National Academy of Managerial Staff of Culture and Arts Herald最新文献

{"title":"Concept of Vocal Pedagogy by Valentyna Antoniuk in the Context of Ukrainian Vocal School Development","authors":"ViktorViktor Sachok","doi":"10.32461/2226-3209.1.2023.277685","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277685","url":null,"abstract":"The purpose of the article is to reveal the theoretical foundations, pedagogical principles, and teaching methods of Valentyna Antoniuk in the context of the development of the Ukrainian vocal school. The research methodology is based on a complex combination of the historical and cultural method (in the comprehension of cultural and artistic factors in forming V. Antoniuk’s pedagogical concept in the context of the development of the national vocal school in Ukraine). The method of aesthetic and stylistic analysis are used in the disclosure of the characteristics of pedagogical principles and priorities in V. Antoniuk’s teaching activity. The novelty of the study consists in revealing the modern understanding of the \"vocal school\" phenomenon, which is connected with the individual creativity of the performer, asserting what is basic for the concept of V. Antoniuk’s vocal pedagogy, in the context of creative personalities’ professional features. Conclusions. V. Antoniuk's pedagogical attention is focused on the methods of sound production and sound science, singing breathing, the use of vocal apparatus resonators, principles of voice production, articulation and intonation foundations of performance, performing freedom and individual performing vision of an artistic image. Among the pedagogical priorities of training is the desire for a student's personal understanding of a vocal work, its artistic and semantic interpretation and filling the performance of the work with maximum detailing of various expressive means. \u0000Key words: Ukrainian vocal school, vocal pedagogy, vocal performance, ethnocultural traditions of performance.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129743199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian Nonconformism of 1970s–1980s in European Artistic Tradition","authors":"Iryna SOLIARSKA-KOMARCHUK","doi":"10.32461/2226-3209.1.2023.277652","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277652","url":null,"abstract":"The purpose of the article is through clarification of the «nonconformism» concept, to prove the appropriateness of using the term «trans-avant-garde» when describing the stylistics of the works of Ukrainian artists of the 1970s and 1980s, for whom the «canons» of socialist realism were foreign and unacceptable. Research methods are based on the fundamental principles of art analysis with the involvement of interdisciplinary connections (psychology, cultural studies, and philosophy). The method of epistemological analysis is used in the process of clarifying the concepts of a number of art historical concepts. System-analytical and comparative-historical methods are used to identify the Ukrainian artistic tradition as a special phenomenon of the European context. The scientific novelty of the study consists in clarifying the definition of the «nonconformism» concept, in substantiating it as a cultural and social phenomenon, and in proving the legality of using the term «transavant-garde» in relation to the stylistic definition of the works of Ukrainian nonconformist artists of the 1970s and 1980s. Conclusions. Having analysed the phenomenon of «nonconformism», having revealed its significance as a cultural and social movement of those who disagreed with the totalitarian system of Soviet society, the feasibility of using the concept of «trans-avant-garde» in relation to the works of Ukrainian artists of the 1970s and 1980s was established in connection with the fact that, like their Western European colleagues, they continued to develop in their work the significant achievements of domestic avant-garde artists of the first third of the 20th century. \u0000Key words: non-conformism, archetype, tradition, image, trans-avant-garde.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126229795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Features of Mass Speech Culture in Social Networks","authors":"L. Solomenko","doi":"10.32461/2226-3209.1.2023.277641","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277641","url":null,"abstract":"The purpose of the article is to reveal the peculiarities of speech and behavioural stereotypes of mass speech culture in social networks. The research methodology. The typological method is applied, which has contributed to identification of the peculiarities of mass speech culture development in social networks. The method of systemic analysis and synthesis, the descriptive method and the method of cultural analysis have enabled the consideration of social networks in the context of the modern media space, with their inherent originality. The scientific novelty. Peculiarities of the speech culture in social networks are studied; the specifics of Internet communication as a unique means of global communications are considered; the peculiarities of influence of the language of Internet communications on the development of modern mass speech culture are revealed. Conclusions. Internet slang produced by users has now become widespread in the general consumer vocabulary, and the game conditions of the virtual space contribute to the approach of communication to the game, which at the level of mass speech culture is manifested in the tendency to the manner of spoken language even on serious websites. The study has found that media texts of social networks, due to a unique combination of verbal and visual expressiveness, have a tangible impact on the user. The analysis of contemporary content of social networks confirms the trend of depopularisation of diminutives (diminutive nouns), transfer of foreign (primarily English) words and phrases in Ukrainian graphics, integration of foreign vocabulary into the media text in the form of barbarisms, introduction of elements of thieves' slang, computer jargon, and specific Internet vocabulary in media texts (as a stylistic game), manifestation of original humour in accordance with personal speech qualifications. \u0000Key words: new media, mass media culture, Internet communication, social networks, content, media texts.