Plaridel最新文献_第10页

What We Do When We #PrayFor: Communicating Posthumanitarian Solidarity Through #PrayForMarawi 当我们#祈祷时我们做了什么:通过#为马拉维祈祷传达后人道主义团结

IF 0.3

Plaridel Pub Date : 2020-01-01 DOI: 10.52518/2020-06crstmo

J. Crisostomo

{"title":"What We Do When We #PrayFor: Communicating Posthumanitarian Solidarity Through #PrayForMarawi","authors":"J. Crisostomo","doi":"10.52518/2020-06crstmo","DOIUrl":"https://doi.org/10.52518/2020-06crstmo","url":null,"abstract":"When Islamic State-inspired extremists laid siege in Marawi City, #PrayForMarawi circulated across various social media platforms. Using Kenneth Burke’s Guilt-redemption rhetoric as framework, how was solidarity communicated through #PrayForMarawi tweets? #PrayForMarawi frames the terrorist siege as the source of guilt which destroyed our upholding of cosmopolitan values. Mortification in the form of self-sacrifice is performed through the announcement of acts of prayer online while victimage is communicated by offering up ISIS as the tragic scapegoat that needs to be banished. Through this framing of the situation, the liberation of the city becomes the “amen” of the online prayer utterance, transporting socio-political events onto the realm of divine intervention. The liberation of Marawi was the ultimate purging of guilt in #PrayForMarawi. However, two years after the liberation of Marawi, no hashtags of solidarity are trending for the 100,000 Marawi residents who are still displaced and homeless. Some of the residents have even expressed their frustration and impatience toward the government’s broken promises of rehabilitation. Because of the redemption acknowledged in the answered prayers of liberation of #PrayForMarawi, a post-humanitarian solidarity of “mass self-communication” purified our individual guilt while failing to provide a collective and sustained commitment for justice towards the suffering of others.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73802891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Ang “Aswang” at “Tama(w)o” Bilang Sinematikong Kaalamang-Bayan at Diyalektika ng Bansa at Rehiyon

IF 0.3

Plaridel Pub Date : 2020-01-01 DOI: 10.52518/2020.17.2-04qntos

J. J. Quintos

{"title":"Ang “Aswang” at “Tama(w)o” Bilang Sinematikong Kaalamang-Bayan at Diyalektika ng Bansa at Rehiyon","authors":"J. J. Quintos","doi":"10.52518/2020.17.2-04qntos","DOIUrl":"https://doi.org/10.52518/2020.17.2-04qntos","url":null,"abstract":"This essay attempts to construct and deconstruct the discourses of “nation” (bayan) and “region” (rehiyon) vis-à-vis “aswang” and “tama(w)o” embedded in the films of Negrense filmmaker Richard Somes – “Lihim ng San Joaquin” from Shake, Rattle, and Roll 2k5 (Monteverde, Monteverde, & Somes, 2005), Yanggaw (Arguelles, Montelibano, Montelibano, & Somes, 2008), “Tamawo” from Shake, Rattle, and Roll 13 (Monteverde, Monteverde, & Somes, 2011), and Corazon: Ang Unang Aswang (Calmerin, Kintanar, Samson-Martinez, & Somes, 2012). Using the horror genre, the four films present the quotidian lives from the nation’s peripheries through the depiction of the antagonized “indigenous belief systems,” imagined backward-ness of the bucolic landscape, and oppressive hacienda systems. These spatio-temporal dispositifs are deemed to result in the contested processes of the dichotomy and vicissitudes between rural and urban, margin and center, Self and Other, and nation and region. Finally, by considering Somes’s films as “filmic folklore,” the essay tries to configure and reconfigure the folk creatures “aswang” and “tama(w)o” as cornucopia and articulations of regional and national “history of emotions.”","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"34 1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91195709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Tale of Three Women: Framing as a Patriarchal Practice in the News Coverage of Women in Distress 《三个女人的故事》:困境女性新闻报道中的父权制建构

IF 0.3

Plaridel Pub Date : 2020-01-01 DOI: 10.52518/2020-03lmibao

Ma. Aurora Liwag-Lomibao

引用次数: 0

The Dynamics of Globalization in the Regional Film The Chanters 地域电影《圣歌》中的全球化动态

IF 0.3

Plaridel Pub Date : 2020-01-01 DOI: 10.52518/2020.17.2-01mallri

Mary Anne D.C. Mallari

{"title":"The Dynamics of Globalization in the Regional Film The Chanters","authors":"Mary Anne D.C. Mallari","doi":"10.52518/2020.17.2-01mallri","DOIUrl":"https://doi.org/10.52518/2020.17.2-01mallri","url":null,"abstract":"Globalization affects specific regions in the Philippines both in positive and adverse ways. While it brings in capital from migrant laborers and more advanced communication technology to connect remote regions to highly urbanized areas, globalization also causes the disenfranchisement of natives and their cultures. Its effect on ethnic cultures is clearly seen in James Robin Mayo’s The Chanters (Cena, Nazareno, Lapuz, & Mayo, 2017), a regional film about a young girl named Sarah Mae, a member of an ancient Panay-Bukidnon tribe too engrossed in globalized influences that she almost forgets the importance of her ethnic culture, as seen in her treatment of her grandfather Ramon, one of the few living chanters of their tribe. Using the aforementioned film, this paper attempts to explain the development of globalization in rural areas using Appadurai’s theory of global cultural flows. In addition, this paper will discuss how the effect of globalization in rural communities is analogous to the development of regional films, using Deleuze and Guattari’s concept of a rhizomatic growth found in A Thousand Plateaus: Capitalism and Schizophrenia (1987). Ultimately, this type of development of regional films, with the aid of globalization, leads to a greater appreciation of the cultures in the regions and proves that the regions are an integral part of the nation.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"84 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76694933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Consuming Modernity and Nostalgia: A Case Study of Cross-border Representations and Fandom of Thailand-Myanmar Transnational Cinema 消费现代性与怀旧——以泰缅跨国电影的跨界再现与狂热为例

