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Alternatibong Pagkalalaki, Alternatibong Musika: Ang Eraserheads at Kulturang Popular ng Dekada ’90
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2020-05pante
Michael D. Pante
{"title":"Alternatibong Pagkalalaki, Alternatibong Musika: Ang Eraserheads at Kulturang Popular ng Dekada ’90","authors":"Michael D. Pante","doi":"10.52518/2020-05pante","DOIUrl":"https://doi.org/10.52518/2020-05pante","url":null,"abstract":"The rock band Eraserheads exerts a huge influence on the Philippine music industry, but does not carry a reputation for advocating progressive politics. Nonetheless, by analyzing their songs, especially those that did not enjoy popularity, one sees a rich discourse of critique targeted at the dominant notion of manliness. Although the band is famous for lyrics that favored the heteronormative definition of romantic love, they also have songs that break free from the predominant understanding of gender. Without dismissing the issue of commercialized popular culture, this essay seeks to revisit the Eraserheads’ discography to foreground alternative music that showcases alternative perspectives about manliness against the context of present-day Philippine society constricted by macho populism.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"230 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76286789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Dainty hands do useful work”: Depicting Filipino women in Japanese wartime propaganda “灵巧的手做有用的工作”:描绘日本战时宣传中的菲律宾妇女
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2021.18.1-06cndlra
J. Candelaria
{"title":"“Dainty hands do useful work”: Depicting Filipino women in Japanese wartime propaganda","authors":"J. Candelaria","doi":"10.52518/2021.18.1-06cndlra","DOIUrl":"https://doi.org/10.52518/2021.18.1-06cndlra","url":null,"abstract":"This article analyzes the visual depiction of women in the Tribune, the main propaganda newspaper of Japan in the Philippines during the Pacific War. Japanese wartime propaganda painted an image of a productive and cooperative Filipina, respectable and modest like her Japanese counterpart. The analysis reveals three motivations for depicting women in said light: to show a semblance of normalcy despite the turbulent war, to entice women to serve Japan’s aims, and to disprove the Japanese women’s image as subservient wives or entertainers while asserting the connection between the two countries. Analyzing the depiction of women in Japanese propaganda contributes to the understanding of war as a gendered phenomenon. Beyond seeing women as symbols of the private obligations for which men fight or as surrogate objects of sexual desire, the image of women was perceived to be instrumental in showcasing Japan’s New Order.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"12 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78418509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Indonesian Nationalism Discourse on YouTube Video Produced by Young Chinese-Indonesians 印尼华裔青年制作的YouTube视频中的印尼民族主义话语
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2020-02rahma
D. Susilo, R. Sugihartati
{"title":"Indonesian Nationalism Discourse on YouTube Video Produced by Young Chinese-Indonesians","authors":"D. Susilo, R. Sugihartati","doi":"10.52518/2020-02rahma","DOIUrl":"https://doi.org/10.52518/2020-02rahma","url":null,"abstract":"YouTube, as a new social media platform, has become “viral” in Indonesia since 2010. Many Indonesian youths have become popular as YouTubers (users of YouTube who actively upload videos on YouTube). Data from Google Marketing indicate that Indonesia is the country with the largest population by viewing time on YouTube in the Asia Pacific in 2015. YouTube is also the most viewed social media site in Indonesia (data by Alexa.com, 2016). One of the famous Indonesian YouTube channels is Last Day Production (also known as LDP), which regularly uploads situational dramas, skits, and parodies. All of the cast members in LDP videos are young Chinese-Indonesians under 30 years old. On the eve of Indonesian National Day of 2016, LDP uploaded the video entitled Tipikal Anak Muda Indonesia (Stereotypes of Indonesian Youths). The video portrayed how Indonesian youth now envisage their nationalism. LDP created this video in collaboration with young famous Indonesian YouTubers and musicians such as Eka Gustiwana, Aulion, and Kevin Anggara. This video later trended in Indonesia around August 2016. This article uses the approach of cyberculture theory and utilizes visualizing methods. Unit analyses of this research are the viral video, text, music, and whatever else the LDP have portrayed in the video.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"46 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90349510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 15
Discourses on Conflict Women: Surfacing the Women in Marawi in News-mediated “Development as Discourse 冲突女性的话语:在新闻媒介的“发展”话语中呈现马拉维女性
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2021-04tabada
M. T. A. Tabada
