通过诗歌唤醒自我:伊凡·博兰诗歌中的另类历史

IF 0.2 Q4 AREA STUDIES
Somaya Abdul Wahhab Al-Samahy
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引用次数: 0

摘要

自从文明开始以来,人类生活就见证了各种各样的抵抗方式。文学作为培养人类经验的舞台,为抵抗行为提供了丰富的表征。事实上,20世纪下半叶后殖民辩证法的出现,使抵抗成为一个流行的文学主题。由于动荡总是在这个伟大的国家投下阴影,爱尔兰保持着独特的文学传统,充满了反抗的形象。当然,作为这一传统基石的诗歌,也大量使用了这些意象。《爱尔兰佳能》孕育了一批诗人大师,如叶芝、希尼和罗素,他们都用自己的诗歌作品作为抵抗英国霸权的工具。然而,这种丰富的诗歌传统并没有确保女性诗人的地位。直到19世纪下半叶,爱尔兰女诗人才正式进入诗坛。然而,她们的出现是受到同时代男性的看法的影响。在爱尔兰这样一个严格的父权社会里,他们不会轻易承认自己的存在。当时的爱尔兰女诗人进行了双重抵抗。伊凡·博兰的诗歌充分描述了这种困境。博兰出生于1944年,记录了独立后爱尔兰生活的各个方面。她的诗歌倾向于处理动荡和动荡时期女性的生活和家庭事务,以及她试图确立自己作为女性诗人的地位。本文旨在探讨博兰作为抵抗政治霸权和父权统治的手段所使用的技巧和意象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resuscitating the Self through Verse: Alternative Histories in the Poetry of Eavan Boland
Since the dawn of civilisation human life has witnessed multifarious modes of resistance. As an arena for cultivating human experience, literature provides enriching representations of resisting acts. As a matter of fact, the emergence of postcolonial dialectics in the second half of the twentieth century has rendered resistance a prevalent literary theme. Owing to the turbulences that had always cast their shadow upon this magnificent country, Ireland has maintained a unique literary tradition replete with images of resistance. Certainly, poetry, that has been a cornerstone to this tradition, has its ample share of these images. The Irish Canon had contributed a number of master poets such as W.B. Yeats, Seamus Heaney, and George William Russell, all of whom have used their poetic output as a vehicle for resistance against British hegemony. Yet, this rich poetic tradition did not secure a position for women poets. Irish women poets were not officially welcomed into the poetic arena until the second half of the nineteenth century. Their emergence, however, was shaped by their perception by their male contemporaries. Such a strict patriarchal society as the Irish would not have acknowledged their existence easily. Irish women poets then had led a double resistance. This dilemma is amply depicted in Eavan Boland’s poetry. Born in 1944, Boland chronicles various aspects of post-independent Irish life. Her poetry tends to tackle women’s lives and domestic affairs during times of unrest and turmoil as well as her attempts to establish herself as a woman poet. The proposed paper tends to investigate the techniques and imagery employed by Boland as a means of resisting both political hegemony and patriarchal domination.
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