Perifrasis-Revista de Literatura Teoria y Critica最新文献

{"title":"Uriarte, Javier. The Desertmakers. Travel, War, and the State in Latin America. Routledge, 2020, 324 pp.","authors":"Mariana Moraes","doi":"10.25025/perifrasis202213.27.09","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.09","url":null,"abstract":"","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87561457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TECNOLOGÍA, SIMULACRO Y RELACIONES AFECTIVAS EN GEOGRAFÍA DE LA LENGUA DE ANDREA JEFTANOVIC","authors":"Jimena Victoria Torres Marco","doi":"10.25025/perifrasis202213.27.05","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.05","url":null,"abstract":"This article analyses the sentimental relationship proposed by Andrea Jeftanovic in Geografía de la lengua. The sentimental relationship of its protagonists arises in a non-place. It is also constructed through the technological medium and generates in the subjects a confusion between reality and fiction. These traits, which the critics have attributed to the narrative of simulation, constitute the main vectors of this analysis. The aim of this article is to highlight the literary treatment of the different conditioning factors that crosses a sentimental relationship subjected to physical distance and technology.","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75882241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Barrero Fajardo, Mario. Viaje a la “tierra caliente” de Álvaro Mutis. Universidad de los Andes, 2020, 202 pp.","authors":"Tania Ganitsky","doi":"10.25025/perifrasis202213.27.08","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.08","url":null,"abstract":"","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"22 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82806361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BIBLIOTECA, FINITUD Y RESISTENCIA: LA LECTURA COMO GESTO DISCURSIVO EN LA BIBLIOTECA DE PARÍS","authors":"Wilson Pérez Uribe","doi":"10.25025/perifrasis202213.27.01","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.01","url":null,"abstract":"This article reflects, based on the novel The Paris Library , by Janet Skeslien Charles, fra-med on the historical plan of the American Library in Paris during World War II, the topics of finitude, forms of crisis and violence, the right to literature, imaginative creation and narrative imagination, as frameworks to understand the library as a space to inhabit, in which reading is made available as a welcoming gesture in times of uncertainty and","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"65 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81483254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"JUGOS DAÑADOS DEL SAN PEDRO EN LA VIOLENCIA DEL TIEMPO DE MIGUEL GUTIÉRREZ","authors":"Matías Di Benedetto","doi":"10.25025/perifrasis202213.27.04","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.04","url":null,"abstract":"In this novel the presence of the San Pedro cactus shows not only the shaman’s thera-peutic operations but also the way in which the ecstasy produced by its consumption is defined as a chemical and aesthetic procedure, with somatic-political repercussions and experimental aspirations from the point of view of its literary concreteness. In this way, the experimentation of the visions that is reached through the trance state and the ways of narrating history are underlined, thus giving rise to a shamanic theorization of the montage method.","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"52 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80064277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ÚRSULA SUÁREZ Y ÚRSULA DE JESÚS: AUTOFIGURACIÓN Y AUTORIDAD EN LA TEMPRANA MODERNIDAD AMERICANA","authors":"A. Gayet","doi":"10.25025/perifrasis202213.27.07","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.07","url":null,"abstract":"Conventual writing during Early American Modernity implied a delineation of a space of enunciation along with self-representation, which were the basis for legitimating their right to speak. Úrsula Suárez and Úrsula de Jesús write, at the behest of their confes-sors, an account of their lives in which the mystic discourse enables them to reconfigure not only their own voices and those of others","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73814169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"UN REGISTRO DE “LA POST-HAVANA”: NOTAS SOBRE FICCIÓN Y GLOBALIZACIÓN EN LA AUTOPISTA: THE MOVIE DE JORGE ENRIQUE LAGE","authors":"Javier Rubio Manzano","doi":"10.25025/perifrasis202213.27.03","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.03","url":null,"abstract":"This paper analyses Jorge Enrique Lage’s (1979) novel La autopista: The movie, published in 2014 in La Habana, in the context of the latest Cuban narrative and Caribbean science fiction. Many of Lage ́s works explore the different possibilities of Cuba’s future, positing universes full of strange and novel elements that may -or may notcorrespond to the future of the country, although their main intention is not to build a model society: these universes are immersed in chaos, in instability. Globalization enters his novels as an irremediable force, being the cause of the arrival of all these elements on the island. Palabras clave: Jorge Enrique Lage, 21st