发布求助
文献互助 智能选刊 最新文献

Studies in Spanish & Latin American Cinemas最新文献

筛选
英文 中文
Mobile voices, flamenco and ethics of representation in Andalucía, un siglo de fascinación/Andalusia, A Century of Fascination (1996) 移动的声音，弗拉门戈和伦理再现Andalucía, unsiglo de fascinación/安达卢西亚，一个世纪的魅力(1996)
Studies in Spanish & Latin American Cinemas Pub Date : 2020-03-01 DOI: 10.1386/slac_00013_1
C. V. Tongeren
{"title":"Mobile voices, flamenco and ethics of representation in Andalucía, un siglo de fascinación/Andalusia, A Century of Fascination (1996)","authors":"C. V. Tongeren","doi":"10.1386/slac_00013_1","DOIUrl":"https://doi.org/10.1386/slac_00013_1","url":null,"abstract":"This article studies the mobility of human voices in Basilio Martín Patino’s series of television films about Andalusia. It explores the voice as an object of cinematic representation and as a focal point of affective investments in a transnational context of postcolonial\u0000 and neo-colonial power struggles. Furthermore, it scrutinizes a selection of voices that speak and sing throughout the series and considers the location of these voices across the soundtrack of Patino’s films. Through its mobile vocal aesthetic, Patino’s film series gestures towards\u0000 an ethics of representation in which flamenco becomes a wandering signifier that can only be envisioned in the plural, through a myriad set of accented voices and memories.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83802709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Permanencia Voluntaria archive and the historical study of Mexican cinema 永久志愿档案和墨西哥电影的历史研究
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00005_1
Colin Gunckel
{"title":"The Permanencia Voluntaria archive and the historical study of Mexican cinema","authors":"Colin Gunckel","doi":"10.1386/slac_00005_1","DOIUrl":"https://doi.org/10.1386/slac_00005_1","url":null,"abstract":"This article provides an overview of the archival materials held at the Permanencia Voluntaria collection in Tepoztlán, Mexico. Focusing on the documents of the production company Cinematográfica Calderón, in operation from the late 1930s to the 1990s, the article\u0000 makes a case for using such material to construct critical industrial histories of Mexican cinema. Drawing on concepts from media industry studies, the article examines three intertwined aspects of the production company’s operations during the 1950s and 1960s: marketing, censorship\u0000 negotiations and transnational distribution. Accordingly, it proposes that these factors be placed in conversation with cinematic texts as a way of reconsidering the place of the nation in Mexican film studies, expanding the objects of analysis in this field and re-evaluating a period of film\u0000 history whose significance has largely remained overlooked.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73371706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Las sombras llaman a mi puerta’: John Alton y el melodrama en Puerta cerrada (1939) 《阴影在敲我的门》:约翰·奥尔顿和情节剧《紧闭的门》(1939)
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00001_1
Iván Morales
{"title":"‘Las sombras llaman a mi puerta’: John Alton y el melodrama en Puerta cerrada (1939)","authors":"Iván Morales","doi":"10.1386/slac_00001_1","DOIUrl":"https://doi.org/10.1386/slac_00001_1","url":null,"abstract":"Este artículo estudia el trabajo de John Alton en Puerta cerrada (Saslavsky, 1939). En la última interpretación musical de la película, Alton fotografía a Libertad Lamarque en plena oscuridad, logrando una impactante escena donde anticipa el estilo\u0000 de iluminación que desarrolló en los film noirs realizados en Hollywood tiempo después. Partiendo de esta escena, analizaré el diálogo que se produce entre el peculiar estilo fotográfico de Alton, el uso del melodrama que hace Saslavsky, y la performance\u0000 de Lamarque.This article studies the work of John Alton in Puerta cerrada (Saslavsky, 1939). In the film’s last musical performance, Alton photographs Libertad Lamarque in deep darkness, achieving a dazzling scene that foreshadows the lighting style he later developed in Holywood\u0000 film noirs made. Starting with this scene, the article analyses the dialogue generated by Alton’s peculiar photographic style, Saslavsky’s use of melodrama and Lamarque’s performance.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88704696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reality matters: Transnational realist crime film and television in Spain 现实问题:跨国现实主义犯罪电影和电视在西班牙
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00004_1
Luis M. García-Mainar
{"title":"Reality matters: Transnational realist crime film and television in Spain","authors":"Luis M. García-Mainar","doi":"10.1386/slac_00004_1","DOIUrl":"https://doi.org/10.1386/slac_00004_1","url":null,"abstract":"This article argues that contemporary Spanish crime film and television has adapted to an economic crisis and has embraced a transnational crime film and television ‘realism’, introspection and pathos that reconciles commercial success with the cultural need to address Spain’s\u0000 recent history. El niño/The Kid (Monzón, 2014), La isla mínima/Marshland (Rodríguez, 2014), El Príncipe/The Prince (Telecinco, 2014–16) and Mar de plástico/Sea of Plastic (Antena 3, 2015–16) represent an attempt to reach out to audiences\u0000 by gaining international recognition for Spanish audio-visual productions and honouring local issues and spaces. Their diverse configurations point to the country’s ambiguity about its historical legacy and suggest the emergence of a new, gentler version of Spanish nationalism.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"2021 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80260969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An interview with Guillermo Calderón Guillermo的采访Calderón
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00006_1
Viviana García-Besné, A. Tremps
