Hyperrhiz: New Media Cultures最新文献

{"title":"The Art of Machine Use Subversion in Digital Poetry","authors":"Jeneen Naji","doi":"10.20415/HYP/020.NET02","DOIUrl":"https://doi.org/10.20415/HYP/020.NET02","url":null,"abstract":"Abstract: Howard Becker (1982) terms a cooperative network of people organized through and around joint knowledge and conventions of practice as an “art world”. A new “art world is born when it brings together people who never cooperated before to produce art based on and using conventions previously unknown or not exploited in that way” (310). This essay examines digital poetry art practice as an example of Becker’s type of novel, networked, and collaborative cultural activity. The diffusion of Internet technologies and the ubiquity of computing has allowed for the creation of many new art worlds, digital poetry being just one example. Furthermore, digital poetry art practice demonstrates a long history of machine use subversion, as we see technologies initially designed for other uses being repurposed to create digital poetry. In these cases, most consequentially to our thinking regarding digital poetry, what occurs is the process described by Becker: “the people who develop new art worlds participate in the broad currents of intellectual and expressive interest growing out of extant tradition and practice” (314). Although the digital poem is a distinct and unique literary artifact, digital poetry can be regarded as an ouroboric recursive practice that builds on the extant traditions of early experimentations with print, lm, and video poetry as well as net art. Understanding how digital poetry operates as an art world allows us to legitimize and recognize the importance of digital culture and its impact on contemporary art and culture.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"196 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115487055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Other Codes / Cóid Eile: Re-thinking Context in Digital Literature","authors":"Anne Karhio, Álvaro Seiça","doi":"10.20415/HYP/020.I01","DOIUrl":"https://doi.org/10.20415/HYP/020.I01","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"56 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132511119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Media Fluid and Media Fluent, E-Literature in the Era of Experience Design","authors":"S. O'flynn","doi":"10.20415/HYP/020.INT03","DOIUrl":"https://doi.org/10.20415/HYP/020.INT03","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132646109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Migrating Stories: Moving across the Code/Spaces of our Time","authors":"A. Nacher","doi":"10.20415/HYP/020.MOV01","DOIUrl":"https://doi.org/10.20415/HYP/020.MOV01","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131897034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Future Shock”: Manifestos in the Digital Age","authors":"J. Hanna","doi":"10.20415/HYP/020.EX02","DOIUrl":"https://doi.org/10.20415/HYP/020.EX02","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115115742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Contexts of Digital Literature Criticism: Feminist, Queer, Materialist","authors":"J. Pressman","doi":"10.20415/HYP/020.EX01","DOIUrl":"https://doi.org/10.20415/HYP/020.EX01","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"703 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122986986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"In the Beginning was the Software Tool…","authors":"Odile Farge","doi":"10.20415/HYP/020.NET03","DOIUrl":"https://doi.org/10.20415/HYP/020.NET03","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122643146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Winnipeg: The Poem that Crossed the Atlantic","authors":"María Mencía","doi":"10.20415/HYP/020.MOV02","DOIUrl":"https://doi.org/10.20415/HYP/020.MOV02","url":null,"abstract":"The Winnipeg : The Poem that Crossed the Atlantic is inspired in a personal story rooted in historical events of the Spanish Civil War and the Spanish and Chilean Historical Memory, and interconnected with the involvement of the Chilean poet Pablo Neruda in the evacuation and rescue of 2,350 Spanish civil war exiles, including my own grandfather, from French concentration camps to Valparaiso (Chile), on the cargo ship The Winnipeg in 1939. \u0000 \u0000The website of The Winnipeg: The Boat of Hope, contains background information about the interdisciplinary research project: user generated content with submission of stories from relatives, names of passengers, the e-poem, Neruda’s intervention in this cause, credits and historical references. \u0000 \u0000The Poem that Crossed the Atlantic, is a multi-linguistic sea of networked poetic interactive narratives fed by the stories from posts uploaded to the website. The interlacing of the stories increases with the number of posts, resulting in an on-going community-based poem at the heart of the work. The stories the contributors upload have been translated into French and English. \u0000 \u0000 \u0000The research process is fully explored and thoroughly enquired in the Published article: Research Paper, (2019) “The Winnipeg: The Poem that Crossed the Atlantic” in Hyperrhiz special issue “Other Codes / Coid Eile: Digital Literature in Context”. Karhio A. & Seica A. (eds.) (Peer-reviewed) http://hyperrhiz.io/hyperrhiz20/moving-texts/2-mencia-the-winnipeg.html.. \u0000This work has been used as case study of the project A Transatlantic Take on Translating Electronic Literature: a collaborative project funded by the FMSH/Mellon Transatlantic Program in Collaborative Digital Humanities. The researcher’s contribution has been to investigate the poetic space through digital design and programming while exploring translation as a creative compositional process and a shared creative practice. This is discussed in the co-authored published article “ Mencia, M. Pold, S & Portela, M, (2018 )“Electronic Literature Translation: Translation as Process, Experience and Mediation”, Electronic Book Review. (Peer-reviewed)","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128531560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sew the Bear: A Meditation on the Place of the List in Academic Life","authors":"Barry J Mauer, Craig Saper","doi":"10.20415/HYP/019.G03","DOIUrl":"https://doi.org/10.20415/HYP/019.G03","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126405912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On Galvanism: Electricity, Frankenstein, & the Moving Image","authors":"Spencer Slovic","doi":"10.20415/hyp/019.s0109","DOIUrl":"https://doi.org/10.20415/hyp/019.s0109","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"182 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133314320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}