{"title":"美丽的代价:伊丽莎白·冯·阿尼姆小说中的审美商品——女性气质","authors":"Juliane Roemhild","doi":"10.4000/CVE.1362","DOIUrl":null,"url":null,"abstract":"Was Elizabeth von Arnim an aesthetic writer? Scholars and critics have claimed her as an Edwardian, a middlebrow author, a popular bestselling writer and a satirist of acerbic wit. By including her in her seminal work The Female Forgotten Aesthetes (2000) Talia Schaffer has encouraged readers to look at von Arnim’s early works from yet another and, as it turns out, very fruitful perspective. Schaffer suggests that Elizabeth, the diarist of Elizabeth and Her German Garden (1898), who was von A...","PeriodicalId":41197,"journal":{"name":"CAHIERS VICTORIENS & EDOUARDIENS","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2011-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Beauty’s Price: Femininity as an Aesthetic Commodity in Elizabeth’s von Arnim’s Novels\",\"authors\":\"Juliane Roemhild\",\"doi\":\"10.4000/CVE.1362\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Was Elizabeth von Arnim an aesthetic writer? Scholars and critics have claimed her as an Edwardian, a middlebrow author, a popular bestselling writer and a satirist of acerbic wit. By including her in her seminal work The Female Forgotten Aesthetes (2000) Talia Schaffer has encouraged readers to look at von Arnim’s early works from yet another and, as it turns out, very fruitful perspective. Schaffer suggests that Elizabeth, the diarist of Elizabeth and Her German Garden (1898), who was von A...\",\"PeriodicalId\":41197,\"journal\":{\"name\":\"CAHIERS VICTORIENS & EDOUARDIENS\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2011-11-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS VICTORIENS & EDOUARDIENS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/CVE.1362\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS VICTORIENS & EDOUARDIENS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/CVE.1362","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Beauty’s Price: Femininity as an Aesthetic Commodity in Elizabeth’s von Arnim’s Novels
Was Elizabeth von Arnim an aesthetic writer? Scholars and critics have claimed her as an Edwardian, a middlebrow author, a popular bestselling writer and a satirist of acerbic wit. By including her in her seminal work The Female Forgotten Aesthetes (2000) Talia Schaffer has encouraged readers to look at von Arnim’s early works from yet another and, as it turns out, very fruitful perspective. Schaffer suggests that Elizabeth, the diarist of Elizabeth and Her German Garden (1898), who was von A...
期刊介绍:
Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).