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128674536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Creative Practices in Modern Domestic Cultural and Leisure Space","authors":"Tetiana Senko","doi":"10.32461/2226-3209.1.2023.277645","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277645","url":null,"abstract":"The purpose of research is to determine the features and functions of creative practices in modern cultural and leisure space. The research methodology is based on the application of an interdisciplinary approach to the set problem and the following methods: cultural, analytical, comparative, and structural-logical. The scientific novelty of the paper is in an attempt to consider a wide range of examples of creative practices in the cultural and leisure sphere in the context of their characteristic features and functions. Conclusions. Significant changes have taken place among modern consumers of cultural and leisure services, primarily in the essence of consumption, factors of production, and recreation as such. People are no longer satisfied with simply purchasing a service or product, they want to develop and improve their skills. Not only those who innovatively create something consider themselves creative, but also those who creatively consume something, corresponding to a certain lifestyle and consumption. This growing desire for creativity is associated with a decrease in time for creative activities. Weekends and holidays are almost the only period when representatives of the creative class have enough free time. The meaning of climbing, hiking, snowboarding is not only to actively spend your free time, but to feel the atmosphere that is the opposite of work and far from everyday life, explore a new space for yourself and get a maximum of new emotions and impressions. The emergence of new types of activities, such as street art, flash mobs, public art in the performance format, also dictates the emergence of new mobile forms of leisure structures. Such events do not require the creation of special spaces, but allow people to realise their need for activity, provoking both planned and spontaneous communication. A new type of cultural and leisure environment is emerging, which can host different activities and different groups of society, where people are always waiting for something new and unexpected. Creative leisure can include a wide variety of activities, such as creating clubs based on interests, groups of joint creativity (theatrical, literary, artistic), linked to certain objects that contribute to the formation of a creative cultural and leisure space. Such examples are drawing, photography, design, yoga, traveling, that is, practices that allow you to develop and improve your skills and potential. In this context, creative leisure can be defined as an activity characterised by the desire to develop personal creative potential; the consumer is involved in the creative process that forms conditions for cultural exchange and communication within courses, educational events; creativity on the part of vacationers and the presence of a special type of space, consumers of cultural services themselves determine what, when, and how they will do; joint production (producers and consumers jointly create services, products, and impressions).","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130604404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"To the Question of Political Mythology as a Component of Ukrainian Political Culture on the Modern Stage","authors":"Volodymyr Andrusyshyn","doi":"10.32461/2226-3209.1.2023.277639","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277639","url":null,"abstract":"The purpose of the article is to analyse a myth-symbolic dimension of the Ukrainian political culture as a semantic catalyst of social-political discourses and an important means of political identity designing in the conditions of today’s challenges. Methodology of the research. We have applied a culturological approach that establishes a connection between political processes and organisations with the original cultural context, while we interpret political culture as a part of social culture that keeps its noticeable signs. Moreover, this approach, in the connection between structural-functional and problematic-diagnostic approaches, helps to understand the role and peculiarities of applying political myths and symbols in the context of the Ukrainian political culture including current challenges. Scientific novelty of the research. For the first time, the very cultural aspects of the Ukrainian political mythology and symbolic functioning in the XXI century have been revealed in the article. Conclusions. We have demonstrated how the narratives, values, and archetypes connected with a mythological worldview, work on a non-reflective level of collective and individual political consciousness. Constructive and destructive political myths have been highlighted and specifics of its realization in the frames of symbolic politics has been considered. The connection between different modern political practices of symbolic and cognitive-communicative structures of national memory has been proven, especially through the dynamics of symbolic schemes of projects and interactions in political culture. The detection and disclosure of the potential of political myth-symbolic activity through the prism of cultural analysis allows considering it as an instrument of social design of political identity and the manifestation of the civilised choice of Ukraine. \u0000Key words: Ukraine, political culture, political mythology and symbolism, mythological narrative, archetype, pseudomyths, culturological approach.