century, latinoamerican literature, Cuba, globalization * jrubiomanzano@gmail.com. Doctorando en Literatura Hispanoamericana, Universidad Complutense de Madrid. Un registro de “La Post-Havana”: notas sobre ficción y globalización en La autopista: The movie (2014) ···51··· perífrasis. rev.lit.teor.crit. Vol. 13, n.o 27. Bogotá, septiembre-diciembre 2022, 156 pp. ISSN 2145-8987, pp 50-66 La globalización cada vez es más visible en todo el continente americano. Las sociedades se están transformando debido a la asimilación de las nuevas dinámicas que mueven la economía mundial. Los modelos que se crearon durante la modernidad se han ido diluyendo en las últimas décadas. Conceptos como identidad, nación y territorio han sido resignificados tras la llegada de los procesos globalizantes. América Latina ha visto cómo estos modelos dejan de tener peso en sus diversas realidades. La literatura, como otras artes, refleja estos cambios y estas nuevas concepciones de entender el individuo y la comunidad que habita. La narrativa cubana de las dos últimas décadas es un ejemplo de este reflejo: los autores han ido abandonando los preceptos que se difundieron desde la década de los sesenta para virar hacia una literatura que dialoga más allá de la isla, superando las líneas fronterizas. En la novela que atañe a este trabajo, Jorge Enrique Lage presenta un universo literario donde todo discurso hegemónico es puesto en evidencia y en cuestionamiento con la feroz entrada de la globalización a través de la construcción de una autopista. La principal consecuencia de los procesos globalizadores es la creación de “una nueva cosmovisión” (Mora 320) de las sociedades actuales. La reducción de los costos y del tiempo en la construcción de infraestructuras, así como las facilidades de intercambio de información que proporcionan las redes, contribuyen a la creación de unos territorios cada vez más conectados y, como resultado, más descentralizados. La descentralización del control otorga a sociedades y naciones una nueva “complejidad y heterogeneidad de su núcleo estructural” (321). Las nociones de territorialidad, por tanto, se han transformado en las últimas décadas. En el caso de América Latina, Nancy Calomarde señala cómo ha cambiado la noción de territorialidad en la teoría cultural del continente desde comienzos del si","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"3 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87799730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LA LEGITIMACIÓN DEL PODER EN LOS MOTIVOS DE BAYARDO DE LUIS ARTURO RAMOS","authors":"María Esther Castillo G.","doi":"10.25025/perifrasis202213.27.02","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.02","url":null,"abstract":"una","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73213391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"APETITOS TITÁNICOS Y TIRÁNICOS CARIBEÑOS: FUKÚ, NARRACIONES VORACES Y CUERPOS LITERARIOS EN LA MARAVILLOSA VIDA BREVE DE ÓSCAR WAO DE JUNOT DÍAZ","authors":"Silvia Ortiz Gómez","doi":"10.25025/perifrasis202213.27.06","DOIUrl":"https://doi.org/10.25025/perifrasis202213.27.06","url":null,"abstract":"The preface for Junot Díaz’s The Brief Wondrous Life of Óscar Wao (2007) introduces Galactus, Marvel’s “Devourer of Worlds”, as a disturbing reading clue. His presence encourages this article to read the novel’s colonial, social, and narrative dynamics from the acts of devouring and being devoured; both key to the cannibalistic artistic and historical traditions of the Caribbean. Such narrative appetites will bring forward, and contrast, imaginaries of literary resistance created by Óscar Wao, as well as those of dehumanizing devouring inherited by Colonization, Trujillo’s regime, and the novel’s narrator himself.","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"87 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75361801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La huella en la ventana. Categorías fenoménico-cognitivas de lo transparente y de lo opaco en la narrativa: el caso de Antoine Volodine","authors":"Lorenzo Piera Martín","doi":"10.26754/ojs_tropelias/tropelias.2022386910","DOIUrl":"https://doi.org/10.26754/ojs_tropelias/tropelias.2022386910","url":null,"abstract":"La experiencia de la inmersión en el mundo real y en el mundo textual son aproximables en tanto que ambas precisan que el medio a través del que se despliega el mundo permanezca oculto a nuestra atención. La fenomenología y las ciencias cognitivas hablan entonces de una experiencia transparente, por oposición a la experiencia opaca que implica la consciencia del medio. En este artículo estudiamos las implicaciones de dichos procesos en relación con la experiencia de lectura de la obra del escritor franco-ruso Antoine Volodine, que el propio autor denomina \"post-exotismo\". Sostenemos que en la literatura post-exótica la multiplicación de los procedimientos contra-inmersivos constituyen una verdadera estética de la opacidad, entendida como una estética del acceso a los mundos textuales, y analizaremos qué funciones desempeña esa estética en el conjunto de su proyecto literario. ","PeriodicalId":40829,"journal":{"name":"Perifrasis-Revista de Literatura Teoria y Critica","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76997030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}