Slovo最新文献

{"title":"Firm Review of \"Bad Roads\" (2020)","authors":"Serhii Tereshchenko","doi":"10.14324/111.444.0954-6839.1550","DOIUrl":"https://doi.org/10.14324/111.444.0954-6839.1550","url":null,"abstract":"Natalka Vorozhbyt’s \"Bad Roads\" (2020) is a film about Donetsk, the biggest city in Eastern Ukraine, six-seven years after its occupation.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"108 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75820327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"French claims for compensation of property nationalised by Bulgaria 1944-1960. A foreign policy interpretation.","authors":"Gabriel Deschanel","doi":"10.14324/111.444.0954-6839.1249","DOIUrl":"https://doi.org/10.14324/111.444.0954-6839.1249","url":null,"abstract":"This article presents an overview of French demands for compensation of property taken by Bulgaria in the course of its post World War II nationalisations. Approaching this issue from the point of view of foreign policy, it connects claims for compensation with French ambitions of influence in Bulgaria which emerged in the late nineteenth century.This article offers an analysis of Franco-Bulgarian relations funded on an extensive study of French diplomatic archives and expolores the relations and arbitrages bewteen these claims and foreign policy ambitions. To better account for mentalities and worldviews, this article relies on both general statements of policy and diplomatic correspondence. While it is not the puropse of this article to challenge narratives of the Cold War, it provides a complement to their depictions. It also contributes to the understanding of Eastern Europe relations with the West in general and with France in particular.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86107263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"France’s Reception of Soviet Music: Censorship from 1945 to 1956","authors":"Thomas Thisselin","doi":"10.46298/slovo.2023.11359","DOIUrl":"https://doi.org/10.46298/slovo.2023.11359","url":null,"abstract":"This paper offers a study of the way Soviet authorities’ discourses on music were received in France. The post-war period is very interesting in many aspects. The political landscape changed following Zhdanov and Stalin’s deaths, and two decrees regarding music production were published in 1948 and 1958. The press bulletins of the Ministry of Foreign Affairs as well as the journalistic and intellectual production with scholarly pretensions of the PCF inform us about the reception of Soviet music in the French public space. We understand the evolution of censorship in the USSR thanks to the discourse in France about the professional Soviet musician and about the Soviet opera. Since censorship in the USSR was not always controlled, it is appropriate to question the role of Soviet and French communist intellectuals. As such, we study socialist realism in music, but also the conflicts that the enforcement of such ideological principles produces. Moreover, although French sympathizers covered Soviet musical news extensively, we observe divergences of opinion resulting from the diversity of the editorial frameworks.\u0000 Cet article étudie la réception en France des discours des autorités soviétiques sur la musique. La période de l’après-guerre est intéressante à plus d’un titre. Le paysage politique évolue avec les décès de Jdanov et Staline et deux décrets relatifs à la production musicale sont publiés en 1948 et 1958. Les bulletins de presse du ministère des Affaires étrangères et la production journalistique et intellectuelle à prétention savante du PCF sont des indicateurs de la réception de la musique soviétique dans l’espace public français. Nous apprécions l’évolution de la censure en URSS grâce aux discours en France sur le musicien professionnel et l’opéra soviétiques. La censure en URSS n’ayant pas toujours été maîtrisée, il convient de questionner le rôle des intellectuels communistes soviétiques et français. Nous appréhendons ainsi le réalisme socialiste en musique, mais aussi les désaccords que produit l’application de tels principes idéologiques. Bien que les sympathisants français traitent abondamment les actualités musicales soviétiques, on est amené à observer des divergences d’opinion, résultats de la diversité des cadres éditoriaux.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88967737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A spectre is haunting Russia: the image of Pugachov’s revolt in post-Soviet cinema through the movie Russian Revolt by Alexander Prochkin (2000)","authors":"Amine Afellous","doi":"10.46298/slovo.2023.11352","DOIUrl":"https://doi.org/10.46298/slovo.2023.11352","url":null,"abstract":"Pour une parution sur Épisciences.