CAHIERS VICTORIENS & EDOUARDIENS最新文献

All Roads Lead to Rome?: Decadence, Paganism, Catholicism and the Later Life of Oscar Wilde 条条大路通罗马?:颓废、异教、天主教和奥斯卡·王尔德的晚年

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2014-09-01 DOI: 10.4000/CVE.1456

Shushma Malik

引用次数: 0

Agnosticisme, scepticisme épistémologique et « voie négative » en Grande-Bretagne au xixe siècle 19世纪英国的不可知论、认识论怀疑论和“消极道路”

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-10-20 DOI: 10.4000/CVE.522

Jean-Michel Yvard

{"title":"Agnosticisme, scepticisme épistémologique et « voie négative » en Grande-Bretagne au xixe siècle","authors":"Jean-Michel Yvard","doi":"10.4000/CVE.522","DOIUrl":"https://doi.org/10.4000/CVE.522","url":null,"abstract":"Durant la deuxieme moitie du xixe siecle, la faillite de la metaphysique et des formes les plus traditionnelles de theologie naturelle viennent remettre en cause les fondements traditionnels des croyances religieuses, provoquant de nombreuses crises tout a la fois spirituelles et intellectuelles. Dans ce contexte de secularisation croissante des visions du monde, les interrogations philosophiques et theologiques tendent a delaisser le terrain de la metaphysique classique et son interrogation seculaire sur l’etre pour deboucher sur un questionnement de type epistemologique de plus en plus centre sur la possibilite, pour l’homme, de connaitre Dieu et les realites ultimes.L’agnosticisme philosophique, qui se developpa alors en Angleterre en lien avec une interrogation theologique de plus en plus centree sur la question des conditions transcendantales de la connaissance, doit-il etre considere comme ayant constitue l’antichambre d’un atheisme qui n’aurait pas ose avouer son nom ou doit-on plutot voir en lui un courant de pensee qui n’aurait jamais rompu avec toute forme d’aspiration spirituelle, y compris dans ses formes les plus radicales ? Cette contribution evoque la question de la possibilite ou de l’impossibilite de connaitre les realites ultimes. Elle suggere aussi que les solutions que commencerent a envisager les agnostiques britanniques n’ont peut-etre pas perdu toute actualite.","PeriodicalId":41197,"journal":{"name":"CAHIERS VICTORIENS & EDOUARDIENS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72893068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch 永恒之城还是噩梦之地?《贵妇人的画像》和《米德尔马契》中的罗马特征

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI: 10.4000/CVE.1665

Hannah Hunt

{"title":"Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch","authors":"Hannah Hunt","doi":"10.4000/CVE.1665","DOIUrl":"https://doi.org/10.4000/CVE.1665","url":null,"abstract":"Both Henry James and George Eliot make graphic use of realistic locations within their novels. This practice provides a plausible socio-historical context for their characters and contributes to the development of the genre of “realisms” in the nineteenth century novel. The use of specific identifiable locations also indicates, through their character’s engagement with their geographical setting, how place and time help construct the identity of the characters themselves. My paper addresses this aspect of the realist novel of the nineteenth century, through the pens of two diverse authors. It explores how the differing narrative strategies of Eliot and James, broadly delineated as a blend of overt and covert narrative voice, are expressed through the response of two young brides to Rome. It notes the recurring use in both novels of a metaphor of marriage as constituting a confining cul de sac, in which the idealism of both Dorothea and Isabel is crushed and their autonomy suppressed. This is contextualised by the physical labyrinths, antique artefacts and material culture of the classical city which both young women visit and come to know while they come to know their husbands. Their disillusionment and increasing insight about the nature of their marriages is ironically juxtaposed to their sightseeing of a classical civilisation which teaches them how their predecessors in the city lived, through their own eyes and those of various guides. It notes how within Rome, Casaubon and Osborne view their wives as extensions to their collections of classical urban artefacts/provider of secretarial skills rather than as women in their own right. The paper suggests that the physical and emotional journeys of these two young women are experienced in tandem, and that their response to the foreign material world to which their husbands transplant them echoes their own sense of alienation from their husbands. Their temporal distance from the ancient Roman culture mimics their sense of emotional dislocation.","PeriodicalId":41197,"journal":{"name":"CAHIERS VICTORIENS & EDOUARDIENS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81879307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

« A Woman’s Answer » : Adelaide Procter et la poésie face au genre 《一个女人的答案》:阿德莱德·普罗克特和la posamsie face au genre

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI: 10.4000/CVE.1636

F. Moine

引用次数: 0

La scène internationale : les nouveaux horizons dans Daniel Deronda de George Eliot 国际舞台:乔治·艾略特的《丹尼尔·德隆达》中的新视野

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI: 10.4000/cve.1656

Stéphanie Drouet-Richet

引用次数: 0

Sir James Fitzjames Stephen (1829-1894) : un intellectuel sceptique, critique des idées libérales de son temps 詹姆斯·菲茨詹姆斯·斯蒂芬爵士(1829-1894):一位持怀疑态度的知识分子，对他那个时代的自由主义思想持批评态度

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI: 10.4000/CVE.1635

Catherine Hajdenko-Marshall

引用次数: 2

Jane Eyre fait de la résistance 简·爱做了抵抗

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2012-06-13 DOI: 10.4000/CVE.1450

C. Bazin

引用次数: 1

Louise Jopling, esthète réticente, féministe convaincue 路易丝·乔普林，不情愿的美学家，坚定的女权主义者

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2011-11-14 DOI: 10.4000/CVE.1366

L. Bury

引用次数: 0

Beauty’s Price: Femininity as an Aesthetic Commodity in Elizabeth’s von Arnim’s Novels 美丽的代价:伊丽莎白·冯·阿尼姆小说中的审美商品——女性气质

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2011-11-14 DOI: 10.4000/CVE.1362

Juliane Roemhild

引用次数: 2

The Mustachioed Woman, or The Problem of Androgyny in Victoria Cross’ Six Chapters of a Man’s Life 在维多利亚·克罗斯的《男人生活的六章》中，大胡子女人，还是雌雄同体的问题

4区文学

CAHIERS VICTORIENS & EDOUARDIENS Pub Date : 2011-11-14 DOI: 10.4000/CVE.1339

Anabel Rojas

{"title":"The Mustachioed Woman, or The Problem of Androgyny in Victoria Cross’ Six Chapters of a Man’s Life","authors":"Anabel Rojas","doi":"10.4000/CVE.1339","DOIUrl":"https://doi.org/10.4000/CVE.1339","url":null,"abstract":"While Victoria Cross’ novel Six Chapters of a Man’s Life has now largely fallen into obscurity, it has a new relevance in terms of contemporary theories of performativity and gender identity. The novel focuses on the impossibility of seeing androgyny as a coherent gender identity; instead, androgyny is presented as fragmented and illegible. Cross first published an excerpt from this novel in the Decadent journal The Yellow Book, and titled the short-story “Theodora, a Fragment,” which has been reprinted in Elaine Showalter’s anthology Daughters of Decadence. Both the story and the novel focus on the problems of desiring the androgyne. The male narrator, Cecil, finds himself first attracted to and then frustrated by the ever-shifting gender identity of his female lover, Theodora, who secretly cross-dresses as a man, Theodore, so that they may travel together unmarried. Drawing on Judith Butler’s theories of gender and identity, this article explores how androgyny functions as a primary gender tempered by its opposite—either feminized masculinity or masculinized femininity—and the impossibility of seeing androgyny as a coherent identity outside this gender binary.","PeriodicalId":41197,"journal":{"name":"CAHIERS VICTORIENS & EDOUARDIENS","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75525490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4