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.2-01velure

Veluree Metaveevinij

{"title":"Consuming Modernity and Nostalgia: A Case Study of Cross-border Representations and Fandom of Thailand-Myanmar Transnational Cinema","authors":"Veluree Metaveevinij","doi":"10.52518/2020.16.2-01velure","DOIUrl":"https://doi.org/10.52518/2020.16.2-01velure","url":null,"abstract":"This paper explores representations of identities and fandom in two Southeast Asia border-crossing films, Myanmar in Love in Bangkok (2014) and From Bangkok to Mandalay (2016). Both films have already been exhibited in Thailand and Myanmar and have gained a huge following in both countries. Myanmar in Love in Bangkok portrays a contemporary migrant situation: It is a love story between a male Burmese migrant worker and a Thai woman played by Kaew Korravee, a Thai leading actress who has become famous in Myanmar because of her portrayal of this modern and unconventional character. Alternatively, From Bangkok to Mandalay, which notably presents Burmese and Siamese cultural heritage, has successfully created a feeling of nostalgia among the Thai audience, resulting in fan tourism to Myanmar. Comparing these two cases, I argue that consuming modernity and nostalgia are the main driving forces of the cross-border representations and their subsequent fandom. This paper also engages with the existing fan studies framework put forward by Koichi Iwabuchi and extends the studies of transnational fans further by considering the Southeast Asian sociocultural context.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"3 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84393271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

“You’re so different, but you’re exactly alike.” - Interview with Katrin de Guia “你们太不一样了，但又一模一样。——采访Katrin de Guia

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.1-09hertil

Tilman Baumgärtel, Tobias Hering

引用次数: 0

At Home in Public: Intimacy and Belonging among Filipina and Indonesian Migrant Domestic Workers in Hong Kong in Ani Ema Susanti’s Effort for Love (2008) and Moira Zoitl’s Exchange Square (2007) 在公共场合的家:在香港的菲律宾和印尼移民家庭佣工的亲密和归属感——在阿尼·埃玛·苏桑蒂的《为爱而努力》(2008)和莫伊拉·佐伊特的《交易广场》(2007)中

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.2-07piocos

Carlos M. Piocos

引用次数: 2

The Prisoner as Testimonialista: A Book Review of Bobby V. Villagracia’s Selda Dos (Manila City Jail) 囚犯作为证言:博比·v·维拉格拉西亚的塞尔达·多斯(马尼拉市监狱)书评

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.1-10mratla

Noel Christian A. Moratilla

引用次数: 0

The Yaoi Phenomenon in Thailand and Fan/Industry Interaction 泰国的Yaoi现象与粉丝/产业互动

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.2-03prsnam

Natthanai Prasannam

{"title":"The Yaoi Phenomenon in Thailand and Fan/Industry Interaction","authors":"Natthanai Prasannam","doi":"10.52518/2020.16.2-03prsnam","DOIUrl":"https://doi.org/10.52518/2020.16.2-03prsnam","url":null,"abstract":"This article aims to explore yaoi phenomenon in Thailand particularly during the 2010s at the height of the industry involvement with yaoi fandom. The article draws on Paul Booth’s (2015) study of fan/industry interaction to expand existing scholarship on yaoi phenomenon in Thailand which tends to focus on textual readings linking back to the Japanese cultural origin, ethnographic research, and the aspect of queer cultural politics. The study also draws attention to GMMTV Company Limited, a key player in expanding the yaoi industry in Thailand and growing the fandom of Thai yaoi stars in different countries in Asia. The article discusses the way GMMTV expands yaoi industry through connections with the local book industry as well as its own star and music making divisions. It pays close attention to fan/industry interactions rooted in the industry-led mimetic practices inspired by yaoi fan culture. These practices include the act of “shipping” (pairing yaoi couples) through what fans referred to as Official Promotional Videos (OPVs) and television shows. The article then discusses the way GMMTV employs fan nostalgia to create memory-driven activities. The highly commercialized industry-led fan meeting also offers an interesting site to explore fan/industry interactions where fan-led practices were reenacted by the industry yet consumed by fans themselves.","PeriodicalId":40520,"journal":{"name":"Plaridel","volume":"66 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78176297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Madonna and Me: Isang Pagmimito 麦当娜和我:Isang Pagmimito

IF 0.3

Plaridel Pub Date : 2019-01-01 DOI: 10.52518/2020.16.2-05pscual

Chuckberry J. Pascual

引用次数: 0