Bad Religion and the Burlesque: Framing Extremist Rhetoric in “The Kids are Alt-Right”

Ellen M. Bernhard
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Abstract

ABSTRACT The music video for Bad Religion’s 2018 satirical song, “The Kids are Alt-Right” is an appropriate text to be analyzed through Burke’s burlesque poetic category and Appel’s “five tokens of burlesque drama.” In calling attention to this growing ideological threat, Bad Religion frames the alt-right as a movement that identifies progressivism, technology, and minorities as enemies to their populist message. “Alt-Right” portrays the movement’s participants as having been indoctrinated into an ideological system that has been adapted for the 21st century, resulting in a cautionary tale of a violent effort without redemption, one destined for destruction.
坏宗教和滑稽:《孩子们是另类右翼》中的极端主义修辞
Bad Religion 2018年的讽刺歌曲《The Kids are Alt-Right》的mv是一个合适的文本,可以通过伯克的滑稽诗歌范畴和阿佩尔的“滑稽戏剧的五个象征”来分析。为了引起人们对这种日益增长的意识形态威胁的关注,“坏宗教”将另类右翼界定为一种运动,将进步主义、技术和少数民族视为其民粹主义信息的敌人。“另类右翼”将该运动的参与者描述为被灌输了一种适应21世纪的意识形态体系,导致了一个警世故事:一场没有救赎的暴力努力,注定要毁灭。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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