Edith Wharton Review最新文献

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Not That Innocent: Teaching Edith Wharton’s “Roman Fever” 没那么天真:教伊迪丝·华顿的《罗马热》
Edith Wharton Review Pub Date : 2022-05-01 DOI: 10.5325/editwharrevi.38.1.0064
Megan McNamara Dawley
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引用次数: 0
Architecture as Precarity: Edith Wharton’s Haunted Hudson River Bracketed 不稳定的建筑:伊迪丝·沃顿的闹鬼的哈德逊河
Edith Wharton Review Pub Date : 2022-05-01 DOI: 10.5325/editwharrevi.38.1.0001
Mindy Buchanan‐King
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引用次数: 0
Wharton’s Revision of Guardian-Ward Romance Fiction in Summer 华顿对《夏天被监护的浪漫小说》的修订
Edith Wharton Review Pub Date : 2022-05-01 DOI: 10.5325/editwharrevi.38.1.0021
Michael T. Wilson
{"title":"Wharton’s Revision of Guardian-Ward Romance Fiction in Summer","authors":"Michael T. Wilson","doi":"10.5325/editwharrevi.38.1.0021","DOIUrl":"https://doi.org/10.5325/editwharrevi.38.1.0021","url":null,"abstract":"Abstract:This article analyzes the way that Wharton’s Summer both engages with and revises a relatively common trope of popular nineteenth- and early twentieth-century American fiction centered on romance, the romance between a male guardian and his female ward. To do so, it also analyzes the trope in a range of those other novels, including William J. Locke’s 1905 The Morals of Marcus Ordeyne (so popular that it became a play and then a motion picture), Jean Webster’s 1912 Daddy Long-Legs, and Ethel M. Kelley’s 1917 Turn About Eleanor. Each of these other novels generally obscures or indeed celebrates the uneven power dynamics and age relationships of such couplings, sometimes to quite remarkable degrees, and in ways that foreground the “romantic” elements of the romance fiction genre. In Summer, Wharton, by partially but not entirely revising them, instead recasts the conventions of a guardian-ward romance to force the logical and emotional contradictions of the hierarchies of power coercively inherent in the limited female autonomy of such wards to the surface.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"1 1","pages":"21 - 49"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74814062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edith Wharton in France 伊迪丝·华顿法国
Edith Wharton Review Pub Date : 2022-05-01 DOI: 10.5325/editwharrevi.38.1.0080
H. Champion
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引用次数: 0
Diamonds and Deadlines: A Tale of Greed, Deceit, and a Female Tycoon in the Gilded Age by Betsy Prioleau (review) 《钻石与最后期限:一个关于镀金时代贪婪、欺骗与女大亨的故事》贝特西·普里奥洛著(书评)
Edith Wharton Review Pub Date : 2022-05-01 DOI: 10.5325/editwharrevi.38.1.0000
Cindy Murillo
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引用次数: 0
"At the very moment of attainment": Self-Deception in La Princesse de Clèves and The House of Mirth “在获得的那一刻”:《欢乐公主》和《欢乐之家》中的自我欺骗
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0132
A. Kudish
{"title":"\"At the very moment of attainment\": Self-Deception in La Princesse de Clèves and The House of Mirth","authors":"A. Kudish","doi":"10.5325/editwharrevi.37.2.0132","DOIUrl":"https://doi.org/10.5325/editwharrevi.37.2.0132","url":null,"abstract":"Abstract:This article interprets the central erotic triangle between Lily Bart, Lawrence Selden, and Simon Rosedale in The House of Mirth (1905) as a modernized restaging of the love triangle in Madame de Lafayette's La Princesse de Clèves (1678). Through the lens of the seventeenth-century French novel, which Wharton characterized as inaugurating the debut of \"modern fiction\" in The Writing of Fiction, readers can see how Wharton condemns, in The House of Mirth, the stated motivations of its characters as fundamentally unreliable and their attempts at self-knowledge as futile. In this way, both novels highlight epistemological failures—whether about love, friendship, or status—when characters falter just on the brink of attaining their desires. The last part of this study examines Rosedale's love for Lily, his active care for her, and his jealousy, which have not received adequate scholarly attention, as well as proposes a new reading of Lily's rejection of Rosedale's last marriage proposal.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"3 1","pages":"132 - 150"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89362941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What a Library Means to a Woman: Edith Wharton and the Will to Collect Books 图书馆对女人意味着什么:伊迪丝·沃顿和她的藏书意愿
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0173
M. Dawley
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引用次数: 0
"You just stood there and watched": The Transformative Power of a Woman's Withholding in Edith Wharton's Sanctuary “你只是站在那里看着”:伊迪丝·沃顿庇护所中一个女人的克制的变革力量
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0151
I. Parsons
{"title":"\"You just stood there and watched\": The Transformative Power of a Woman's Withholding in Edith Wharton's Sanctuary","authors":"I. Parsons","doi":"10.5325/editwharrevi.37.2.0151","DOIUrl":"https://doi.org/10.5325/editwharrevi.37.2.0151","url":null,"abstract":"Abstract:Edith Wharton's Sanctuary was long dismissed for want of a convincing plot and heroine, but the novella has been shown to reward focused inquiry. It may be read, among other things, as a revealing, early example of Wharton's uses of secrets and silences to portray women's lives. Withholding would become a central feature of her writing, and the topic of women, one of her enduring artistic interests. This article examines Sanctuary's fictional and textual secrets, as well as the roles of silences with reference to the numerous instances of vigil-keeping in the novella. It finds Wharton exploring acts of withholding by a woman and imbuing them with a significant power to transform others, so subverting the historical silences and silencing of women.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"23 1","pages":"151 - 167"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84810410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Templates for Authorship: American Women’s Literary Autobiography of the 1930s 作者模板:20世纪30年代美国女性文学自传
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0178
Laura Laffrado
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引用次数: 0
Female Physicians in American Literature: Abortion in 19th-Century Literature and Culture by Margaret Jay Jessee (review) 美国文学中的女医生:19世纪文学和文化中的堕胎玛格丽特·杰伊·杰西(书评)
Edith Wharton Review Pub Date : 2021-11-01 DOI: 10.5325/editwharrevi.37.2.0182
Karen Weingarten
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引用次数: 0
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