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Studies in Spanish & Latin American Cinemas最新文献

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The perfect spectatorship: Culture and criticism in Mexico’s La dictadura perfecta/The Perfect Dictatorship (2014) and Ingobernable/Ungovernable (2017) 完美的观众:墨西哥《完美的独裁》(2014)和《不可救药》(2017)中的文化与批评
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.251_1
Pablo Zavala
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引用次数: 0
Compulsive memory: The endurance of 1969 in Brazil 强迫性记忆:1969年巴西的耐力
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.233_1
P. Moreira
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引用次数: 0
Minimal gestures: Displacement, affect and urban experience in A hora da estrela/The Hour of the Star (Amaral, 1985) 最小的手势:A hora da estrela/The Hour of The Star中的位移、影响和城市经验(阿马拉尔，1985)
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.177_1
Mariana Cunha
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引用次数: 0
Digital access, genre bending: Four Seasons in Havana (Viscarret, 2016) and the Ibero-American audio-visual space 数字访问，流派弯曲:哈瓦那四季(Viscarret, 2016)和伊比利亚-美洲视听空间
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.155_1
Luisela Alvaray
{"title":"Digital access, genre bending: Four Seasons in Havana (Viscarret, 2016) and the Ibero-American audio-visual space","authors":"Luisela Alvaray","doi":"10.1386/SLAC.16.2.155_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.2.155_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89014814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La música en el cine español, entre el falangismo y el nacionalcatolicismo: de Tierra y Cielo (1941) a Forja de Almas (1943) 西班牙电影中的音乐，在长枪党和国家天主教之间:从大地和天空(1941)到灵魂的锻造(1943)
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.195_1
C. Alonso
{"title":"La música en el cine español, entre el falangismo y el nacionalcatolicismo: de Tierra y Cielo (1941) a Forja de Almas (1943)","authors":"C. Alonso","doi":"10.1386/SLAC.16.2.195_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.2.195_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88169486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Uruguayan cinema today: Interviews with three Uruguayan directors 今日的乌拉圭电影:三位乌拉圭导演的访谈
Studies in Spanish & Latin American Cinemas Pub Date : 2019-03-01 DOI: 10.1386/SLAC.16.1.111_1
William Brown, María Soledad Montañez, David Martin-Jones
{"title":"Uruguayan cinema today: Interviews with three Uruguayan directors","authors":"William Brown, María Soledad Montañez, David Martin-Jones","doi":"10.1386/SLAC.16.1.111_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.1.111_1","url":null,"abstract":"This article includes interviews with three contemporary Uruguayan film directors, Guillermo Casanova, Federico Veiroj and Silvana Camors. They answer questions about the state of cinema in contemporary Uruguay, offering varying perspectives on different aspects of Uruguayan film culture, from issues surrounding funding and distribution to the role of digital technology and the importance of maintaining film archives. Although the filmmakers identify numerous difficulties for Uruguayan filmmakers, especially at the level of institutional and financial support, they nonetheless remain grimly optimistic that Uruguayan cinema has a future.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"98 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75184423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What is the ‘Silent House’?: Interpreting the international appeal of Tokio Films’ Uruguayan horror La casa muda/The Silent House 什么是“寂静之家”?解读东京电影公司的乌拉圭恐怖片《寂静之屋》的国际吸引力
Studies in Spanish & Latin American Cinemas Pub Date : 2019-03-01 DOI: 10.1386/SLAC.16.1.25_1
David Martin-Jones, María Soledad Montañez
{"title":"What is the ‘Silent House’?: Interpreting the international appeal of Tokio Films’ Uruguayan horror La casa muda/The Silent House","authors":"David Martin-Jones, María Soledad Montañez","doi":"10.1386/SLAC.16.1.25_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.1.25_1","url":null,"abstract":"This article focuses on the micro-budget Uruguayan horror movie, La casa muda/The Silent House (Hernandez, 2010), as exemplar of the difficulties that Uruguayan filmmakers face in production and (international) distribution and the innovative means that they develop to negotiate these issues. Like many Uruguayan films, La casa muda premiered internationally (at the Cannes Film Festival) and, as outlined in the article, it follows a similar aesthetic and narrative ‘backgrounding’ of the nation (the deliberate erasure of indicators of national identity, such as national monuments) to that of Uruguayan art films. Nevertheless, its production history and journey to international prominence remains rather unique. This distinction reinforces the importance of the festival circuit in facilitating the production and distribution of Uruguayan art films, but, also – as is less often discussed – the television industry and especially the Internet as counter-balances to the dominance of Hollywood’s outreach in the region. Moreover, the ‘ambiguous’ nature of the film’s narrative and iconographic content illustrates how Uruguayan filmmakers simultaneously meet, and depart from, international audience expectations. Ultimately, La casa muda is not of interest specifically for being a Latin American horror film, but because it travelled internationally using the same distribution platforms (the festival circuit, DVD release) and aesthetic strategies as many preceding Uruguayan (and Latin American) art films, only this time to confound established expectations of films travelling these routes.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"228 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75088889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘One Cinema, One Country’: Cultural value and public recognition of Uruguayan Cinema in the early twenty-first century “一个电影院，一个国家”:21世纪初乌拉圭电影的文化价值和公众认可
Studies in Spanish & Latin American Cinemas Pub Date : 2019-03-01 DOI: 10.1386/SLAC.16.1.89_1
Rosario Radakovich
{"title":"‘One Cinema, One Country’: Cultural value and public recognition of Uruguayan Cinema in the early twenty-first century","authors":"Rosario Radakovich","doi":"10.1386/SLAC.16.1.89_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.1.89_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86193968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Uruguayan film criticism in the post-dictatorship era: Traditions and ruptures, theoretical perspectives and relationships within the critical field 后独裁时代的乌拉圭电影批评:传统与断裂、理论视角与批评领域内的关系
Studies in Spanish & Latin American Cinemas Pub Date : 2019-03-01 DOI: 10.1386/SLAC.16.1.73_1
M. Amieva
{"title":"Uruguayan film criticism in the post-dictatorship era: Traditions and ruptures, theoretical perspectives and relationships within the critical field","authors":"M. Amieva","doi":"10.1386/SLAC.16.1.73_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.1.73_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82066033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fede Álvarez and the impossibility of Uruguayan Cinema Fede Álvarez与乌拉圭电影的不可能
Studies in Spanish & Latin American Cinemas Pub Date : 2019-03-01 DOI: 10.1386/slac.16.1.49_1
William Brown
{"title":"Fede Álvarez and the impossibility of Uruguayan Cinema","authors":"William Brown","doi":"10.1386/slac.16.1.49_1","DOIUrl":"https://doi.org/10.1386/slac.16.1.49_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73438009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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