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The Warburg Haus: Apparatus, inscription, data, speculation 华宝之家:设备，铭文，数据，推测
Philosophy of Photography Pub Date : 2017-10-27 DOI: 10.1386/POP.8.1-2.3_2
Mick Finch, M. Westwood
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引用次数: 1
The Technical Apparatus of the Warburg Haus: possible returns from oblivion 华宝之家的技术设备:被遗忘的可能回归
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/pop.8.1-2.35_1
Mick Finch
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引用次数: 2
Fashion: from Attitudes to Poses 时尚：从态度到姿势
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/pop.8.1-2.151_1
C. Evans
{"title":"Fashion: from Attitudes to Poses","authors":"C. Evans","doi":"10.1386/pop.8.1-2.151_1","DOIUrl":"https://doi.org/10.1386/pop.8.1-2.151_1","url":null,"abstract":"Borrowing some of Aby Warburg’s methods from his Mnemosyne Atlas, this paper experiments with an anti-linear, non-teleological method of writing fashion history. It investigates fashion movement, gesture and pose, and their afterlife in images and objects. It thus looks at the intersection of time and the gesture, particularly in relation to the idea of the ‘now’, a central organising principle of fashion. To this end, it juxtaposes images of the body in motion from sources as varied as scientific photography, etiquette manuals and fashion magazines. Spanning three centuries, though not chronologically, the images show a range of activities: not only fashion posing, but also tennis-playing, duelling, dancing, military marching, social gestures, and going to the races. The paper proposes that each image is charged with some quality or attribute that is also immanent in one or more of the others, even though they have no causal or temporal relationship.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"8 1","pages":"151-170"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49025044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hades as an accumulation of tertiary retentions 哈迪斯作为第三级滞留物的积累
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/POP.8.1-2.9_1
B. Stiegler
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引用次数: 0
Mobility on slips. Or: How to invest in paper. The Aby Warburg style 卡瓦上的灵活性。或者：如何投资纸张。阿比·沃堡风格
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/pop.8.1-2.97_1
Markus Krajewski
{"title":"Mobility on slips. Or: How to invest in paper. The Aby Warburg style","authors":"Markus Krajewski","doi":"10.1386/pop.8.1-2.97_1","DOIUrl":"https://doi.org/10.1386/pop.8.1-2.97_1","url":null,"abstract":"The article examines the relationship between Aby Warburg and his library by analysing the media which is involved: first, the arrangement of the books according to the library’s principle of the ‘law of thse good neighbour’, which helps to order the books on the shelves. Second, the handling of the library is even more determined by Aby Warburg’s use of index cards and card indexes. Like his card index which is situated between him and the library, Aby Warburg himself is in between two library paradigms: on the one hand, as a person of the nineteenth century, Warburg belongs to the supporters of the systematic shelving instead of cataloguing the book collection. On the other hand his work is based on swift associations and direct responses to research questions, the associations not only thought up by words, but also visually, manually to be re-arranged on the shelves, which turns out to be a rather clumsy practice. The motor and initiator of these new orders is the card index with its mobile elements, allowing quick connections between the entities and resulting in enormous processes of re-shuffling of whole shelves and systematic arrangements in the book collection. It is especially the combination of these usually incompatible paradigms that makes the Kulturwissenschaftliche Bibliothek Warburg such a unique institution and rich example of knowledge practices in the twentieth century.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"8 1","pages":"97-108"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/pop.8.1-2.97_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49365274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The tape readers: Financial trading as a visual practice 磁带阅读器：金融交易作为一种视觉实践
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/POP.8.1-2.109_1
Richard J. Cochrane
{"title":"The tape readers: Financial trading as a visual practice","authors":"Richard J. Cochrane","doi":"10.1386/POP.8.1-2.109_1","DOIUrl":"https://doi.org/10.1386/POP.8.1-2.109_1","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"8 1","pages":"109-117"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/POP.8.1-2.109_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45688078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Metadata: New perspectives on Aby Warburg’s ‘critical iconology’ 元数据:Aby warburg的“批判肖像学”的新视角
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/POP.8.1-2.171_1
J. Müller
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引用次数: 0
Speculating on the biography of an apparatus 推测某一装置的结构
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/POP.8.1-2.76_1
A. Hennig
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引用次数: 0
Warburg’s cultural psychology as a tool for understanding Internet memes Warburg的文化心理学作为理解网络模因的工具
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/pop.8.1-2.211_1
Maria L. Felixmüller
{"title":"Warburg’s cultural psychology as a tool for understanding Internet memes","authors":"Maria L. Felixmüller","doi":"10.1386/pop.8.1-2.211_1","DOIUrl":"https://doi.org/10.1386/pop.8.1-2.211_1","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"8 1","pages":"211-220"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/pop.8.1-2.211_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42081291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Warburg’s desk 华宝的桌子上
Philosophy of Photography Pub Date : 2017-10-01 DOI: 10.1386/POP.8.1-2.53_1
T. Hensel
{"title":"Warburg’s desk","authors":"T. Hensel","doi":"10.1386/POP.8.1-2.53_1","DOIUrl":"https://doi.org/10.1386/POP.8.1-2.53_1","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"8 1","pages":"53-74"},"PeriodicalIF":0.0,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/POP.8.1-2.53_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47684655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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