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Philosophy of Photography最新文献

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This misery of light ‐ light as destruction in the work of Lina Selander 这种光的痛苦——在莉娜·塞兰德的作品中，光就是毁灭
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00010_1
Erika Larsson
{"title":"This misery of light ‐ light as destruction in the work of Lina Selander","authors":"Erika Larsson","doi":"10.1386/pop_00010_1","DOIUrl":"https://doi.org/10.1386/pop_00010_1","url":null,"abstract":"Abstract In this article I look at two works by Swedish video artist Lina Selander and explore how underlying visual patterns unfold in these works that are connected to certain worldly phenomena. Borrowing from Jacques Derrida, I describe the tendency of being en mal\u0000 d'archive as an obsession to structure the world into particular recognizable patterns. I argue that Selander's works can be understood as the unfolding of such structures, the result being that the very impulse itself, the obsession Derrida speaks of, comes to the forefront. In several\u0000 of Selander's works, light is explored both as a basis and prerequisite for photography and as a metaphor for this potentially destructive desire for all-encompassing knowledge and structure. As such, I argue, the unfolding that takes place in her works can be understood as paradoxically increasing\u0000 the shadows ‐ as a way of undoing the totalizing effect of light and articulating modes of not knowing or mystery in relation to the phenomena explored.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43513219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Where is the photography of Non-Photography? 非摄影的摄影在哪里？
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00011_1
E. Whittaker
{"title":"Where is the photography of Non-Photography?","authors":"E. Whittaker","doi":"10.1386/pop_00011_1","DOIUrl":"https://doi.org/10.1386/pop_00011_1","url":null,"abstract":"Abstract François Laruelle's writing on Non-Photography is examined from its ontological condition to its desired form of a unity derived from the work of Kant, discussing precisely how the logic of transcendence and the ontology of immanence central to Laruelle's\u0000 theory impact on how the photographic image is incontrovertibly involved with Kant's paradox of appearance and reality. In a context of burgeoning technoscience, which lays bare the meaning of Non-Photography for the seemingly impossible reversion to actual photography, the article goes on\u0000 to consider Photo-Fiction in the context of the Real of science now yoked to an economy of technical models. But by foreclosing the Kantian Real by fractal‐virtual ratio, does not this science reify the Real of Identity and displace real photography with a photography in the Real? The\u0000 article thus questions how Laruelle's' thesis hangs together in terms of its cause and the contingency of effect that infuses Laruelle's radical aesthetic.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46922458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photographic art and technology in contemporary India 当代印度的摄影艺术与技术
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00004_1
Aileen Blaney
{"title":"Photographic art and technology in contemporary India","authors":"Aileen Blaney","doi":"10.1386/pop_00004_1","DOIUrl":"https://doi.org/10.1386/pop_00004_1","url":null,"abstract":"Abstract The algorithmic turn in photography raises the question of whether an algorithmically generated image is even a photograph at all. This paradox is abundant on India's urban streets, where the pedestrian or road user is met with giant photo saturated flex hoardings\u0000 printed with political and community messages and photo-shopped portraits of gods, chief ministers and party workers. In this article, attention to photo-based political posters alongside art practices sharing common elements of digital capture and postproduction contextualizes a reading of\u0000 technologically produced visual landscapes in the South Indian city of Bangalore. Informed by Vilèm Flusser, the techno-materiality of hoardings are interpreted as visual practices whose reliance on Microsoft and Adobe softwares reveal more than the semiotic information that is ostensibly\u0000 transmitted; in so doing the extent to which photography is a useful entry point for assessing the visuality in which we're currently living and how this gets locally inflected in the case of India is explored.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44925866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reviews 评论
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00012_5
Ben Latham, Alex Fletcher
{"title":"Reviews","authors":"Ben Latham, Alex Fletcher","doi":"10.1386/pop_00012_5","DOIUrl":"https://doi.org/10.1386/pop_00012_5","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46591588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adrian Piper's aesthetic agency: Photography as catalysis for resisting neo-liberal competitive paradigms 艾德里安·派珀的审美代理:摄影作为抵制新自由主义竞争范式的催化剂
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00005_1
Gerlinde Van Puymbroeck