\u0000 Through the films The Captain’s Daughter by Alexander Prochkin (2000), and Ekaterina Mixajlova (2005), adapted from the novel of the same name by Alexander Pushkin, this article aims to highlight the influence of the Russian Imperial Archives on the development of these post-Soviet era productions. While many directors have adapted Pushkin’s literary narrative, inspired by real events, only the 2000 production makes as much use of the information from the essay History of Pugachev, which served as the basis for the novel. This study attempts to shed light on how post-Soviet cinema looks at the history of this revolt, perceived by the Soviets as a precursor to the popular uprising that accompanied the revolution of 1917. It allows us to distinguish the mechanism of deconstruction of the emancipatory figure of Pugachev, which takes place after the fall of the Soviet Union, through a parallel with the animated film by Ekaterina Mixajlova.\u0000 À travers les films Révolte Russe (2000) d’Alexandre Prochkine et La Fille du Capitaine d’Ekaterina Mixajlova (2005), adaptations du roman du même nom d’Alexandre Pouchkine, cet article a pour objectif de mettre en lumière l’influence des Archives impériales russes sur l’élaboration de ces productions de l’ère post-soviétique. Si de nombreux réalisateurs ont adapté le récit littéraire de Pouchkine, inspiré de faits réels, seule la production datant de 2000 exploite autant les informations issues de l’essai Histoire de Pougatchov, qui a servi de base à la construction du roman. Cette étude tente d’éclaircir le regard que porte le cinéma post-soviétique sur l’histoire de cette révolte, perçue par les Soviétiques comme annonciatrice du soulèvement populaire qui accompagna la révolution de 1917. Elle permet de distinguer le mécanisme de déconstruction de la figure émancipatrice de Pougatchov qui s’opère après la chute de l’Union soviétique, à travers un parallèle avec le film d’animation d’Ekaterina Mixajlova.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84697492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Archive and Video Games","authors":"Viktoriia Rybina","doi":"10.46298/slovo.2023.11355","DOIUrl":"https://doi.org/10.46298/slovo.2023.11355","url":null,"abstract":"As a result of technological advances, digital archives now have a significant role to play in the conservation of history. Video games have also become a part of this preservation. Video game archives are created all over the world for scientific, historical, cultural, and technical interests. The goal of this article is to build a reflection on the functions of video games and the possibility of considering them as archives. Four archive functions and four video games (Hell Let Loose, Company of Heroes 2, Kholat and Assassin’s Creed: Origins) containing cultural and historical elements from Russia will allow to clarify the functions of video games, as well as the similarities with archives and to bring a new look on the cultural and educational value of video games.\u0000 Grâce aux progrès de la technologie, les archives numériques jouent désormais un rôle important dans la préservation de l’histoire. Les jeux vidéo font également partie de cette sauvegarde. Des archives de jeux vidéo sont créées dans le monde entier pour des intérêts scientifiques, historiques, culturels et techniques. L’objectif de cet article est de construire une réflexion autour des fonctions des jeux vidéo et la possibilité de les considérer comme des archives. Quatre fonctions d’archives et de quatre jeux vidéo (Hell Let Loose, Company of Heroes 2, Kholat et Assassin’s Creed : Origins) contenant des éléments culturels et historiques russes permettront d’éclairer les fonctions de ces jeux vidéo ainsi que les similitudes avec les archives dites « classiques » et d’apporter un nouveau regard sur la valeur culturelle et éducative des jeux vidéo.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77931966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Naissance d'un édifice soviétique : aborder et faire parler les archives d'architecture","authors":"P. Wolkenstein","doi":"10.46298/slovo.2023.11357","DOIUrl":"https://doi.org/10.46298/slovo.2023.11357","url":null,"abstract":"Pour mise en ligne sur Épisciences.\u0000 The buildings that comprise my research corpus encourage me to question my archival approach to architecture in a socialist environment. The study of an architectural project requires looking at the constraints, the reasons for the construction, and the interpretation. Architectural archives are also research objects in themselves. Indeed, there are several components that should be studied in parallel with the buildings: “administrative”, “graphic”, “oral” and “in-situ”. This paper is an opportunity to become familiar with the different sources invoked in architectural analysis.