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Edith Wharton Society Panels at the American Literature Association Conference, Chicago, 2022 伊迪丝·沃顿社会小组在美国文学协会会议，芝加哥，2022年
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0187
Laëtitia Nebot-Deneuville
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引用次数: 0
"A vigilant hand": Reading The Age of Innocence from Below “一只警惕的手”:从下面解读纯真时代
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0107
William E. Cain
{"title":"\"A vigilant hand\": Reading The Age of Innocence from Below","authors":"William E. Cain","doi":"10.5325/editwharrevi.37.2.0107","DOIUrl":"https://doi.org/10.5325/editwharrevi.37.2.0107","url":null,"abstract":"Abstract:This article, keyed to The Age of Innocence, takes as its point of departure the resistance from students that many teachers encounter when they assign the novels that Edith Wharton centered in wealthy, privileged New York society. There is indeed, in each of these novels, a central story that dominates and occupies nearly all the surface, dealing with the personal and familial problems of rich people. But there is a second story, about servants and workers and providers of the comforts that the wealthy deem essential. It is important to respond to and understand the first story through a keen awareness of the second, which can be done by reading The Age of Innocence \"from below.\" When teaching this novel and others like it in subject and setting, it is thus helpful and illuminating to bring the second story forward. Reading from below enables readers to appreciate Wharton's style and vision more deeply and makes her work more accessible to and rewarding for students.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"24 1","pages":"107 - 131"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83077923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wharton, Hemingway, and the Advent of Modernism 沃顿，海明威和现代主义的到来
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0168
S. Brennan
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引用次数: 0
Editor's Note 编者按
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.v
R. Bode
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引用次数: 0
The Age of Innocence: New Centenary Essays 纯真年代:新百年散文
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0181
Arielle Zibrak
{"title":"The Age of Innocence: New Centenary Essays","authors":"Arielle Zibrak","doi":"10.5325/editwharrevi.36.2.0181","DOIUrl":"https://doi.org/10.5325/editwharrevi.36.2.0181","url":null,"abstract":"Abstract:Edith Wharton's The Age of Innocence: New Centenary Essays (Bloomsbury, 2019) is the most recent volume focused on Wharton's Pulitzer Prize–winning novel. Edited by Arielle Zibrak, it brings new critical approaches to Wharton's work and draws connections between the novel's gaze back at the late nineteenth century and our own. Wharton scholars were invited to respond to each of the collection's essays and the authors of the essays, in turn, wrote back to their respondents. The following conversation expands the insights of the original volume and points toward new directions in Wharton scholarship.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"15 1","pages":"181 - 204"},"PeriodicalIF":0.0,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73355216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Introduction: Edith Wharton's The Age of Innocence 简介:伊迪丝·华顿的《纯真年代》
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0091
Hermione Lee
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引用次数: 1
Edith Wharton's Proximate Intimacies: Object Mediations in an "Age" of Social Distance 伊迪丝·华顿的《近距离亲密:社会距离“时代”的客体调解》
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0095
Melanie V. Dawson
{"title":"Edith Wharton's Proximate Intimacies: Object Mediations in an \"Age\" of Social Distance","authors":"Melanie V. Dawson","doi":"10.5325/editwharrevi.36.2.0095","DOIUrl":"https://doi.org/10.5325/editwharrevi.36.2.0095","url":null,"abstract":"Abstract:As nineteenth-century etiquette books remind their readers, the basic principles of social life meant maintaining a clear and insulating space around corporal forms. Amid such normative expectations, Wharton's characters move through material worlds richly populated with objects, many of which are alluringly textured. This essay argues that a number of these objects were charged with additional associative meanings, based on the persons with whom they are most closely aligned, often their owners. Such material items become what I describe as the \"proximate objects\" that fascinate Wharton's characters, not only because of their sensual appeal, but also because of their combined physical availability and association with other human forms. For characters in fictions such as The Age of Innocence, Ethan Frome, and The Reef, proximate objects have the capacity to mediate human desires by providing a sense of an appropriately distanced but nevertheless material intimacy with another person as they stand in for human forms that must remain socially distanced from one another. Revealing the dynamic and sensual dimensions of the material world, the haptic encounters experienced by Wharton's characters offer insight into the materiality interwoven with human desire.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"97 1","pages":"124 - 95"},"PeriodicalIF":0.0,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86015025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Of Art, Codes, and Transcoding: Revisiting Intersemiotic Conversations in The Age of Innocence by Edith Wharton (1920) and Martin Scorsese (1993) 《艺术、代码和转码:重新审视伊迪丝·沃顿(1920)和马丁·斯科塞斯(1993)的《纯真年代》中的符号学对话》