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128872524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Auction as Cultural and Economic Phenomenon of Contemporary Art Process","authors":"Mykola Zinchenko","doi":"10.32461/2226-3209.1.2023.277662","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277662","url":null,"abstract":"The purpose of the article is to conceptualise the auction as a cultural and economic phenomenon of the modern art process. To achieve the goal, we have set a range of research tasks: to define the concept of the auction in the system of economic relations within the art market; to highlight the specifics of auction activities in the context of determining the value of a work of art and the factors influencing this; and to consider the specifics of the auction houses as subjects of the modern art market. The research methodology is presented by the system approach, as the auction is considered as a complex symbolic system, consisting of a number of structurally organised elements and close interconnections with other systems, in particular with art, social and economic systems. The study is based on the use of the methods of analysis, synthesis, abstraction, comparison, and generalisation. The scientific novelty lies is the fact that for the first time systematically and structurally a comprehensive analysis has been made of the auction as a phenomenon, which has a dual nature, as it combines economic and symbolic aspects. Conclusions. The article analyses the phenomenon of auctions in the contemporary art process. We have conceptualised the concept of the auction as a cultural and economic phenomenon in the context of the art market system. The concept of a market for objects of art and antiques have been studied in two aspects: as purchasing and selling objects with artistic value and as a field of commodity-money relations that develop between legal entities and individuals to purchase and sell pieces of art and antiques. We have found that pricing in the art market depends not only on the cost of created cultural and art product, but also on a number of socio-cultural factors. Auctions are considered in the system of a secondary art market as the quintessence of market relations in the field of art. We have defined the aesthetics of postmodernism as an axiological basis of the art market and auction activities. Information, intermediary, pricing, stimulating, regulating, and socio-cultural function of auctions have been characterised. \u0000Key words: auction, art market, artwork, art, art process.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132182075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Specificity of Interpretation of Compositions in Still Life","authors":"Yulii Skakandi","doi":"10.32461/2226-3209.1.2023.277659","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277659","url":null,"abstract":"The purpose of the study is to reveal the peculiarities of interpretations of compositions in still life using the example of five productions and to illustrate them with exemplary works. The research methodology is based on the application of methods of analysis, observation, description, which allow us to investigate the peculiarities of interpretations of the given compositions. The scientific novelty lies in the fact that the author has expanded and supplemented the features of work on such an important area of watercolor painting as still life. The implementation of the set tasks is clearly demonstrated on the examples of specific productions. Conclusions. An important achievement of the research is that, like a portrait and a landscape, a still life has its own special means of influencing the mood and thoughts of the audience. Of course, a person, his/her complex spiritual world, the most diverse images of nature open up wider opportunities for the painter to interest and affect the viewer than images of \"dead things\". Thus, still life enables verifying that in painting not only the object of the image, but also the way it is depicted determines the content of the work. By combining various methods of work and looking for the new ones, the artist can achieve in his/her works such strength and expressiveness, juiciness and brightness of colour, the most subtle transitions of tone, depth, and various textures, which will raise his/her creativity to a qualitatively higher level. The creative principle in the work always prevails and is combined with the experiment, as well as with the emotionality of the artist, his/her ability to generalise and select, to think plastically, with visual memory. A mature artist relies on these qualities already purely mechanically, but knowledge of the basic laws of painting, drawing, and composition are always present in his/her mind, thereby forming his/her system of methods. Therefore, the main task of a young artist is to master the techniques of the craft, to master the basic laws, that is, to lay a solid foundation for the development of one's own thoughts, creative ideas, the power of expression of which will be determined, without a doubt, by the artist's talent. \u0000Key words: watercolor, still life, composition, natural settings, plein air, colour relationships, lighting.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132489450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Musical Performance in the Context of the Phenomenon of Postmodernist Musical Culture","authors":"N. Shvets, Daria Sbitnaia","doi":"10.32461/2226-3209.1.2023.277636","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277636","url":null,"abstract":"The purpose of the article is to reveal the features and trends of modern musical performance through the prism of the phenomenon of postmodern musical culture. The research methodology. The analytical method is applied; a systematic method enables the examination of postmodern musical culture as a whole; the historical method and the method of cultural analysis, which contributed to the understanding of the ways of forming and developing musical performance, as well as of the essence of musical performance as a socio-cultural phenomenon; method of theoretical generalisation. Scientific novelty. Characteristic features of musical postmodernism are analysed; features and trends of the development of modern musical performance in the context of postmodern culture are revealed; the problem of performing interpretation is considered through the prism of the concept of postmodernism. Conclusions. Institutes