\u0000 Les édifices qui constituent mon corpus de recherche m’incitent à questionner mon approche archivistique concernant l’architecture en milieu socialiste. L’étude d’un projet architectural demande que l’on s’intéresse aux contraintes, aux raisons de la construction et à l’interprétation. Les archives en architecture constituent également des objets de recherche en eux-mêmes. En effet, il existe plusieurs volets – « administratif », « graphique », « oral » et « in-situ » – qui sont à étudier en parallèle des bâtiments. Cet article est l’occasion de se familiariser avec les différentes sources invoquées en matière d’analyse architecturale.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88723510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Russian Literary Fairy Tale of the Romantic Period and its Sources: The Place of Archives in the Construction of the Genre","authors":"Simon Albertino","doi":"10.46298/slovo.2023.11351","DOIUrl":"https://doi.org/10.46298/slovo.2023.11351","url":null,"abstract":"Pour mise en ligne sur Épisciences\u0000 This article offers to rethink the chronological paradigm in which literary fairy tales would be a natural evolution of oral and folk tales. In view of the Russian literary tales published during the Romantic period, where, due to a still incomplete archiving process, access to oral and folk tales was still unequal for writers, the reasoning that the literary fairy tale would necessarily be based on previous oral and folk tales can indeed be questioned. By looking at the way in which authors associate their text with an earlier document, this study aims at highlighting the fact that the presence of a folk tale as a source within several Russian literary fairy tales of the Romantic period is more a result of a staging on the part of the writers, rather than a real proof of authenticity.\u0000 Cet article propose de repenser la logique chronologique selon laquelle le conte littéraire serait une évolution naturelle du conte oral et du conte populaire. Concernant les contes littéraires russes publiés au cours de la période romantique, du fait d’un processus d’archivage encore inachevé, l’accès aux contes oraux et populaires était encore inégal pour les écrivains. Le raisonnement selon lequel le conte littéraire s’appuierait nécessairement sur des contes oraux et populaires préalables peut en effet être remis en question. En s’intéressant à la façon dont les auteurs associent leur texte à un document antérieur, cette étude vise à souligner que la présence d’un conte source au sein de plusieurs contes littéraires russes de la période romantique résulte davantage d’une mise en scène de la part des écrivains que d’un réel gage d’authenticité.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"86 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85840778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Archives of Communism in the Republic of Moldova: Between Ideology and Political Memory","authors":"Ecaterina Ojoga","doi":"10.46298/slovo.2023.11349","DOIUrl":"https://doi.org/10.46298/slovo.2023.11349","url":null,"abstract":"Pour mise en ligne sur Épisciences.\u0000 The process of writing history in Moldova, as in many ex-Soviet countries, is still a source of political conflict on a memorial background. This difficult context presumes the use of sources as a factor of impartiality. However, the picture becomes clouded if the document also participates in differences of opinions that confuse past and present. The history of communism is marked by the Party’s desire to control the dissemination of information, both in the short and long term. Thus, Moldova inherited the Bessarabian archives, the focus of the particularism of Romanian and Soviet communism in the interwar period. As is customary in countries with a communist past, the post-1989-1991 period is representative of slow and complex change. On that account, the Archives of the Party of the RSSM became the Archives of the socio-political organizations of the Republic of Moldova (AOSPRM) in an almost identical image to the Russian archives RGASPI. For to multiple reasons, it is complicated for historians researching Romanian or transnational communism to work on this type of document, and access to the archives remains difficult. Although located in the city center of the capital, the premises keep several marks of the Soviet heritage, which renders the consultation problematic, especially for foreign visitors. The archival funds are also difficult to access because of the bureaucratic formulation of requests. Moreover, the funds have kept the communist inventory of documents, as a result of the ideological policy of the Stalin period.