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0125
F. Sammarcelli
{"title":"Of Art, Codes, and Transcoding: Revisiting Intersemiotic Conversations in The Age of Innocence by Edith Wharton (1920) and Martin Scorsese (1993)","authors":"F. Sammarcelli","doi":"10.5325/editwharrevi.36.2.0125","DOIUrl":"https://doi.org/10.5325/editwharrevi.36.2.0125","url":null,"abstract":"Abstract:This essay explores the inscription of codes and intersemiotics in Wharton's The Age of Innocence and its 1993 adaptation by Martin Scorsese, and analyzes the effects derived from them. It begins by showing how the sense of ironical distance that prevails in the first chapters of the novel is redefined in the film, especially in the brilliant title sequence and opening scene that set a different tone, more likely to trigger identification with the characters and produce emotion, instead of underscoring convention. Apart from the opera motif, other intersemiotic connections that function differently in the book and its adaptation deserve to be examined. Thus the essay studies how pictorial quotations abound in the film, more than in Wharton's novel, especially works by James Tissot that convey a sense of ambiguity, while other paintings are related to the transcoding of violence and mystery. It then discusses the subversive emphasis on frames and framing and the reference to tableau vivant, before dwelling on facets of textual and filmic reflexivity.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"15 1","pages":"125 - 147"},"PeriodicalIF":0.0,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90422596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Afterword: "Talking Against Time" in The Age of Innocence 后记:《纯真年代》中的“与时间对抗”
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0165
F.D.A. Wegener
{"title":"Afterword: \"Talking Against Time\" in The Age of Innocence","authors":"F.D.A. Wegener","doi":"10.5325/editwharrevi.36.2.0165","DOIUrl":"https://doi.org/10.5325/editwharrevi.36.2.0165","url":null,"abstract":"Abstract:In The Writing of Fiction, Edith Wharton argues that \"the attempt to produce on the reader the effect of the passage of time\" is one of the \"central difficulties\" confronting any novelist. In none of her own works of fiction is that difficulty resolved more successfully than in The Age of Innocence. This study demonstrates the extent to which an awareness of time occupies the core of Wharton's novel: time as it elapses, and time as it shapes the experiences of her characters. In old New York of the 1870s, people are strictly constrained by myriad inviolable routines and rituals, forced to be perpetually mindful of clock and calendar. The suspicion that their world is in the process of being gradually but irreversibly altered is pivotally captured when several characters, envisioning future inventions like the telephone, are said to be \"talking against time\"—a then-familiar but seldom elucidated colloquialism. Her own response to the acceleration of the social and technological changes that overtook old New York illustrates how Wharton, too, may be said to be \"talking against time\" in her later critical and autobiographical prose.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"42 1","pages":"165 - 178"},"PeriodicalIF":0.0,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74324052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Every One Knew": Epistemologies of the City in Edith Wharton's The Age of Innocence “人人都知道”:伊迪丝·华顿《纯真年代》中城市的认识论
Edith Wharton Review Pub Date : 2021-08-03 DOI: 10.5325/editwharrevi.36.2.0148
Katrin Horn
{"title":"\"Every One Knew\": Epistemologies of the City in Edith Wharton's The Age of Innocence","authors":"Katrin Horn","doi":"10.5325/editwharrevi.36.2.0148","DOIUrl":"https://doi.org/10.5325/editwharrevi.36.2.0148","url":null,"abstract":"Abstract:New York looms large in much of Edith Wharton's work, maybe never more so than in The Age of Innocence. The city is not just the space in which the stories unfold or the social context which frames the central drama. Rather, \"New York\" serves as the central source of knowledge for characters and readers alike. Whether in the form of private gossip or society journals, news travels fast, judgement is swift, and knowledge about everyone's intimate affairs is ever present. The Age of Innocence is hence marked by the stark distinction between the reticence of its main characters—who live in an \"atmosphere of faint implications and pale delicacies,\" share \"mute message[s],\" and rely on \"silence to communicate all [they] had to say\"—and the eloquence of the city. By detailing this contrast between the novel's main characters and its setting, this article addresses gossip and other forms of communal, networked, or anonymous knowledge not only as an element of plot, but as narrative strategy in The Age of Innocence. It thus combines an exploration of Edith Wharton's distinct style with an analysis of New York's central role in her writing.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"1 1","pages":"148 - 164"},"PeriodicalIF":0.0,"publicationDate":"2021-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82945970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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