://doi.org/10.1558/PRBT.V16I1-2.27669","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"133-134"},"PeriodicalIF":0.2,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work . Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. 马特·斯塔尔，2013。不自由的大师:录音艺术家和工作的政治。达勒姆，北卡罗来纳州和伦敦:杜克大学出版社。ISBN 978-0-82235-343-0 (pbk)。296页。
IF 0.2
Perfect Beat Pub Date : 2015-11-11 DOI: 10.1558/prbt.v16i1-2.27736
Natalie Lewandowski
{"title":"Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work . Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp.","authors":"Natalie Lewandowski","doi":"10.1558/prbt.v16i1-2.27736","DOIUrl":"https://doi.org/10.1558/prbt.v16i1-2.27736","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"135-137"},"PeriodicalIF":0.2,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music . London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp 安迪·班尼特和史蒂夫·瓦克斯曼编。2015. SAGE流行音乐手册。伦敦:圣人。ISBN 978-1-4462-1085-7 (hbk)。647页
IF 0.2
Perfect Beat Pub Date : 2015-11-11 DOI: 10.1558/PRBT.V16I1-2.28403
Åse Ottosson
{"title":"Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music . London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp","authors":"Åse Ottosson","doi":"10.1558/PRBT.V16I1-2.28403","DOIUrl":"https://doi.org/10.1558/PRBT.V16I1-2.28403","url":null,"abstract":"","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"16 1","pages":"144-147"},"PeriodicalIF":0.2,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1558/PRBT.V16I1-2.28403","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett 镇上所有的女孩:失踪的澳大利亚摇滚女性，文化记忆和对克里西·安菲利特之死的报道
IF 0.2
Perfect Beat Pub Date : 2015-10-07 DOI: 10.1558/PRBT.V15I2.18363
C. Strong
{"title":"All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett","authors":"C. Strong","doi":"10.1558/PRBT.V15I2.18363","DOIUrl":"https://doi.org/10.1558/PRBT.V15I2.18363","url":null,"abstract":"This article will use the cultural and media materials produced around the death of Chrissy Amphlett as a way of interrogating the fact that surprisingly few resources exist that document or commemorate the contribution of women to the rock music scene in Australia. As Amphlett is unusual in being a woman who has, even before her death, claimed a place in the Australian rock canon, examining materials that are designed to construct her legacy upon her passing will provide examples of how women in Australian rock are discussed. It will be demonstrated that Amphlett's gender is central to these discussions, and that she is used to both obscure the contributions of other women performers and to deny a need for women musicians to even be an object of discussion at all. These findings will be analysed using Aleida Assmann's concepts of functional and storage memory, and it will be argued that the lack of information that we have about past female rockers makes it harder for women in Australia to see this field as one they can participate in, and also makes the retention of memories about currently successful women musicians less likely.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"15 1","pages":"149-166"},"PeriodicalIF":0.2,"publicationDate":"2015-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
An interview with Tiki Taane: Expressing cultural heritage and identity through music 对Tiki Taane的采访:通过音乐表达文化遗产和身份
IF 0.2
Perfect Beat Pub Date : 2015-10-07 DOI: 10.1558/PRBT.V15I2.21064
Oli Wilson
{"title":"An interview with Tiki Taane: Expressing cultural heritage and identity through music","authors":"Oli Wilson","doi":"10.1558/PRBT.V15I2.21064","DOIUrl":"https://doi.org/10.1558/PRBT.V15I2.21064","url":null,"abstract":"In this Riff article, Oli Wilson engages in a discussion with Tiki Taane, who is one of New Zealand's most successful and celebrated musicians. The interview explores and outlines the fluidity of contemporary musical representations of Māori culture and identity in Taane's music, and provides new perspectives on popular music’s capacity to express indigeneity in a New Zealand context.","PeriodicalId":41217,"journal":{"name":"Perfect Beat","volume":"15 1","pages":"167-174"},"PeriodicalIF":0.2,"publicationDate":"2015-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67649375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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