\u0000 Comme dans beaucoup de pays ex-soviétiques, écrire l’histoire est encore une source de conflit politique sur fond mémoriel, y compris en Moldavie. Ce contexte difficile suppose le recours aux sources comme facteur d’impartialité. Toutefois, le tableau se ternit si le document participe également aux divergences d’opinions qui confondent le présent et le passé. L’histoire du communisme est marquée par la volonté du Parti de contrôler la diffusion de l’information sur le long terme. Ainsi, la Moldavie hérite des archives bessarabiennes, foyer du particularisme du communisme roumain et soviétique dans l’entre-deux-guerres. Comme il est de coutume dans les pays ayant eu un passé communiste, la période suivant 1989-1991 est représentative d’un changement lent et complexe. Ainsi, les Archives du Parti de la RSSM deviennent les Archives des organisations sociopolitiques de la république de Moldavie (AOSPRM), à l’image presque identique des archives russes RGASPI. Pour les historiens qui travaillent sur le communisme roumain ou sur le communisme transnational, il est compliqué de travailler sur ce type de document pour de multiples raisons : l’accès aux archives reste compliqué (bien que situés en centre-ville de la capitale, les locaux gardent plusieurs marques de l’héritage soviétique, ce qui complique la consultation, particulièrement pour les visiteurs étrangers) et les fonds sont diffic","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81974419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Role of Caricature and Cinema in the Construction of the Collective Memory of Russian Emigration After the Revolution of 1917","authors":"Kateryna Lobodenko","doi":"10.46298/slovo.2023.11350","DOIUrl":"https://doi.org/10.46298/slovo.2023.11350","url":null,"abstract":"Pour une mise en ligne sur Épisciences\u0000 This article addresses the problem of preserving the memory of first-wave Russian emigrants who settled in France between the two world wars. The author is interested in the visual and audiovisual heritage of exiles, in particular, press caricatures and cinema, one of whose functions was to transmit not only current events but also life experiences of Russians in all their forms (various emotions and feelings, sublimations of traumas, memories of the past). The author studies some examples of visual representations of exile and emigrants in cinema and caricature, selected from a large corpus of nearly 1,000 drawings and 50 films preserved today in library collections and audiovisual archives in France.\u0000 Cet article aborde le problème de la préservation de la mémoire des émigrés russes de la première vague installés en France pendant l’entre-deux-guerres. L’autrice s’intéresse au patrimoine visuel et audiovisuel des exilés, notamment à la caricature de presse et au cinéma, dont l’une des fonctions était de transmettre non seulement l’actualité, mais aussi le vécu des Russes sous toutes ses formes (divers émotions et sensations, sublimations des traumatismes, souvenirs du passé). L’autrice propose d’étudier quelques exemples de représentations visuelles de l’exil et des émigrés dans le cinéma et la caricature, sélectionnés parmi un corpus large de près de 1 000 dessins et 50 films conservés aujourd’hui dans des fonds de bibliothèques et d’archives audiovisuelles en France.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84179587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Paratext of a Manuscript: Mihail Lermontov Self-illustrated","authors":"A. Kozyreva","doi":"10.46298/slovo.2023.11353","DOIUrl":"https://doi.org/10.46298/slovo.2023.11353","url":null,"abstract":"Pour une mise en ligne sur Épisciences.\u0000 This article studies the pictural manuscript of the unfinished novel Vadim, that Mikhail Lermontov (1814-1841) composed between 1832 and 1834. Lermontov’s archive, as a material testimony of literary creation, offers a possibility to access the author’s work without an editorial intermediary. The page full of drawings and sketches, that we can call the paratext of a manuscript, accompanies Vadim’s text and characterizes Lermontov as a producer of text’s imaginary. By investigating through a comparative analysis of text and image how Lermontov draws a portrait of a generation, this article shows that the pictorial paratext of the manuscript does not illustrate a concrete work, but the creative process and Lermontov’s aesthetic research.\u0000 Cet article propose d’étudier le manuscrit dessiné du roman inachevé Vadim, que Mikhaïl Lermontov (1814-1841) a composé entre 1832 et 1834. Les archives de Lermontov, comme des témoins matériels de création littéraire, offrent une possibilité d’accéder à l’œuvre sans intermédiaire éditorial. La page entièrement remplie de dessins et de croquis, lesquels peuvent être appelés « paratexte » du manuscrit, accompagne le texte de Vadim et caractérise Lermontov comme imagier du texte. En s’interrogeant sur la façon dont l’auteur dessine un portrait de génération à travers une analyse comparative du texte et de l’image, cet article montre que le paratexte pictural du manuscrit n’illustre pas tant une œuvre concrète, mais le processus de création et les recherches esthétiques de Lermontov.","PeriodicalId":40675,"journal":{"name":"Slovo","volume":"454 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79732796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}