Studi irlandesi-A Journal of Irish Studies最新文献_第2页

Ringraziamenti / Acknowledgements 感谢/认可

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14649

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Recensioni / Reviews 评论

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14658

Alberto Mini, Fabio Luppi, Giovanna Tallone, Paolo Bertinetti, Daniele Serafini, Giuseppe Serpillo, Richard Allen Cave

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Autori / Contributors 作者/贡献者

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14644

A. Hodges

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Resuscitating the Self through Verse: Alternative Histories in the Poetry of Eavan Boland 通过诗歌唤醒自我:伊凡·博兰诗歌中的另类历史

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14615

Somaya Abdul Wahhab Al-Samahy

{"title":"Resuscitating the Self through Verse: Alternative Histories in the Poetry of Eavan Boland","authors":"Somaya Abdul Wahhab Al-Samahy","doi":"10.36253/sijis-2239-3978-14615","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14615","url":null,"abstract":"Since the dawn of civilisation human life has witnessed multifarious modes of resistance. As an arena for cultivating human experience, literature provides enriching representations of resisting acts. As a matter of fact, the emergence of postcolonial dialectics in the second half of the twentieth century has rendered resistance a prevalent literary theme. Owing to the turbulences that had always cast their shadow upon this magnificent country, Ireland has maintained a unique literary tradition replete with images of resistance. Certainly, poetry, that has been a cornerstone to this tradition, has its ample share of these images. The Irish Canon had contributed a number of master poets such as W.B. Yeats, Seamus Heaney, and George William Russell, all of whom have used their poetic output as a vehicle for resistance against British hegemony. Yet, this rich poetic tradition did not secure a position for women poets. Irish women poets were not officially welcomed into the poetic arena until the second half of the nineteenth century. Their emergence, however, was shaped by their perception by their male contemporaries. Such a strict patriarchal society as the Irish would not have acknowledged their existence easily. Irish women poets then had led a double resistance. This dilemma is amply depicted in Eavan Boland’s poetry. Born in 1944, Boland chronicles various aspects of post-independent Irish life. Her poetry tends to tackle women’s lives and domestic affairs during times of unrest and turmoil as well as her attempts to establish herself as a woman poet. The proposed paper tends to investigate the techniques and imagery employed by Boland as a means of resisting both political hegemony and patriarchal domination.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84898210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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“Do not destroy me before my time”: Iphigenia’s Versions and Appropriations in Contemporary Irish Theatre “不要在我的时间到来之前毁灭我”:伊菲革涅亚在当代爱尔兰戏剧中的版本和挪用

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14617

María Del Mar González Chacón

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Yeats as a Folklorist: The Celtic Twilight and the Irish Folklore 叶芝作为民俗学家:凯尔特的黄昏与爱尔兰民间传说

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14621

Vito Carrassi

{"title":"Yeats as a Folklorist: The Celtic Twilight and the Irish Folklore","authors":"Vito Carrassi","doi":"10.36253/sijis-2239-3978-14621","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14621","url":null,"abstract":"W.B. Yeats had a key role in the Irish folklore. Before writing his masterpieces, often arising froman original encounter between folklore and literature, the young Yeats was directly concerned withthe collecting of folklore. Initially he had worked as an editor, drawing his material from a varietyof XIX century’s narrative collections; however, through this editing he had already sketched hisown idea of folklore. With his later work, The Celtic Twilight, Yeats became a first-hand collector,thus acting as a folklorist. A singular kind of folklorist, indeed, who addressed his materialaccording to views and goals quite distant from the canonical approach of an ethnographic research.His was the approach of a writer seeking in folklore a different kind of literature. Hence, are welegitimized to regard Yeats as a folklorist? How to evaluate his unorthodox methodology? Was hisapproach unsuitable? Or, perhaps, by treating his material as a dynamic, living issue, rather than astatic, outdated item, was this approach more fitting for understanding folklore? These are somequestions I discuss in my paper, so as to develop a critical reassessment of the concept of folklore,its methods and aims.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84541036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Butcher’s Dozen / La “dozzina” del macellaio 屠夫的十打/ macellaio的“dozzina”

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14630

Donatella Abbate Badin

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Fog-Clearing and the “Irish Dimension” in Oscar Wilde’s Three Society Plays 王尔德三部社交剧中的清雾与“爱尔兰维度”

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14623

R. Haslam

{"title":"Fog-Clearing and the “Irish Dimension” in Oscar Wilde’s Three Society Plays","authors":"R. Haslam","doi":"10.36253/sijis-2239-3978-14623","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14623","url":null,"abstract":"Despite growing scholarly interest in how Oscar Wilde’s Irish heritage shaped the form and content of his creative works, critics exploring this area have paid less attention to his three society plays than to his fiction and his final play The Importance of Being Earnest. In seeking to rectify that imbalance, this essay first addresses the analytical implications of Wilde’s suggestion in 1893 that his own performed and planned society plays, along with certain works by his countryman George Bernard Shaw, constituted an “Hibernian” or “Celtic School”, whose key goals were to celebrate Henrik Ibsen, to deprecate theatrical censorship, and to extirpate the English “intellectual fogs” of Puritanism and Philistinism. Examining Wilde’s depictions of Puritanism, London society, and English national character in the three plays, the essay argues that their Irish facets turn out to be relatively modest in scale, consisting not of the allegorically encoded political commentaries previous critics claimed to discover in Wilde’s fiction and The Importance of Being Earnest, but instead strategies of plot, characterization, and dialogue designed to alert England to the urgent need “to clear” away its “intellectual fogs”.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89937374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tra rispetto per la natura e fairy faith: i racconti (ever)green di Eddie Lenihan 从自然到童话的信仰:我是埃迪·勒尼汉(Eddie Lenihan)

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14624

Luca Sarti

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Digital Hyperworks: A Few Irish e-Lit Examples 数字超级作品:几个爱尔兰电子文学的例子

Studi irlandesi-A Journal of Irish Studies Pub Date : 2023-07-31 DOI: 10.36253/sijis-2239-3978-14627

A. Antonielli

{"title":"Digital Hyperworks: A Few Irish e-Lit Examples","authors":"A. Antonielli","doi":"10.36253/sijis-2239-3978-14627","DOIUrl":"https://doi.org/10.36253/sijis-2239-3978-14627","url":null,"abstract":"As the very idea of authorship is changed by the digital environment, so is the role of the author, their practices, their centrality inside the text undergoing a radical transformation. The analogic author sees their works operating in a traditional, typically ‘Gutenberg’ environment, whereas the digital author exploits information technology to explore what Poster calls a “networked authorship” (2002, 490). A scattered authorship (Landow 1992, 130) and a collective/cooperative notion of writing are typical features of the digital framework, and of hyperliterary works that enable a multisequential reading. The assumptions above inform the empirical investigation developed in this study. It looks at the ways digital authorship tools have contributed to deconstructing the idea of “one strong authorial voice”. In its place, these tools have introduced a “mild”, plural alternative, which is currently being circulated on the Internet. Therefore, the unity of a digital text appears to be in its destination, not its origin. This essay considers several Irish digital works as case studies. It shows how the fragmented nature of digital literary works, which resemble the hypertextual links, moves close to Barthes’s “lexias” which, with their “galaxie[s] de signifiants” (Barthes 1984, 11) establish intra- and inter-textual connections dismantling the unity of the text and implement the notion of a multiple, collective authorship.","PeriodicalId":40876,"journal":{"name":"Studi irlandesi-A Journal of Irish Studies","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80830898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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