National Academy of Managerial Staff of Culture and Arts Herald最新文献

{"title":"Anticipation in Pianist-Accompanist’s Concert Practice in the Context of Emotional Intelligence","authors":"M. Obolenska","doi":"10.32461/2226-3209.1.2023.277679","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277679","url":null,"abstract":"The purpose of the article is to investigate the functioning of anticipation in correlation with emotional intelligence in a pianist-accompanist’s work in the concert phase. Emotional intelligence is the ability to work with emotions, including the ability to anticipate them. Anticipation is the property of the psyche to foresee the next events in time, including emotions. This is the point of intersection that the concept of the article is built on. Research methodology. To achieve the declared purpose, we use the following methods. Systemic method allows us to explore the principles of functioning of anticipation as an attribute of the emotional intelligence system. Psychological method is aimed to consider the congenital and acquired patterns of the human brain through the prism of psychology. A method of theoretical modeling helps to construct speculative models of potential real situations. The scientific novelty of the research consists in revealing the direct co-dependence of anticipation and emotional intelligence and projecting their functioning on the pianist-accompanist’s creative work. There is always an element of unpredictability in the process of concert performance, which ensures the openness of the field of emotional reactions. For a pianist-accompanist, the difficulty lies not only in working out one's own emotions, but also in preparing a response to a partner's concert emotion. To minimise losses on stage, one will need the ability to work with the tools of emotional intelligence, among which anticipation plays a significant role. Conclusions. The importance of understanding the acts of anticipation for a successful use of the resources of emotional intelligence is substantiated. Expanding the range of resources of one’s own body by consciously transferring innate predispositions into the processes controlled by consciousness raises the professional activity of a pianist-accompanist to a higher level of creative mastery. \u0000Key words: anticipation, expectation, emotional intelligence, pianist-accompanist.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130564279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Department of Choreography of Kyiv State Institute of Culture in Domestic Scientific Discourse","authors":"Nataliia Myroniuk","doi":"10.32461/2226-3209.1.2023.277664","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277664","url":null,"abstract":"The purpose of research is to reveal the peculiarities of the national scientific discourse on the issue of the formation and development of the Department of Choreography at the Kyiv State Institute of Culture. Research methodology. The methods of analysis, comparison, systematisation, and generalisation were used for the research. Scientific novelty. For the first time, the degree of development of the problem of forming and developing of the art-pedagogical school of the choreography department at the Kyiv State Institute of Culture in modern national scientific discourse was revealed. Conclusions. In recent years, the researchers have paid much attention to socio-cultural, artistic, scientific-methodical, organisational aspects of the problem of formation and the first steps of the art and pedagogical school of the department of choreography at the Kyiv State Institute of Culture. Most of the publications introduce new materials into scientific circulation, which is important for the reproduction of a reliable panorama of the development of both the department and choreographic culture as a whole. Currently, it is possible to state the existence of a lively scientific discourse, which shows tendencies towards expansion and deepening. Quite conventionally, scientific works that deal with various aspects of the artistic, pedagogical, and scientific activities of the Department of Choreography of KDIK can be divided into three groups. The first group includes the studies that comprehensively consider the activity of the department as a holistic phenomenon against the background of socio-cultural development (I. Hutnyk, N. MyronIuk, A. Pidlypska). The second group is represented by the publications specially devoted to the pedagogical and artistic activities of individual lecturers of the department (I. Hutnyk, O. Zhirov, L. Tsvetkova, T. Churpita). The third group consists of the works that describe the functioning of the department fragmentarily in the context of multi-faceted research (T. Blahova and others). Modern scientific view of considering the activity of the department as an art-pedagogical school is used in a limited way, but it is promising for the comprehensive disclosure of the role of the department in the development of choreographic culture of Ukraine. \u0000Key words: department of choreography, Kyiv State Institute of Culture, dance, choreography, art and pedagogical school.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132225525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Semantics of Nudity in Fashion Photography of 20th Century","authors":"Iryna Skoryk","doi":"10.32461/2226-3209.1.2023.277646","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277646","url":null,"abstract":"The purpose of the article is to analyse the semiotics of the body in visual culture of the late 20th and early 21st centuries using the example of fashion photography; to find out how the body has turned from a passive screen for displaying socially and culturally significant markers into an active agent of shaping fashion trends. The research methodology is based on a combination of different approaches to describing the semantic nuances of the body image in modern fashion photography. In particular, with the help of the historical and genealogical method, the evolution of the narrative focus of fashion photography is shown, since at first attention was paid first of all