of musical performance formed in the past centuries retain their positions in the modern socio-cultural space. However, a characteristic phenomenon is currently the strengthening of trends that appeared in the age of postmodernism. On the basis of the conceptual principles of postmodern musical culture in performance unprecedented interpretive approaches to the musical text are formed aimed to attract both elite and mass listeners, techniques of combination and eclecticism of various views and artistic traditions, dialogism with different civilizations and historical periods are actualised. The concept of the \"death of the author\" gets its own detection in the context of the specifics of musical performance, being realised in a new, postmodern strategy of interpreting the musical text and significantly expanding the author's capabilities of the performers. The specificity of musical performance in the era of postmodernism consists in unique approaches to interpretative activity, which in particular conveys the key features of its time, reproduces the special mission of a man in the modern world, and reflects cultural life. \u0000Key words: postmodernism, musical culture, musical performance, performance interpretation.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114889593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Carols on Kudriavka\" Television Project as a Form of Ukrainian Folklore Preservation and Actualisation","authors":"O. Zosim","doi":"10.32461/2226-3209.1.2023.277669","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277669","url":null,"abstract":"The purpose of the research is to characterise the \"Carols on Kudriavka\" television project as a cultural and artistic product aimed to preserve and update the Ukrainian folklore. The research methodology consists in the application of the analytical method and the method of conceptualisation, which made it possible to identify the creative potential of the \"Carols on Kudriavka\" television project in the search for approaches to preserve and represent the Ukrainian folklore tradition. The scientific novelty of the article lies in the fact that for the first time the \"Carols on Kudriavka\" television project is characterised, in which new forms of updating folklore in modern historical conditions are proposed. Conclusions. The \"Carols on Kudriavka\" television project is an example of updating approaches to the presentation of folklore in art, which operates on the principles of mass culture and is distributed through the media. The project combines the forms and techniques of a traditional pop concert with musical and dramatic innovations, including updating of the sound of traditional folklore and bringing its sound closer to current musical trends, relying on a ceremonial and ritual component, and reducing the weight of hit songs. The \"Carols on Kudriavka\" project can be considered as a conceptual video album, in which the Ukrainian sacred ritual archaism and the traditions of world variety shows are organically intertwined. \u0000Key words: television musical project, folklore, sacred time space, song genre, hit, pop artist, arrangement, musical dramaturgy.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131836950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Interpretation of Spanish Dance in Antonio Gades’s Stage Choreography","authors":"O. Vakulenko","doi":"10.32461/2226-3209.1.2023.277663","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2023.277663","url":null,"abstract":"The purpose of the article is to reveal the peculiarities of the interpretation of Spanish dance in the choreographic productions by A. Gades. The research methodology. A set of methods typical for art analysis is applied. To study the peculiarities of the interpretation of Spanish dance in the choreographic productions by A. Gades, the problem-logical and general scientific method of modeling is applied, as well as the iconological method, that enabled a formal analysis and determination of symbolic meanings by revealing the national and cultural roots of the dance. Scientific novelty. The production activity of the leading Spanish choreographer Antonio Gades is studied; the peculiarities of the interpretation of Spanish dance in the process of working on stage productions are considered. For the first time in domestic art history, the choreographic performances by A. Hades «Blood Wedding, or Bodas de Sangre» («Blood Wedding, or Bodas de Sangre», 1974), «Flamenco Suite» («Flamenco Suite», 1989), «Fuenteovejuna» («Fuenteovejuna», 1994) are analysed. Conclusions. The study of the productions by A. Hades revealed a peculiar choreographic handwriting, the originality of the choreographer's decision and the individuality of plastic interpretations of Spanish dances. In the process of creating choreographic productions full of conceptual unity and depth, the master positions Spanish dance as a universal style with huge expressive possibilities, which allows him to non-verbally represent classic works of European literature in different parts of the world, in particular «Bloody Wedding» by F. García Lorca, «Fuenteovejuna» by Lope de Vega, «Carmen» and others. According to A. Hades, any work of art can be understood only in the unity of its content, means of artistic expression and cultural reminiscences (memory, echo, echo, which lead to comparison with something), which provide a kind of \"connection of times\" in the mind the viewer. The choreographer demonstrates this approach in the process of translating famous Spanish literary and dramatic works into the language of dance, turning to national dances, in particular the Pasodoble ballroom dance, Spanish folk dances Bolero, Cachucha, Muneira, Segidilla, Sarabanda, Sardana, Fandango, as well as dances in the southern Spanish Flamenco style. \u0000Key words: Spanish dance, dance interpretation, flamenco, Antonio Gades, stage choreography, choreographic productions.","PeriodicalId":412134,"journal":{"name":"National Academy of Managerial Staff of Culture and Arts Herald","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134505096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}