Rijksmuseum Bulletin最新文献_第2页

Sijmon Andries Valckenaer

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-06-14 DOI: 10.52476/trb.15064

Dirk Jan Biemond

引用次数: 0

‘Vrouwen die brouwen’: The Life and Work of Maritge Claesdr Vooght “布鲁文之死”：玛丽特·克莱斯德·沃格特的生活和工作

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-03-13 DOI: 10.52476/trb.13837

F. Valkhoff

引用次数: 0

Editorial 社论

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-03-13 DOI: 10.52476/trb.13839

J. Reynaerts

引用次数: 0

L’Art du Bonheur: Rituals of Domesticity in VideoSchetsboek, Pink 1983 L‘Art du Bonheur：录像中的家庭仪式Schetsboek，1983年粉红色

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-03-13 DOI: 10.52476/trb.13836

Erik De Jong

{"title":"L’Art du Bonheur: Rituals of Domesticity in VideoSchetsboek, Pink 1983","authors":"Erik De Jong","doi":"10.52476/trb.13836","DOIUrl":"https://doi.org/10.52476/trb.13836","url":null,"abstract":"This contribution analyses Pink’s artwork VideoSchetsboek (1983), a performance part of the project L’Art du Bonheur, which shows the same ‘De Koning family’ repeatedly in different interiors within the same street by means of a series of photographs and videos. The emphasis on ritual and domesticity in this series explains its recent inclusion in the collection of the Royal Antiquarian Society (KOG). The ideals of the KOG after its foundation in 1858 reflected, for example through the Atlas of Manners and Customs, those of a nineteenth-century society in which an orderly interior was seen as a core value: domestic happiness was deemed to be good for the development of the nation. Those values changed after 1900 with discussions about individuality and a sense of taste. With the increasing prosperity in the second half of the twentieth century, it became possible for everyone to furnish a home interior as a reflection of their own identity. Pink’s work questions this individualization. Since 1980, the values attributed to marriage and family have declined sharply and all kinds of alternative types of households and discussions about them have arisen. In conjunction with the KOG’s older collections, Pink’s work makes it possible to gain insight into this ever changing culture of living and its domestic rituals and provides context to discussions on their meaning.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43075685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Met diamanten omset’: Hoop Rings in the Northern Netherlands (1600-1700) “Met diamanten omset”:荷兰北部的环圈(1600-1700)

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-03-13 DOI: 10.52476/trb.13838

Suzanne van Leeuwen

{"title":"‘Met diamanten omset’: Hoop Rings in the Northern Netherlands (1600-1700)","authors":"Suzanne van Leeuwen","doi":"10.52476/trb.13838","DOIUrl":"https://doi.org/10.52476/trb.13838","url":null,"abstract":"In 2018 the Rijksmuseum acquired a gold ring from the first half of the seventeenth century set with nineteen table-cut diamonds. Although this type of ring appears in several pendant portraits from the Northern Netherlands, physical examples are extremely rare. Only one other example is known aside from the one in the Rijksmuseum’s collection. Archival material and contemporary dictionaries have revealed that in the seventeenth century this type of ring was known as a hoop ring and that it differed from other rings because of its shape. The hoop ring is an uninterrupted circle that became increasingly elaborately decorated in the course of the seventeenth century: with engraved patterns filled with enamel and set all around with pearls or table- and rose-cut diamonds. It can be seen from pendant portraits dating from the first half of the seventeenth century that women usually wore the hoop rings on the index finger of the right hand – the preferred hand and finger on which the wedding rings was worn in the Northern Netherlands in this period. Hoop rings are sometimes noted as trouwringen in estate inventories. However, the term trouwring can refer to both the engagement and to the marriage. For the time being, the function of the recently acquired ring remains unclear, but the placement of many hoop rings on the forefinger discussed in this article makes a connection with marriage likely.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43936210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Recent Acquisitions: Women in the Rijksmuseum Collection 近期藏品:荷兰国立博物馆藏品中的女性

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2023-03-13 DOI: 10.52476/trb.13840