to the beauty of the thing being sold, then to the idealised body. A structural approach was applied to analyse the multiple contexts of fashion photography, such as the perception of a material thing, its photographic representation and expert review. All of them are components of the fashion discourse. Using the epistemological method, the semantics of the concepts of nakedness (as acquired vulnerability) and nudity (as harmonious integrity) are distinguished. The scientific novelty of the study consists in revealing numerous semiotic contexts of the phenomenon of nudity in fashion photography, which is always aestheticised compositionally, colouristically, and cosmetically depending on the cultural environment and cultural era, and therefore naked physicality is a discursive phenomenon, like fashion in general. Conclusions. Corporeality in fashion photography of the 20th century expresses the incessant processuality of postmodern semiosis – the recoding of the world of things into the dimension of signs. The human body becomes a screen for the projection of these signs, the principle of an ongoing game, the eternal engine of advertising discourse to multiplicate visual images. The devaluation of things in the European culture of mass consumption of the second half of the 20th century, caused by their overproduction, contributed to a change in the critical focus of fashion from the clothes in which the human body is wrapped to the body itself. Elitism is no longer defined as a set of precious or luxurious things that a person desires to own and that require a financial investment. Instead, the signifier of exclusivity in late modern Western society is a healthy and attractive body. It requires competent care, medicalisation, sports training, and, therefore, in addition to financial, also investments of time and knowledge. Thus, the fashion photography of the end of the 20th – the first quarter of the 21st century shows the shift in the focus of the fashion discourse from the aesthetics of things to the aesthetics of lifestyle and self-creation, for which the human body serves as a screen. \u0000Key words: fashion, fashion photography, corporeality, nudity, nakedness.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"158 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134524803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Axiology of Dance in Cultural Paradigm: Traditions and the Present","authors":"Liliia Savchyn","doi":"10.32461/2226-3209.1.2023.277634","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277634","url":null,"abstract":"The purpose of the article is to reveal the methodological paradigm of the cultural study of dance axiology against the background of the theoretical interaction of traditions and modernity. The research methodology. The interdisciplinary nature of the research is based on a combination of theoretical justification of traditions and practical direction into modern narratives. The power of influence of the cultural knowledge content lies in explaining the present through the past and in designing future progress. This is how we consider the methodological key to understanding the dialectical unity of the phenomena of tradition and innovation in their cultural development. The unifying link between the past, present, and future is the originality of the historical place of the people's culture, its national spirit is immersed in ethnocultural genesis. The article focuses on the structural-functional method as a guide between traditions and current historical and cultural processes, chronotopes of cultural regionalism from philosophers of ancient eras, literature artists to leading culturologists of modern Ukraine. Scientific novelty of the research. The interaction between traditions and the modern system of cultural studies on the basis of dance axiology is revealed. The axiology of dance is a phenomenon in the cultural paradigm of the specificity of the constitution of the results of dance culture in the ethnocultural space. Conclusions. The axiology of dance is considered in the plane of the cultural phenomenon. The dynamics of ethical values in spatial-temporal introjection, which are produced by dance and normalised as an important component in the system of socio-cultural ties in the preservation of traditions, are reflected. During the thousand-year historical and cultural development, the dance has demonstrated the spiritual unity of the people, the integrity of the cultural paradigm as a factor of the value basis of the individual who integrates into society, realising the motivation of spiritual needs. \u0000Key words: culturology, dance, axiology, traditions, personality.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133308694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Director's Creativity in the Context of European Cultural Practices of State Support for Film Production and Distribution","authors":"Galyna Pogrebnіak","doi":"10.32461/2226-3209.1.2023.277630","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277630","url":null,"abstract":"The purpose of the article is to study the European experience of state support for directorial creativity, audiovisual production and distribution, to determine scientific guidelines for the adaptation of optimal foreign models of film and television creativity, which will contribute to the development of the film and television process in Ukraine. Research methodology. In developing the topic, the researcher comprehensively applied the methods of scientific analysis, comparison, and generalisation. Analytical and systematic methods in their unity were involved to consider the art history plane of the problem. The scientific novelty of the research lies in the fact that the director's creativity is investigated in the context of European cultural practices of state support for audiovisual production and distribution and became the subject of a special study for the first time. The appropriateness of using the system method in studying the peculiarities of the European film-making process has been proven. A comprehensive analysis was carried out and the peculiarities of the production and distribution of author's film products in European countries were revealed. Conclusions. The presented in the article data expand the knowledge regarding the specifics of the production and distribution of directorial models of author's films in the European space and enable their use in educational courses, the creation of educational, and methodological literature on the theory and history of cinema and television, directing, and producing. \u0000Key words: directorial creativity, author's cinematography, audiovisual art and production, television, distribution, state support, director-author.