Rock Music Studies最新文献

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Kids A : Radiohead and Its Expert Fans Negotiating the Future of Rock 儿童 A:Radiohead 及其专家级粉丝商讨摇滚乐的未来
Rock Music Studies Pub Date : 2024-05-17 DOI: 10.1080/19401159.2024.2346997
Alexander Kroll
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引用次数: 0
Never Too Late: Queen’s Logic of Practice 为时不晚女王的实践逻辑
Rock Music Studies Pub Date : 2024-03-13 DOI: 10.1080/19401159.2024.2324243
Rob Breton
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引用次数: 0
Baz Luhrmann’s Elvis , Race, Racism and the South African Nexus 巴兹-鲁尔曼的《猫王》、种族、种族主义与南非的联系
Rock Music Studies Pub Date : 2024-03-06 DOI: 10.1080/19401159.2024.2323130
Harry Sewlall
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引用次数: 0
The Gene Vincent Connection: 36 Roots and Covers of Gene Vincent The Gene Vincent Connection: 36 Roots and Covers of Gene Vincent , 2021, Various Artists, Bear Family Records BCD 17620, CD $13.00 吉恩-文森特的联系吉恩-文森特的 36 首根源与翻唱 吉恩-文森特的联系:36 Roots and Covers of Gene Vincent , 2021, Various Artists, Bear Family Records BCD 17620, CD $13.00
Rock Music Studies Pub Date : 2023-12-20 DOI: 10.1080/19401159.2023.2295598
B. Cooper
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引用次数: 0
Diamond Dogs Diamond Dogs , by Glenn HendlerNew York, Bloomsbury Academic, 2020, 161 pp., $14.95 (paperback) ISBN 978-1-5013-3658-4 钻石狗》(Diamond Dogs),作者格伦-亨德勒(Glenn Hendler)纽约,布鲁姆斯伯里学术出版社,2020 年,161 页,14.95 美元(平装本),ISBN 978-1-5013-3658-4
Rock Music Studies Pub Date : 2023-11-29 DOI: 10.1080/19401159.2023.2288385
John Littlejohn
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引用次数: 0
The King as Proletarian: Thinking about Elvis Presley as a Worker 作为无产者的国王:思考作为工人的猫王
Rock Music Studies Pub Date : 2023-11-27 DOI: 10.1080/19401159.2023.2282905
Martin Cloonan
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引用次数: 0
“Feminism, Punk Rock, and Subcultural Living”: The Forming of Courtney Love and Hole “女权主义、朋克摇滚和亚文化生活”:考特尼·洛芙和霍尔的形成
Rock Music Studies Pub Date : 2023-08-04 DOI: 10.1080/19401159.2023.2217638
J. How
{"title":"“Feminism, Punk Rock, and Subcultural Living”: The Forming of Courtney Love and Hole","authors":"J. How","doi":"10.1080/19401159.2023.2217638","DOIUrl":"https://doi.org/10.1080/19401159.2023.2217638","url":null,"abstract":"ABSTRACT This article analyzes the sources of the anger in the early work of Courtney Love and rock band Hole, which—in contrast to much of today’s mainstream rock, pop, and indie music, which more often draws from singer-songwriter, country, and electronic forms—was inspired by confrontational punk, underground, and post-punk influences. I argue that Hole’s early work, especially debut album Pretty on the Inside, constitutes a coherent protest against the broken promises of the 1960s counterculture and the second wave of feminism. I consider the price paid by Love for playing the “angry woman” and lessons for today’s artists.","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131408294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tom Verlaine, 1949-2023
Rock Music Studies Pub Date : 2023-07-26 DOI: 10.1080/19401159.2023.2229719
Steve Hamelman
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引用次数: 0
Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” 显著的他者:Limp Bizkit与Nu Metal的“他者性”政治
Rock Music Studies Pub Date : 2023-07-09 DOI: 10.1080/19401159.2023.2234118
Catherine Hoad
{"title":"Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”","authors":"Catherine Hoad","doi":"10.1080/19401159.2023.2234118","DOIUrl":"https://doi.org/10.1080/19401159.2023.2234118","url":null,"abstract":"ABSTRACT In this article, I explore how nu metal was problematically situated as an “Other” in response to heavy metal’s supposed crisis of identity at the turn of the millennium. Using Limp Bizkit as a central case study, I consider how the fragmented state of metal and market growth of hip hop in the mid 1990s provided the preconditions for nu metal to flourish commercially; how Limp Bizkit were marketed in response to this growth; and finally, how their reception, demise, and eventual reprisal are caught up within heavy metal’s anxieties over generic purity and the racialized terrain of the music of “Others.”","PeriodicalId":411779,"journal":{"name":"Rock Music Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132306446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What is Post-Punk? Genre and Identity in Avant-Garde Popular Music, 1977-1982 什么是后朋克?先锋流行音乐的流派与身份,1977-1982
Rock Music Studies Pub Date : 2023-07-05 DOI: 10.1080/19401159.2023.2231334
Michael P. Marino
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引用次数: 0
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