{"title":"Discourses on Conflict Women: Surfacing the Women in Marawi in News-mediated “Development as Discourse","authors":"M. T. A. Tabada","doi":"10.52518/2021-04tabada","DOIUrl":"https://doi.org/10.52518/2021-04tabada","url":null,"abstract":"Like myths in folklore, “development as discourse” constructs women. I argue that these representations of women, particularly in seven selected online articles produced by news media and development institutions about the recovery of Marawi City in the Philippines after nearly five months of conflict in 2017, obscure women’s genuine aspirations and actual participation in rehabilitation efforts. Using the lens of Third World feminism and postdevelopment thinking, I point out how these media discourses on development mythologize women. Parsing “development as discourse” is essential not only for exposing the contradictions in media representations of women but also for surfacing the possibilities of reinterpreting the myths. Critical writing and reading can demythologize and liberate conflict women and other silenced Others.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"22 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74579593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The language of hookups: A conversation and self-presentation analysis of Tinder chats 勾搭的语言:Tinder聊天的对话和自我表现分析
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2021.18.2-01jalyap
Joseph Ryann J. Jalagat, Jerry Y. Yapo
{"title":"The language of hookups: A conversation and self-presentation analysis of Tinder chats","authors":"Joseph Ryann J. Jalagat, Jerry Y. Yapo","doi":"10.52518/2021.18.2-01jalyap","DOIUrl":"https://doi.org/10.52518/2021.18.2-01jalyap","url":null,"abstract":"Tinder, a location-based real-time dating application, has significantly influenced the shift in people’s attitudes toward sexual expression and the existing hookup culture. Using conversation and self-presentation analysis, this research aimed to explore hookups’ communicative patterns and examine how self-presentation manifests in Tinder chats. Some of the determinants of successful and failed hookups are also provided. Exchanges among some 20 interactants reveal this discursive pattern of hookups: (1) It’s a Match; (2) Opening Sequence; (3) Screening; (4) Transferring to Other Social Networks; (5) Sending Down to Fuck (DTF) Signals; (6) Compromising; and (7) Confirming and Closing. Interestingly, the performative roles of sex positions play a big part for gay participants. Many of the heterosexual participants, however, still follow the traditional scripting of hookups. Apparently, a hookup is not possible if there is no agreement as to the “where” and “when” of sexual activity. Meanwhile, the predominant image present in hookup-motivated chats is being “provocative” and a “good catch.”","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"40 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79632556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Metacritique on Bentham and Foucault’s Panoptic Theories as Analytic Tools for Three Modes of Digital Surveillance 边沁与福柯作为三种数字监控模式分析工具的泛视理论的元评
IF 0.3
Plaridel Pub Date : 2021-01-01 DOI: 10.52518/2021-01pardem
F.P.A. Demeterio, June Benedict Parreno
{"title":"Metacritique on Bentham and Foucault’s Panoptic Theories as Analytic Tools for Three Modes of Digital Surveillance","authors":"F.P.A. Demeterio, June Benedict Parreno","doi":"10.52518/2021-01pardem","DOIUrl":"https://doi.org/10.52518/2021-01pardem","url":null,"abstract":"The panopticon was originally a prison design made by Bentham in the late 18th century to efficiently reform offenders. Foucault appropriated Bentham’s panopticon in the late 20th century to conceptualize and critique the society and state’s coercive practices in making individuals conform to social and state norms. Although Foucault’s appropriation of Bentham’s panopticon was done prior to the full emergence of the digital age, a number of present day scholars use the panopticon in conceptualizing and critiquing digital surveillance. This paper problematizes the applicability of both Bentham and Foucault’s panoptic theories to such contemporary phenomenon. This paper dissected both panoptic theories into five components—subjects; observers; data gathering, storage, and analysis; goals and effects of the systems; and management of the systems—and compared and contrasted these to their corresponding components from three cases of digital surveillance representing state digital surveillance, social media digital surveillance, and e-commerce digital surveillance. This paper established that Bentham and Foucault’s panoptic theories have moderate resemblance to each other; that both Bentham and Foucault’s panoptic theories are applicable to the conceptualization and critique of state digital surveillance; and that both Bentham and Foucault’s panoptic theories are not applicable to the conceptualization and critique of social media and e-commerce digital surveillances. As a metacritique this paper is significant in the sense that its findings will hopefully enlighten other scholars about the actual levels of usefulness of both panoptic theories in conceptualizing and critiquing different modes of digital surveillance.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"40 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76759171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Regenerative Documentary: Posthuman Art in the Context of the Philippine Drug War 再生纪录片:菲律宾毒品战争背景下的后人类艺术