M. Boom, Maartje Brattinga, J. ter Brugge, J. V. Van Campen, E. Deneer, Sara Van Dijk, Ludo Van Halem, Charles Kang, Manon Van der Mullen, Sheila Reda, H. Rooseboom, F. Scholten, Maren De Wit

引用次数: 0

Wanderings: The Provenance of Six Sri Lankan Objects 漫游：斯里兰卡六件物品的来源

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-12-14 DOI: 10.52476/trb.13468

Doreen Van den Boogaart, A. Schrikker

{"title":"Wanderings: The Provenance of Six Sri Lankan Objects","authors":"Doreen Van den Boogaart, A. Schrikker","doi":"10.52476/trb.13468","DOIUrl":"https://doi.org/10.52476/trb.13468","url":null,"abstract":"Six objects that are displayed together in the Rijksmuseum were researched as part of the Sri Lanka work-package of the Pilot Project Provenance Research on Objects of the Colonial Era. This group of elegantly decorated ceremonial weapons has a clear Sri Lankan origin as it shows recognizable Kandyan workmanship. The objects are linked to the violent plundering of the town and palace of the kingdom of Kandy by the Dutch in 1765 and are said to have been looted and added to the collection of the Dutch Stadholders shortly afterwards. This has made the objects controversial. While we could confirm that they were likely spoils of the Dutch Kandyan war, we also found that each of them had a different itinerary before it was placed in the collection. Unfortunately, the inventories of Stadholder Willem v’s collection remained silent about these objects: their exact moment of arrival in the collection has not been recorded. Our provenance research therefore included a reconstruction of the wanderings of each of these objects from the palace of Kandy to the Dutch Stadholder’s collection. In this contribution we discuss the research process, and highlight the problem of archival silences and histories of forgetting, and of mis- and re-interpretations that haunted these objects and troubled us along the way. Our eventual reconstruction of the wanderings of the objects was therefore based on intensive archival research and historical and art-historical contextualization, as well as etymological research and material analysis. For complex provenance cases like this, such an interdisciplinary approach is indispensable.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45351976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Diamond from Banjarmasin: A Story in Facets 来自Banjarmasin的钻石:一个侧面的故事

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-12-14 DOI: 10.52476/trb.13473

Klaas Stutje

引用次数: 0

Lewke's Cannon: A Visual and Political Dialogue Captured in Gold and Silver 《莱克的大炮:在金银中捕捉到的视觉与政治对话》

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-12-14 DOI: 10.52476/trb.13471

G. Dissanayaka

{"title":"Lewke's Cannon: A Visual and Political Dialogue Captured in Gold and Silver","authors":"G. Dissanayaka","doi":"10.52476/trb.13471","DOIUrl":"https://doi.org/10.52476/trb.13471","url":null,"abstract":"The Lewke cannon was one of the selected items in the Pilot Project Provenance Research on Objects of the Colonial Era launched in 2019. This cannon has gained attention globally because of its unique and unmatched decorations. While its history of being looted from the palace of Kandy has been recorded by various historians, very little attention has been given to the actual decoration on the cannon. This article shows that the decoration and inscription on the outer surface of the cannon were applied as a gift from the prominent Sri Lankan figure Lewke to King Sri Vijaya Rajasinha of Kandy in 1745-46 and as such represents an internal political moment in the Kandyan kingdom. The research into the cannon brings to the fore the Sri Lankan craftsmanship of this eighteenth-century South Asian region. While ancient Lankan motifs have been applied, the craftsmen were able to emphasize the motifs already present in the bronze cast from the seventeenth-century Netherlands, amongst which Lankan emblems, as well as adapt their motifs to better suit the decoration already present. In all, this contribution shows how an analysis of the decoration and the inscription provides us with new insight into the mid-eighteenth-century Sri Lankan social-political and cultural context, while at the same time revealing a global history of cultural diplomacy.","PeriodicalId":40677,"journal":{"name":"Rijksmuseum Bulletin","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49270998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Provenance of a Silver Vajrasattva and the Loudon Family 银金刚的起源与劳顿家族

IF 0.1 4区艺术学

Rijksmuseum Bulletin Pub Date : 2022-12-14 DOI: 10.52476/trb.13475

C. Drieënhuizen

引用次数: 0