Rijksmuseum Bulletin最新文献_第3页

Between Fact and Fiction 在事实与虚构之间

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-11-15 DOI: 10.52476/trb.13322

Hinde Haest

引用次数: 0

Fortunata, an Italienne célèbre 福图纳塔，著名的意大利人

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-08-30 DOI: 10.52476/trb.12832

Maaike Rikhof

引用次数: 0

Alfred W. Bennett and the Photographic Gift Book 阿尔弗雷德·w·贝内特和摄影礼品书

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-08-30 DOI: 10.52476/trb.12831

S. F. Joseph

{"title":"Alfred W. Bennett and the Photographic Gift Book","authors":"S. F. Joseph","doi":"10.52476/trb.12831","DOIUrl":"https://doi.org/10.52476/trb.12831","url":null,"abstract":"Alfred W. Bennett (1833-1902), better known to posterity as a botanist, was active as a publisher in London in the eighteen-sixties. Almost uniquely amongst his contemporaries, Bennett specialized in books illustrated with mounted photographic prints for the middle-class market. Every year, new ‘photographic gift books’ would be released to coincide with the Christmas season of giving. Subject matter was mainly topographical or literary. Text and images were associated creatively; design, typography and photographic printing were of the highest quality. \u0000While Bennett’s career in photographically illustrated books was brief, starting in 1861 and ending in 1868, he made a distinctive contribution to the creation and development of the genre in Britain. The article evaluates Bennett’s career and impact, covering the following topics: the Quaker context that influenced Bennett’s activity as a publisher and photograph dealer; Bennett’s invention of the photographic gift book as a genre; synergy with Lovell Reeve, another pioneering photographic book publisher; the crucial importance of literary tourism for Bennett’s output; assimilation of the concept of the Picturesque within photographic illustration; the extension of subject matter to Continental Europe; and the decline of the photographically illustrated book business in the hands of Bennett’s successor Abraham Provost.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47726545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dancker Danckerts’s Etchings of Miseroni’s Crystal Pyramid Dancker Danckerts的《米佐罗尼水晶金字塔》蚀刻画

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-08-30 DOI: 10.52476/trb.12830

Saskia Van Altena

引用次数: 0

From Wallpaper to Moving Panorama 从壁纸到移动全景

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-06-07 DOI: 10.52476/trb.12234

Maud Van Suylen, Idelette van Leeuwen, Dafne Diamante, Femke Coevert

{"title":"From Wallpaper to Moving Panorama","authors":"Maud Van Suylen, Idelette van Leeuwen, Dafne Diamante, Femke Coevert","doi":"10.52476/trb.12234","DOIUrl":"https://doi.org/10.52476/trb.12234","url":null,"abstract":"During the preparations for the Rijksmuseum depot’s move to its new location, Collectie Centrum Nederland (CCNL) in 2018, a hand-painted scenic landscape on paper that is 2,309 centimetres long and 180 centimetres high came to light. Together with five broadly similar, but shorter pieces, the group of objects was briefly described on a museum inventory card in 1962 as six rolls of wallpaper. After extensive research and conservation, it now appears that four of these are in fact fragments of a moving panorama. More specifically, they have been identified as surviving parts of what was known as the Reuzen-Cyclorama (Giant Cyclorama) or Cyclorama Reichardt, named after its German owner, Ferdinand Reichardt (b. 1813). This particular moving panorama, originally measuring an astounding one and a half kilometres, was an extraordinary phenomenon that is documented as having travelled through the Netherlands, Belgium and Great Britain between 1853 and 1855. It was shown to the public, rolled between two wooden poles and accompanied by music or storytelling, in order to give people an experience of travelling the regions of Tyrol, Switzerland and Italy. The article will follow the interdisciplinary quest undertaken by curators and conservators that led to the compelling new understanding of the purpose of these long-forgotten lengthy paper landscapes in the Rijksmuseum’s collection.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44915215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Meissen Porcelain from the Oppenheimer Collection at the Rijksmuseum 国立博物馆奥本海默收藏的迈森瓷器

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-06-07 DOI: 10.52476/trb.12233

Femke Diercks

引用次数: 0

Editorial 社论

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-06-07 DOI: 10.52476/trb.12227

R. van Langh

引用次数: 0

A Bitter Pill 不得不忍受的屈辱

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-06-07 DOI: 10.52476/trb.12231

Margot Van Schinkel

引用次数: 0

Afzetters at Work 工作中的颤音

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-06-07 DOI: 10.52476/trb.12232

Mieke Albers

{"title":"Afzetters at Work","authors":"Mieke Albers","doi":"10.52476/trb.12232","DOIUrl":"https://doi.org/10.52476/trb.12232","url":null,"abstract":"During the restoration of two highly accredited tapestries (2013-21) from the Rijksmuseum collection, Niobe’s Pride (BK-1954-69-A) and Alexander and Jaddua (BK-1961-52), we discovered an interesting phenomenon that warranted further investigation. It concerns retouches that are not the result of restorations but, because of the colour and placement, are reminiscent of the work of afzetters.The tapestries were woven in the early seventeenth century in the workshops of François Spiering and Karel van Mander II in Delft, and are part of the Tapisserye van Diana set and the series showing the life of Alexander the Great respectively. In collaboration with the Cultural Agency of the Netherlands (RCE) (chemical) research was conducted into the nature of the materials used for afzetten and the dyes were analysed. Three tapestries, from the National Trust Collections (UK) and Museum Prinsenhof Delft, which form part of the series, were also involved in the research. In this article we examine the history of the development of afzetten, and the resulting regulations that Charles V established in 1544 in his Ordinances. This is followed by the presentation of the first research results regarding the positions and nature of the retouches, and the extent to which Charles V’s rules were followed.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46145565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An Intimate Friendship in Voorburg: Anna Maria Gool and Josina Clara van Citters 沃尔堡的亲密友谊:安娜·玛丽亚·古尔和乔西娜·克拉拉·范·西特斯

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-03-15 DOI: 10.52476/trb.11722

R. Bosscher, Fabian C. Van Boheemen

引用次数: 0