{"title":"Bad Religion and the Burlesque: Framing Extremist Rhetoric in “The Kids are Alt-Right”","authors":"Ellen M. Bernhard","doi":"10.1080/19401159.2022.2110768","DOIUrl":null,"url":null,"abstract":"ABSTRACT The music video for Bad Religion’s 2018 satirical song, “The Kids are Alt-Right” is an appropriate text to be analyzed through Burke’s burlesque poetic category and Appel’s “five tokens of burlesque drama.” In calling attention to this growing ideological threat, Bad Religion frames the alt-right as a movement that identifies progressivism, technology, and minorities as enemies to their populist message. “Alt-Right” portrays the movement’s participants as having been indoctrinated into an ideological system that has been adapted for the 21st century, resulting in a cautionary tale of a violent effort without redemption, one destined for destruction.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rock Music Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19401159.2022.2110768","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The music video for Bad Religion’s 2018 satirical song, “The Kids are Alt-Right” is an appropriate text to be analyzed through Burke’s burlesque poetic category and Appel’s “five tokens of burlesque drama.” In calling attention to this growing ideological threat, Bad Religion frames the alt-right as a movement that identifies progressivism, technology, and minorities as enemies to their populist message. “Alt-Right” portrays the movement’s participants as having been indoctrinated into an ideological system that has been adapted for the 21st century, resulting in a cautionary tale of a violent effort without redemption, one destined for destruction.
Bad Religion 2018年的讽刺歌曲《The Kids are Alt-Right》的mv是一个合适的文本,可以通过伯克的滑稽诗歌范畴和阿佩尔的“滑稽戏剧的五个象征”来分析。为了引起人们对这种日益增长的意识形态威胁的关注,“坏宗教”将另类右翼界定为一种运动,将进步主义、技术和少数民族视为其民粹主义信息的敌人。“另类右翼”将该运动的参与者描述为被灌输了一种适应21世纪的意识形态体系,导致了一个警世故事:一场没有救赎的暴力努力,注定要毁灭。