Journal of Digital Media & Policy最新文献_第2页

Editorial 社论

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Journal of Digital Media & Policy Pub Date : 2021-06-01 DOI: 10.1386/jdmp_00059_2

T. Flew, Rosalie Gillett, R. Cole

引用次数: 0

Advanced Introduction to Platform Economics, Robin Mansell and W. Edward Steinmueller (2020) 平台经济学高级导论，Robin Mansell和W.Edward Steinmueller（2020）

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Journal of Digital Media & Policy Pub Date : 2021-06-01 DOI: 10.1386/jdmp_00064_5

T. Flew

引用次数: 0

The changing context of age-based classification and policy research in the age of subscription-video-on-demand 订阅视频点播时代基于年龄的分类和政策研究的变化背景

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Journal of Digital Media & Policy Pub Date : 2021-06-01 DOI: 10.1386/jdmp_00063_1

R. Cole

引用次数: 0

The globalization of TikTok: Strategies, governance and geopolitics 抖音的全球化:战略、治理和地缘政治

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Journal of Digital Media & Policy Pub Date : 2021-06-01 DOI: 10.1386/jdmp_00062_1

Lianrui Jia, Fan Liang

引用次数: 9

Examining the Australian Digital Platforms Inquiry and theorizing ‘accidental policy’ 审查澳大利亚数字平台调查并将“意外政策”理论化

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Journal of Digital Media & Policy Pub Date : 2021-06-01 DOI: 10.1386/jdmp_00066_1

R. Picard, Sora Park

{"title":"Examining the Australian Digital Platforms Inquiry and theorizing ‘accidental policy’","authors":"R. Picard, Sora Park","doi":"10.1386/jdmp_00066_1","DOIUrl":"https://doi.org/10.1386/jdmp_00066_1","url":null,"abstract":"‘Accidental policy’ is a term often used to disparage unplanned or under-deliberated policy, but it can also be used as a concept to define and theorize policy development and its effects more broadly. This article does the latter by applying the accidental policy lens to\u0000 the case of the Australian Digital Platforms Inquiry ‐ the first of its kind worldwide ‐ and then uses elements from the development and effects of the inquiry to theorize the concept for application in other policy studies. This article examines the factors ‐ including\u0000 existing media, communications, technology developments and policies and political manoeuvring ‐ that led Australia to confront large multinational platforms and become a world leader in digital platforms policy. Rather than the continuation of a long-term, consistent policy regime,\u0000 the inquiry resulted from political expediency and behind-the-scenes parliamentary deal making. This article provides an analysis of a situation in which a deliberative policy process did not occur but a significant policy impetus was still developed. This study adds to the understanding of\u0000 accidental policy making in which a rapid response to external pressures, as well as more complex factors including political negotiation and deal making, is at play.","PeriodicalId":40702,"journal":{"name":"Journal of Digital Media & Policy","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45163360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Trusting and valuing news in a pandemic: Attitudes to online news media content during COVID-19 and policy implications 在疫情中信任和重视新闻：新冠肺炎期间对在线新闻媒体内容的态度和政策影响

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Journal of Digital Media & Policy Pub Date : 2021-04-01 DOI: 10.1386/JDMP_00045_1

T. Flew

引用次数: 8

Municipal digital infrastructure and the COVID-19 pandemic: A case study of Calgary, Canada 市政数字基础设施与新冠肺炎大流行：加拿大卡尔加里的案例研究

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Journal of Digital Media & Policy Pub Date : 2021-03-01 DOI: 10.1386/JDMP_00052_1

G. Taylor, Katelyn Anderson, D. Cramer

引用次数: 2

Global streamers: Placing the transnational at the heart of TV culture 全球流媒体:将跨国置于电视文化的核心

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Journal of Digital Media & Policy Pub Date : 2021-01-01 DOI: 10.1386/jdmp_00083_1

