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Portraying Performer Image in Record Album Cover Art 唱片封面艺术中表演者形象的塑造
Rock Music Studies Pub Date : 2023-06-27 DOI: 10.1080/19401159.2023.2229720
John Littlejohn
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引用次数: 0
The Blizzard of Oz: Nick Cave’s Wearisome Ubiquity 《绿野仙踪:尼克·凯夫的无所不在
Rock Music Studies Pub Date : 2023-06-26 DOI: 10.1080/19401159.2023.2227001
D. Biron
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引用次数: 0
“The Ultimate Revolution”: Punk, Paint, and Pilar in Dreaming in Cuban “终极革命”:《古巴梦》中的朋克、油漆和皮拉尔
Rock Music Studies Pub Date : 2023-06-21 DOI: 10.1080/19401159.2023.2218750
Steven L. Hamelman
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引用次数: 0
“The Sound of Silence”: A Comparative Analysis of the Recordings by Simon and Garfunkel and Disturbed “寂静之声”:西蒙和加芬克尔与Disturbed录音的比较分析
Rock Music Studies Pub Date : 2023-05-25 DOI: 10.1080/19401159.2023.2194577
Vernon Miller
{"title":"“The Sound of Silence”: A Comparative Analysis of the Recordings by Simon and Garfunkel and Disturbed","authors":"Vernon Miller","doi":"10.1080/19401159.2023.2194577","DOIUrl":"https://doi.org/10.1080/19401159.2023.2194577","url":null,"abstract":"ABSTRACT In this paper, the author analyzes the original recording of Simon and Garfunkel’s “The Sound of Silence” (1964, 1965) before comparing it to the re-recording and reinterpretation in 2015 by Disturbed. The emphasis is on the musical/audio techniques and the production tools available to the musicians and producers at the time of recording.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128003496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Deeply Vale Music Festival: The North West Free Music Festival, Its Demise, Its Influence, and Its Legacy 深谷音乐节:西北自由音乐节，它的消亡，它的影响，和它的遗产
Rock Music Studies Pub Date : 2023-03-28 DOI: 10.1080/19401159.2023.2195198
J. Ingham
{"title":"The Deeply Vale Music Festival: The North West Free Music Festival, Its Demise, Its Influence, and Its Legacy","authors":"J. Ingham","doi":"10.1080/19401159.2023.2195198","DOIUrl":"https://doi.org/10.1080/19401159.2023.2195198","url":null,"abstract":"ABSTRACT Deeply Vale Festival, held near Rochdale, England from 1976 to 1979, started with an audience of 300 and grew to 20,000 attendees in 1979. It played a significant role in introducing punk music to the festival scene and was initially larger and better organized than the Glastonbury Festival. While Glastonbury became the largest greenfield festival in the world, Deeply Vale did not achieve the same financial success. However Deeply Vale's impact and legacy can be considered as significant as Glastonbury's. This article explores the factors that enabled Glastonbury's success and prevented Deeply Vale from achieving the same level of recognition.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115175281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Some Years are Just Better than Others. The Importance of Public Consensus in Record Ranking 有些年份就是比其他年份好。公众共识在唱片排名中的重要性
Rock Music Studies Pub Date : 2023-02-28 DOI: 10.1080/19401159.2023.2184914
William F. Carroll
{"title":"Some Years are Just Better than Others. The Importance of Public Consensus in Record Ranking","authors":"William F. Carroll","doi":"10.1080/19401159.2023.2184914","DOIUrl":"https://doi.org/10.1080/19401159.2023.2184914","url":null,"abstract":"ABSTRACT Two periods, October 1973 through April 1976 and January 1986 through December 1989 – one-quarter and 40% of their respective decades – curiously lack strongly charting records. This is not a statistical anomaly nor an artifact of one national chart; records in those periods spent less time at their peaks, thus scoring less than records in closely matched comparator high-scoring adjacent periods. The lack of enduring peak popularity, churn at the top of the chart, and the absence of a dominant genre indicate a lack of public consensus as to “what’s good right now,” accounting for the anomalously low scores in those eras.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127361612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Writing Critical Biographies of Our Musical Heroes: Pleasures, Problems, and Peculiarities 为我们的音乐英雄写评论传记:快乐、问题和特点
Rock Music Studies Pub Date : 2023-01-02 DOI: 10.1080/19401159.2023.2170865
Thomas M. Kitts
{"title":"Writing Critical Biographies of Our Musical Heroes: Pleasures, Problems, and Peculiarities","authors":"Thomas M. Kitts","doi":"10.1080/19401159.2023.2170865","DOIUrl":"https://doi.org/10.1080/19401159.2023.2170865","url":null,"abstract":"","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124733310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dylan Tapes: friends, players, and lovers talkin’ early Bob Dylan 迪伦录音带:朋友、演奏者和恋人谈论早期的鲍勃·迪伦
Rock Music Studies Pub Date : 2022-09-01 DOI: 10.1080/19401159.2022.2117886
Steven L. Hamelman
{"title":"The Dylan Tapes: friends, players, and lovers talkin’ early Bob Dylan","authors":"Steven L. Hamelman","doi":"10.1080/19401159.2022.2117886","DOIUrl":"https://doi.org/10.1080/19401159.2022.2117886","url":null,"abstract":"","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"332 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122716031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tear Down the Walls: White Radicalism and Black Power in 1960s Rock 推倒墙:20世纪60年代摇滚中的白人激进主义和黑人权力
Rock Music Studies Pub Date : 2022-08-22 DOI: 10.1080/19401159.2022.2115662
Grant Wong
{"title":"Tear Down the Walls: White Radicalism and Black Power in 1960s Rock","authors":"Grant Wong","doi":"10.1080/19401159.2022.2115662","DOIUrl":"https://doi.org/10.1080/19401159.2022.2115662","url":null,"abstract":"","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"211 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115934735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bad Religion and the Burlesque: Framing Extremist Rhetoric in “The Kids are Alt-Right” 坏宗教和滑稽:《孩子们是另类右翼》中的极端主义修辞
Rock Music Studies Pub Date : 2022-08-19 DOI: 10.1080/19401159.2022.2110768
Ellen M. Bernhard
{"title":"Bad Religion and the Burlesque: Framing Extremist Rhetoric in “The Kids are Alt-Right”","authors":"Ellen M. Bernhard","doi":"10.1080/19401159.2022.2110768","DOIUrl":"https://doi.org/10.1080/19401159.2022.2110768","url":null,"abstract":"ABSTRACT The music video for Bad Religion’s 2018 satirical song, “The Kids are Alt-Right” is an appropriate text to be analyzed through Burke’s burlesque poetic category and Appel’s “five tokens of burlesque drama.” In calling attention to this growing ideological threat, Bad Religion frames the alt-right as a movement that identifies progressivism, technology, and minorities as enemies to their populist message. “Alt-Right” portrays the movement’s participants as having been indoctrinated into an ideological system that has been adapted for the 21st century, resulting in a cautionary tale of a violent effort without redemption, one destined for destruction.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129265253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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