{"title":"Adrian Piper's aesthetic agency: Photography as catalysis for resisting neo-liberal competitive paradigms","authors":"Gerlinde Van Puymbroeck","doi":"10.1386/pop_00005_1","DOIUrl":"https://doi.org/10.1386/pop_00005_1","url":null,"abstract":"Abstract Contemporary neo-liberal society is ruled by the market. Davies, Chen and Lentin and Titley show that its objectification and categorization founds a competitive notion of agency that disables subjective construction of self and intersubjective understanding of the\u0000 world. As the market's rules and norms are set by white patriarchy, its competitive paradigm structurally disadvantages others. Art too is objectified and categorized by neo-liberal institutions, equally embedded in white patriarchal market structures and severely limiting democratic public\u0000 access to a diverse artistic field, argue hooks, Mercer and Piper. Yet, Piper's artwork shows, art holds emancipatory potential. Defined as transforming experience, its ambiguity provides a structure for constituting agentic subjectivity and intersubjective signification processes, defying\u0000 objective/objectifying market workings. Photography's specific qualities allow Piper to democratize access to the paradigm she proposes. Her artistic choices may thus found the potential to publicly construct a notion of aesthetic agency as resistance to the neo-liberal market.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45795308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rephotograph (v) Rephotograph (v)
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00008_7
GA McLeod
{"title":"Rephotograph (v)","authors":"GA McLeod","doi":"10.1386/pop_00008_7","DOIUrl":"https://doi.org/10.1386/pop_00008_7","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45610480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photographic manipulation in the health, clinical and biomedical sciences 在卫生、临床和生物医学科学中的摄影处理
Philosophy of Photography Pub Date : 2019-04-01 DOI: 10.1386/pop_00006_7
C. Schneider, Sydney Hoffmann, G. Rowles
{"title":"Photographic manipulation in the health, clinical and biomedical sciences","authors":"C. Schneider, Sydney Hoffmann, G. Rowles","doi":"10.1386/pop_00006_7","DOIUrl":"https://doi.org/10.1386/pop_00006_7","url":null,"abstract":"Abstract Photography has become a pervasive component of contemporary communication. Recent technological advances in creating and manipulating images have provided renewed impetus to decades-long debates on use of photographs in science. With increase in the potential for\u0000 inappropriate image manipulation, fears about misrepresentation have heightened concern among journal editors and scholars about the 'accuracy' of published images. We discuss how science has responded to growing concerns surrounding falsification and inaccuracy of photography. We document\u0000 progress in implementing a variety of complementary approaches to addressing the problem. These include digital forensics, photo member checking and the implementation of codes of ethics to enhance the veracity of published photographs in science research. We conclude by acknowledging the\u0000 irreducible conflict likely to remain between use of the photograph as a creative work of art and employment of this medium as a source of information in the progress of science.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47018704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The precision of sensibility: How to deal with epistemological uncertainty? 感性的精确性:如何处理认识论的不确定性?
Philosophy of Photography Pub Date : 2018-10-01 DOI: 10.1386/POP.9.2.185_1
H. Schulze
{"title":"The precision of sensibility: How to deal with epistemological uncertainty?","authors":"H. Schulze","doi":"10.1386/POP.9.2.185_1","DOIUrl":"https://doi.org/10.1386/POP.9.2.185_1","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45995519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Biospace’: The visual rhetoric of space in micrographs “生物空间”:显微照片中空间的视觉修辞
Philosophy of Photography Pub Date : 2018-10-01 DOI: 10.1386/pop.9.2.165_1
Max Liljefors
{"title":"‘Biospace’: The visual rhetoric of space in micrographs","authors":"Max Liljefors","doi":"10.1386/pop.9.2.165_1","DOIUrl":"https://doi.org/10.1386/pop.9.2.165_1","url":null,"abstract":"Microscopy can depict small biological entities that are invisible to the naked eye – cells, neurons, chromosomes, molecules, etc. Microbiology thereby grants us visual access to dimensions of our bodily interior that are otherwise imperceptible to us. Often, in micrographs, this infinitesimal inner realm is made to resemble the way cosmic space is represented in astronomical pictures – an ‘aesthetic leap’ that ties the microcosm of the body to the macrocosm of the universe. This article explores how aesthetic conventions in microbiological images create meaning that transcends their empirical content, and examines the historical precedents of these conventions in the history of anatomy and their contemporary cultural implications.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66749642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A study of thin film interference 薄膜干涉的研究
Philosophy of Photography Pub Date : 2018-10-01 DOI: 10.1386/POP.9.2.157_7
Honey Biba Beckerlee
{"title":"A study of thin film interference","authors":"Honey Biba Beckerlee","doi":"10.1386/POP.9.2.157_7","DOIUrl":"https://doi.org/10.1386/POP.9.2.157_7","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41451668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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