J. Chalaby

{"title":"Global streamers: Placing the transnational at the heart of TV culture","authors":"J. Chalaby","doi":"10.1386/jdmp_00083_1","DOIUrl":"https://doi.org/10.1386/jdmp_00083_1","url":null,"abstract":"As media globalization has progressed, transnational media have evolved, and this article contends that a new generation has emerged. The first that developed in the latter part of the twentieth century consists of cross-border TV networks and formats. The second is the rise of streaming platforms. During the first generation, the transnational remained a professional practice out of viewers’ reach. With the arrival of the second generation, the transnational has become an everyday mode of media consumption and interaction. Online entertainment services have altered the status of the transnational within TV culture, and what was once at the margins now sits at the core. This article theorizes the notion of the transnational before examining the first and second generations of cross-border media. Considering the advent of streaming, it divides the market into three spaces: subscription video on demand (SVoD), advertising video on demand (AVoD) and video sharing. This article demonstrates how transnational consumption makes SVoD platforms more cosmopolitan than cross-border TV networks. Turning to video-sharing platforms – YouTube in particular – it argues that in the history of TV culture this constitutes a shift in status of the transnational by turning a professional practice into a popular one performed by millions. Based on interviews, this article shows how international access lowers the threshold of economic viability for content creators, while users get involved in cross-border conversations through memetic videos and comments. It is no longer place but technology that determines the fate of stories and ideas, and internet delivery has loosened the ties between TV culture and national culture more than ever.","PeriodicalId":40702,"journal":{"name":"Journal of Digital Media & Policy","volume":"1 1","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66724465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Media policy analysis and diplomatic interactions during COVID-19 between China and the United States in a comparative perspective 新冠肺炎疫情期间中美媒体政策分析与外交互动:比较视角

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Journal of Digital Media & Policy Pub Date : 2021-01-01 DOI: 10.1386/JDMP_00058_1

Fangzhu Lu, Biao Li

引用次数: 0

Streaming platforms’ contribution to capitalization of local audio-visual producers in Mexico and Canada 流媒体平台对墨西哥和加拿大当地视听制作人资本化的贡献

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Journal of Digital Media & Policy Pub Date : 2021-01-01 DOI: 10.1386/jdmp_00069_1

Argelia Erandi Muñoz Larroa

{"title":"Streaming platforms’ contribution to capitalization of local audio-visual producers in Mexico and Canada","authors":"Argelia Erandi Muñoz Larroa","doi":"10.1386/jdmp_00069_1","DOIUrl":"https://doi.org/10.1386/jdmp_00069_1","url":null,"abstract":"This article examines the contribution of streaming platforms in providing financial investment – in the form of co-productions, commissions and acquisitions of audio-visual content – as well as capital returns to local audio-visual producers. It will focus on the North American region, particularly on Mexico and Canada, as gravitating around stronger US audio-visual companies. Studies of traditional audio-visual windows in the countries studied have pointed out the undercapitalization of independent content producers due to financial structures and capital return models that are disadvantageous to them. This article questions: what is streaming’s contribution, as a new commercialization window, to the capitalization of local independent producers? The research conducted a qualitative study of interviews with film producers and distributors as well as an industrial analysis based on previous studies, media and business reports. The research has found that streaming tends to provide: (1) equal or slightly less returns than what the DVD window used to offer; and (2) equal or more generous figures than those delivered by TV and cinema exhibition windows. Furthermore, streaming has promoted a burgeoning production activity – adding to the production from traditional players (film and TV). These are benefits that should not be overlooked. However, streaming has not altered independent producers’ disadvantageous position: (1) revenue shares are still relatively small; (2) licences represent small percentages of what content costs to make; (3) commissioning and co-production budgets are fairly close to production costs; and (4) the boom of platforms’ original production is actually a battle among large corporations to control intellectual property (IP). All the above keep hindering the financial capacity of local independent producers.","PeriodicalId":40702,"journal":{"name":"Journal of Digital Media & Policy","volume":"1 1","pages":""},"PeriodicalIF":0.9,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66724417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2