IF 0.3
Plaridel Pub Date : 2020-06-01 DOI: 10.52518/2020.17.1-04armpac
Adjani Guerero Arumpac
{"title":"Regenerative Documentary: Posthuman Art in the Context of the Philippine Drug War","authors":"Adjani Guerero Arumpac","doi":"10.52518/2020.17.1-04armpac","DOIUrl":"https://doi.org/10.52518/2020.17.1-04armpac","url":null,"abstract":"Regenerative documentary is generated by a composite unity that comprises the living system of resistance in the Philippines. It takes into account the contingent, illustrated by artist groups—Respond and Break the Silence over the Killings (RESBAK), Sandata, and Gantala Press—that converged with the living system of resistance where and when human rights was curtailed by an environment of impunity, systemic poverty, social inequality, and injustice. The purpose of regenerative documentary is to identify and make known that a system of resistance exists and it is living. By harnessing the ideas of narrative, emergence, and ethicality espoused by autopoiesis and critical posthumanism, regenerative documentary situates its expediency within the context of the Philippine human rights violations under the Duterte regime as a transformative critical posthuman art.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"130 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74687633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Gawad Plaridel Lecture 2019: Of Plaridel and Pressing Thoughts on the Media and the Arts Gawad Plaridel讲座2019:Plaridel和对媒体和艺术的紧迫思考
IF 0.3
Plaridel Pub Date : 2020-06-01 DOI: 10.52518/2020.17.1-11ilagan
Bonifacio P. Ilagan, Rommel R. Rodríguez
{"title":"Gawad Plaridel Lecture 2019: Of Plaridel and Pressing Thoughts on the Media and the Arts","authors":"Bonifacio P. Ilagan, Rommel R. Rodríguez","doi":"10.52518/2020.17.1-11ilagan","DOIUrl":"https://doi.org/10.52518/2020.17.1-11ilagan","url":null,"abstract":"","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"81 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90507406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mula kay GMA Hanggang kay Duterte: Kritika sa Ilang Dokumentaryong Politikal at Pagmamapa sa Tunguhin ng Dokumentaryo sa Panahong Pinapaslang ang Politikal
IF 0.3
Plaridel Pub Date : 2020-06-01 DOI: 10.52518/2020.17.1-05pnglinn
Carlo Gabriel Pangilinan
{"title":"Mula kay GMA Hanggang kay Duterte: Kritika sa Ilang Dokumentaryong Politikal at Pagmamapa sa Tunguhin ng Dokumentaryo sa Panahong Pinapaslang ang Politikal","authors":"Carlo Gabriel Pangilinan","doi":"10.52518/2020.17.1-05pnglinn","DOIUrl":"https://doi.org/10.52518/2020.17.1-05pnglinn","url":null,"abstract":"The comprehensive objective of this paper is to critique and interrogate selected political documentaries created by individuals and film collectives from the time of incumbency of Gloria Macapagal-Arroyo, Benigno Aquino III, until the current “fascist” (Imbong, 2020) regime of Rodrigo Roa Duterte. In whole, the paper has three specific objectives. First, subtlety lay and give clarity to the impelling philosophy and political stance of documentaries deemed political in nature. Second, apply a class-based critique and re-examination, particularly on the level of an ideological analysis, to the following documentaries—Red Saga (Dalena, 2004), Sa Ngalan ng Tubo (Tudla Multimedia Network & EILER, 2005), Tundong Magiliw (Maranan, 2011), The Guerilla is a Poet (Dalena,K.&Dalena,S., 2013) and Yield (Tagaro & Uryu, 2017). Lastly, another goal of the paper is to be able to map out some propositions on how to fully extract the radical potential of political documentaries especially at this time of elusive justice and reason, while unrest, impunity, and fascism are intense","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"26 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82307245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mobile Sexuality: Presentations of Young Filipinos in Dating Apps 移动性:菲律宾年轻人在约会软件中的表现
IF 0.3
Plaridel Pub Date : 2020-06-01 DOI: 10.52518/2020.17.1-09labor
Jonalou S. Labor
{"title":"Mobile Sexuality: Presentations of Young Filipinos in Dating Apps","authors":"Jonalou S. Labor","doi":"10.52518/2020.17.1-09labor","DOIUrl":"https://doi.org/10.52518/2020.17.1-09labor","url":null,"abstract":"Mobile dating applications have become self-presentation spaces and stages among the youth. In the search for romance and sexual relationships, young Filipinos create and act out pre and co-constructed selves that enable them to find dating partners. Using the musings and experiences of 50 Filipino young adults who have been using dating apps to search for love or lust, the study found that created mobile/ online selves or faces reflect presentation strategies that include the show of sincerity, dramatic execution of the role, use of personal front, maintenance of control over the information, mystification, idealization, and misrepresentation. The study concludes that self-presentations range from the authentic to the inauthentic portrayal of the self to advance motives and intents in the use of dating apps.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"22 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84770247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
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