在国家支持电影制作和发行的欧洲文化实践背景下导演的创造力

Galyna Pogrebnіak
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引用次数: 0

摘要

本文的目的是研究欧洲国家支持导演创意、视听制作和发行的经验,为适应国外最佳的影视创意模式确定科学的指导方针,这将有助于乌克兰影视进程的发展。研究方法。在选题过程中,研究者综合运用了科学分析、比较和概括的方法。分析和系统的方法在他们的统一涉及到考虑问题的艺术史层面。这项研究的科学新颖之处在于,导演的创造力是在国家支持视听制作和发行的欧洲文化实践的背景下进行调查的,这是第一次成为一项特别研究的主题。用系统方法研究欧洲电影制作工艺特点的适宜性得到了证明。通过全面分析,揭示了作者电影作品在欧洲各国生产和发行的特点。结论。本文所提供的数据扩展了关于作者电影在欧洲空间的导演模式的制作和发行的具体知识,并使其能够用于教育课程,关于电影和电视,导演和制作的理论和历史的教育和方法论文献的创作。关键词:导演创意,作者摄影,视听艺术与制作,电视,发行,国家支持,导演-作者
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Director's Creativity in the Context of European Cultural Practices of State Support for Film Production and Distribution
The purpose of the article is to study the European experience of state support for directorial creativity, audiovisual production and distribution, to determine scientific guidelines for the adaptation of optimal foreign models of film and television creativity, which will contribute to the development of the film and television process in Ukraine. Research methodology. In developing the topic, the researcher comprehensively applied the methods of scientific analysis, comparison, and generalisation. Analytical and systematic methods in their unity were involved to consider the art history plane of the problem. The scientific novelty of the research lies in the fact that the director's creativity is investigated in the context of European cultural practices of state support for audiovisual production and distribution and became the subject of a special study for the first time. The appropriateness of using the system method in studying the peculiarities of the European film-making process has been proven. A comprehensive analysis was carried out and the peculiarities of the production and distribution of author's film products in European countries were revealed. Conclusions. The presented in the article data expand the knowledge regarding the specifics of the production and distribution of directorial models of author's films in the European space and enable their use in educational courses, the creation of educational, and methodological literature on the theory and history of cinema and television, directing, and producing. Key words: directorial creativity, author's cinematography, audiovisual art and production, television, distribution, state support, director-author.
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