Stanislavski Studies最新文献_第9页

Emotion memory: “A dangerous reputation” 情感记忆:“危险的名声”

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/09603123.2019.1708619

Eric Hetzler

引用次数: 1

Stanislavski’s system: mimesis, truth and verisimilitude 斯坦尼斯拉夫斯基的系统:模仿，真实和逼真

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2019.1700735

Vicki Ann Cremona

引用次数: 1

Simon John Trussler: 11.06.1942 – 30.12.2019

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2020.1738045

N. Jones

引用次数: 0

Call for papers and presentations 征集论文和报告

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2020.1732587

P. Fryer

引用次数: 0

By means of études: Boris Kulnev in an advanced actor training class in Beijing, 1955-1956 1955-1956年，鲍里斯·库尔涅夫在北京参加高级演员培训班

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2019.1700731

Hanyang Jiang

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引用次数: 0

(Re)Animating Stanislavsky: realizing aliveness in the virtual actor (二)斯坦尼斯拉夫斯基的动画化:实现虚拟演员的活跃性

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2020.1726086

Jon Weinbren

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引用次数: 3

Stanislavski versus Evreinov: on stage realism and theatricality 斯坦尼斯拉夫斯基与埃夫列诺夫:论舞台现实主义与戏剧性

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2020.1733221

Inga Romantsova

{"title":"Stanislavski versus Evreinov: on stage realism and theatricality","authors":"Inga Romantsova","doi":"10.1080/20567790.2020.1733221","DOIUrl":"https://doi.org/10.1080/20567790.2020.1733221","url":null,"abstract":"ABSTRACT The theatrical Avant-Garde at the beginning of the 20th century in Russian culture produced many practitioners and theories which changed the theatre industry and influenced the development of world theatre for generations. Among them, Stanislavski’s Method of Physical Actions and Active Analysis are widely used, while Evreinov’s unique Monodrama still remains relatively unknown. This paper examines the differences and similarities between Evreinov and Stanislavski and specifically their approach to Scenic (Stage) Realism, the understanding of Theatricality, and instigation of modern theatre and performance practices of the 21st century. Evreinov’s theatrical career was overshadowed by his countryman, Konstantin Stanislavski as a result of social changes in Russia at that time. Evreinov’s hostility towards realism was well known. Evreinov particularly enjoyed criticizing Stanislavski’s detailed direction for Chekhov plays. In New Theatrical Inventions, Evreinov engages in polemics against contemporary theatre practitioners, attacking the naturalism of Stanislavski’s staging. In general, professional theatre for Evreinov was a prison to Theatricality, which in his opinion is the cornerstone of Scenic Art. For Stanislavski, Theatricality was exaggeration when juxtaposed with what should be the realistic truth of the stage. Nikolai Evreinov claimed through his theoretical work that life is full of theatrical conventions; that theatre is a universal symbol of existence, an organic urge to transformation, as basic as hunger or sex. Referring to this urge as Theatricality, or the Instinct of Transformation, Evreinov brought the theatre into life, and insisted that life borrows from theatre.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"119 1","pages":"59 - 69"},"PeriodicalIF":0.2,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77465492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Acting Chekhov In Translation: 4 Plays, 100 Ways 翻译中的契诃夫表演:4种戏剧，100种方式

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2019.1700732

Julian Jones

引用次数: 0

“Я есмь“ – Stanislavski and Solovyov

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Stanislavski Studies Pub Date : 2020-01-02 DOI: 10.1080/20567790.2019.1700733

M. Musilová

引用次数: 1

Notes on a part. Stanislavski’s influences as detected on Dimitris Kataleifos’s theatrical notebooks on David Mamet’s plays 部分的注释。在Dimitris Kataleifos关于David Mamet戏剧的戏剧笔记中可以发现Stanislavski的影响