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116169092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Effects of Chamber Singing in Works by K. Orff (Case Study of «Carmina Burana», «Catulli Carmina» Scenic Cantatas, «Kluge» Opera)","authors":"Larysa Gorelik","doi":"10.32461/2226-3209.1.2023.277671","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277671","url":null,"abstract":"The purpose of the article is to highlight the specifics of chamber singing as a special expressive technique in canvases, generally designed for presentation on a large scene, which allows, on the one hand, to clarify the idea of K. Orff's stylistics, and on the other hand, to make a contribution to the theory of chamber art in the aspect of modeling its features in the conditions of a large-scale scenic embodiment. The methodological basis of the research is the intonation approach to the nature of music in the traditions of the works of the followers of B. Asaf'ev's concept in Ukraine in the works of O. Markova, O. Muravska, L. Shevchenko with a principle emphasis on stylistic-comparative, hermeneutic, historical-descriptive, and cultural- disciplinary for secretion of epoch stylistic status of works, essential in modernity significance of their expressive aspects, their explanation by the author, historic world-outlook interaction of music expedients with expedients of other types of arts. The scientific novelty of the study is formed by the originality of the vision of the data expressiveness in the title of K. Orff's works, as well as the discovery of the theoretical formulation of such a feature of chamber vocals as «hiding» the dynamic excess of expressing the capabilities of the operatic voice by placing the melody in extreme registers with appropriate textural indicators. Conclusions. Chamber vocal constitutes a typological expressiveness of singing, which is organically adjusted by the conditions of salon or salon-style voicing of works, but also has a symbolic expressive cut, which, as a special method of sound expression, is detected in works designed for dynamic large-scale presentation, but with artistically grounded techniques of chamber singing in zones of so-called \"quiet\" climaxes and starting points of \"crescendoing\" dramaturgy, as we find in two famous scenic cantatas and the extremely popular opera by K. Orff. \u0000Key words: chamber singing, musical piece; scenic cantata, opera, vocal.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"197 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121147567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ornament as Symbolic Form of Culture","authors":"Olha Katsevych","doi":"10.32461/2226-3209.1.2023.277644","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277644","url":null,"abstract":"The purpose of the work is to determine the specifics of ornament functioning as a symbolic form of culture, its meaning and role in marking the socio-cultural environment. The methodological research consists in the application of analytical, structural, cultural-hermeneutical, axiological, and semiotical methods, which allow us to consider the phenomenon of ornament from different aspects of cultural knowledge. The scientific novelty of the research lies in the discovery of the specifics of human signs and symbolic activities based on the example of ornamental decoration and signification. The ornamental functions, its sign-symbolic and socio-psychological components in the cultural-historical environment are researched. We have proven that the carrier of cultural and historical information is ornament and it is the means of communication between generations in space and time. Conclusions. Self-management of a human in the field of culture is implemented by means of symbols and signs, which are organised in such symbolic forms as language, religion, science, and art. Ornament is an artistic means of shape creation of art. Ornament is a dynamic figurative form that demonstrates the temporal cycles of senses in different artistic genres showing the static of image, the topos. Due to dynamic and temporal component codifies the cultural memory of the community, the ornamental chronotope is a storage of national cultural narratives that are re-actualised during the socio-cultural crises, and during request for deep markers of collective knowledge. \u0000Key words: ornament, sign, symbolic form, culture.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131125063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Psychological Recreation as Part of Art Tourism","authors":"T. Filina","doi":"10.32461/2226-3209.1.2023.277635","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277635","url":null,"abstract":"The purpose of the article is the research of psychological recreation within the art tourism system. The methodology of the research is based on methods of scientific cognition and system analysis (deduction, induction, analysis, and synthesis). Scientific novelty of the results lies in detection and analysis of the factors facilitating psychological recreation by means of art tourism services. Conclusions. Difficult transformations characterising the current situation in Ukraine such as war, loss of family members, forced migration, property destruction demand psychological resistance. Every person reacts to such challenges and finds ways for life balance recovery individually. It is very difficult to restore emotional balance and strength alone during the war, so organised leisure and touristic activities must provide the conditions for personality recovery. Professionally planned and balanced art tours contribute to full-fledged rest and provide therapeutic effect. Considered route selection, combination of open-air events and visiting cultural and art facilities, engagement of psychologists and artists are the essential parts of art tourism providing unique conditions for recreation. The art therapeutic practices employment facilitates harmonisation of personality, impacts mental health recovery, contributes to crisis solutions providing conditions for full-fledged psychological recovery. \u0000Key words: rest, leisure, recreation, psychological recreation, tourism, art tourism, art therapy.