{"title":"An interview with Guillermo Calderón","authors":"Viviana García-Besné, A. Tremps","doi":"10.1386/slac_00006_1","DOIUrl":"https://doi.org/10.1386/slac_00006_1","url":null,"abstract":"This is an edited excerpt of an interview that García-Besné and Tremps conducted with Guillermo Calderón Stell (1919–2018) for their 2009 documentary Perdida/Lost about the Calderón family’s history in Mexican cinema.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89093792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interview with Viviana García-Besné
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00007_1
Colin Gunckel
{"title":"Interview with Viviana García-Besné","authors":"Colin Gunckel","doi":"10.1386/slac_00007_1","DOIUrl":"https://doi.org/10.1386/slac_00007_1","url":null,"abstract":"In this interview, filmmaker and archivist Viviana García-Besné discusses her work as the founder of the Permanencia Voluntaria archive and the Baticine microcinema in Tepoztlán, Mexico. As the descendent of a family involved in various areas of the Mexican film\u0000 industry since the early twentieth century, García-Besné has become an advocate for Mexican popular cinema that has long been dismissed by critics and institutions adopting class-based conceptions of cultural value and ‘quality’ cinema. Accordingly, the central mission\u0000 of Permanencia Voluntaria includes both restoring films produced by her family and advocating for increased appreciation and institutional support for popular cinema and the audiences who enjoy it.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"75 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86176521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dispositivos de enunciación del film-ensayo español contemporáneo: Evolución de la subjetividad ensayística y su pensamiento en acto 当代西班牙电影散文的表达手段:散文主体性及其行动思想的演变
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00003_1
L. Monterrubio
{"title":"Dispositivos de enunciación del film-ensayo español contemporáneo: Evolución de la subjetividad ensayística y su pensamiento en acto","authors":"L. Monterrubio","doi":"10.1386/slac_00003_1","DOIUrl":"https://doi.org/10.1386/slac_00003_1","url":null,"abstract":"El presente artículo analiza los dispositivos de enunciación del film-ensayo español contemporáneo. Para ello, realizamos un itinerario por sus obras más significativas, a partir de la evolución de los dispositivos de enunciación textuales\u0000 y sus diferentes funciones: voz off, voz in, subtítulos, intertítulos, y la desaparición del texto. Este recorrido nos permite analizar la relación entre estos dispositivos y: las formas intermediales (la carta, el diario, el auotorretrato, etc.); los materiales\u0000 audiovisuales (imágenes propias, found footage, animación, fotografía, pintura, etc.); los elementos retóricos utilizados (yuxtaposición, pantalla en negro, fundido, sobreimpresión, ralentización, pantalla dividida, etc.). Se evidencia entonces\u0000 cómo el film-ensayo español contemporáneo genera una progresiva deconstrucción de la subjetividad ensayística mediante procedimientos asociados a los dispositivos de enunciación analizados – ficcionalización, sustracción, desautomatización,\u0000 objetivación, desintensificación, descentramiento y borrado – que oscilan entre los polos de la reflexión racional y la emocional.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81176538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
(Un)Building the nation’s body: Disabled citizenship in Huevos de oro (1993) and Cinco metros cuadrados (2011) (联合国)建设国家的身体:Huevos de oro的残疾人公民身份(1993)和Cinco metro cuadrados (2011)
Studies in Spanish & Latin American Cinemas Pub Date : 2019-09-01 DOI: 10.1386/slac_00002_1
Daniel García-Donoso
{"title":"(Un)Building the nation’s body: Disabled citizenship in Huevos de oro (1993) and Cinco metros cuadrados (2011)","authors":"Daniel García-Donoso","doi":"10.1386/slac_00002_1","DOIUrl":"https://doi.org/10.1386/slac_00002_1","url":null,"abstract":"This article analyses Huevos de oro/Golden Balls (Luna, 1993) and Cinco metros cuadrados/Five Square Meters (Lemcke, 2011) as contrasting examples of the complex relationship between the transformations of place and space and the emergence of forms of marginal subjectivities shaped\u0000 by notions of precarity and disability. I propose to call the cinematic translation of this coalescence ‘disabled citizenship’, which understands the experience of precarity through a conflicting interaction with the built environment that has profound physical and affective consequences.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78981365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the face to the crotch: Intersubjectivity, affective schemas and the politics of the close-up in Los Labios/The Lips (Fund and Loza, 2010) and Plan B (Berger, 2009) 从脸到胯部:《拉比奥斯/嘴唇》(Fund and Loza, 2010)和《B计划》(Berger, 2009)中特写镜头的主体间性、情感图式和政治
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.271_1
G. Severiche
{"title":"From the face to the crotch: Intersubjectivity, affective schemas and the politics of the close-up in Los Labios/The Lips (Fund and Loza, 2010) and Plan B (Berger, 2009)","authors":"G. Severiche","doi":"10.1386/SLAC.16.2.271_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.2.271_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"84 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77534172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Territorios en disputa: Modernidad, figuración urbana y recepción de la reescritura fílmica de Los de la mesa 10 有争议的领土:现代性、城市形象和la mesa电影改写的接受
Studies in Spanish & Latin American Cinemas Pub Date : 2019-06-01 DOI: 10.1386/SLAC.16.2.213_1
J. Sala
{"title":"Territorios en disputa: Modernidad, figuración urbana y recepción de la reescritura fílmica de Los de la mesa 10","authors":"J. Sala","doi":"10.1386/SLAC.16.2.213_1","DOIUrl":"https://doi.org/10.1386/SLAC.16.2.213_1","url":null,"abstract":"","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90751850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信