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127246675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Technological Diversification of Music Education: Views of Contemporary Foreign Researchers","authors":"O. Neboga","doi":"10.32461/2226-3209.1.2023.277678","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277678","url":null,"abstract":"The purpose of the article is to trace the main changes in modern scientific research of music education, taking into account its technological and informational diversification. The research methodology involves the complex use of a number of methods and approaches integrated from art history, pedagogy, informatics, and other sciences. General scientific research methods are also used, in particular analysis, synthesis, system, and generalisation. Methods of processing textual information, bibliographic method and content analysis of scientific information resources are significant. The scientific novelty consists in drawing attention to the reorientation of music education research as an important component model of the modern concept of intellectual education in an interdisciplinary direction based on technological developments. Conclusions. Traditional music education is gradually giving way to various new types of learning involving information technologies – digital devices, computer games, virtual reality, various simulations and network learning platforms, artificial intelligence, automatic control systems, and applications. Thus, the latest technologies break the traditional model of music education, contribute to its development and expand human opportunities for acquiring quality knowledge. In addition, the involvement of the latest technologies in the learning process requires changes not only in the content, methods, and process of learning, but also in the very theory of music education. In general, all these processes improve the quality of music education and ensure its sustainable development within the latest progressive concepts. Therefore, it is not surprising that based on the analysis of a number of foreign publications of modern researchers the following conclusion can be drawn: most of the research on music education is aimed to understand how to combine traditional learning with modern technological achievements, in particular, informational ones. This, in particular, refers to the understanding of the need to conceptualise a number of concepts of modern music education along the lines of interdisciplinary research traditions, including those mediated by the significant influence of informational and technical disciplines. \u0000Key words: music education, learning, teaching, information and digital technologies, virtual reality, artificial intelligence.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128132455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Creative Narratives of Contemporary Ukrainian Composers as a Subject of Musicological Analysis","authors":"Viktor Stepurko","doi":"10.32461/2226-3209.1.2023.277683","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277683","url":null,"abstract":"The purpose of the article is to determine the creative narratives of contemporary Ukrainian composers from the point of view of musicological analysis taking into account structuralist and poststructuralist intentions in music as a postmodern attitude. The article also aims to investigate the existing compositional structures (at their various levels) in close interrelation of intellectual and hermeneutic reading of the composer's artistic intention with the physical parameters of the work. The research methodology is related to the analysis of the sphere of expression of human thinking and the communicative process, with the consideration of the narrative as a certain discursive structure formed on the basis of a person's own experience, presented by the analytical mechanisms of musicology, in particular, systemic and comparative approaches that help determine the specificity of certain compositional structures in music in comparison with others, to trace the change of approaches of different composers to systems of symbolism in musical art, communication with the listener or appeal to closeness at the level of inner feelings and mystical suggestions. The scientific novelty consists in revealing the specifics of forming narratives in music as a process that combines an appeal to the social component or the inner feelings of the composer, his/her isolation from society, a negative and ironic attitude towards modernity, the search for virtual mystical «worlds» as a sign-sound space. Conclusions. The rigidity of authoritarian thinking in the field of culture leads to the appearance among composers and musicians of supporters of the idea of «art for art's sake», fascination with avant-garde technology, and orthodox maxims of lovers of «pure» classics. It is obvious that the new way of thinking about musical art should consist in the restoration of sincere, true creativity and the understanding of beauty as the basis of art, what it should serve, in particular, the musicological analysis of works from the standpoint of narrative technologies as a system of complex interdisciplinary research. \u0000Key words: musicological analysis, poststructuralist intentions, mystical suggestions, social component, narrative technologies.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124634853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}