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Hyperrhiz: New Media Cultures最新文献

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(Remixed) Test Pattern for Listening: Sound Poetry as Electronic Literature (混音)听力测试模式:有声诗歌作为电子文学
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/hyp/019.e02
J. Barber, N. Neves
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引用次数: 0
Mad Science/Mad Love and the Female Body in Pieces 疯狂的科学/疯狂的爱情和破碎的女性身体
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/hyp/019.s0103
Allison de Fren
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引用次数: 0
Touchable Speculation: Crafting Critical Discourse with 3D Printing, Maker Practices, and Hypermapping 可触碰的猜测:用3D打印、制造商实践和超映射制作批判性话语
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.E03
D. Bauer
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引用次数: 0
The Meaning of ”Animation” in Edison’s Frankenstein (1910) 爱迪生《科学怪人》中“动画”的含义
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.S0104
Shane Denson
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引用次数: 0
Meat-free dreams & the specter of homosexuality: Dragging the body back to light in online gaming culture 无肉之梦&同性恋的幽灵:在网络游戏文化中把身体拖回光明
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.R02
J. Inscoe
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引用次数: 0
Correspondence: or, how not to belong 通信:或，如何不属于
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.G01
Seth Ellis
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引用次数: 0
Experiencing in Pieces: A Physical Computing Approach to Sonic Composition 体验片段:声音作曲的物理计算方法
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.K01
Steve Roberts
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引用次数: 0
Philosophy of Digital Art as Collaboration, with an emphasis on the work of LaBeouf, Rönkkö & Turner 数字艺术作为合作的哲学，重点是LaBeouf, Rönkkö和Turner的作品
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/hyp/019.e01
Andrew J. Corsa
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引用次数: 0
Frankenstein’s Television 《弗兰肯斯坦》的电视
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.S0102
Jason Mittell
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引用次数: 0
Sight & Sound Conspire: Monstrous Audio-Vision in James Whale's Frankenstein (1931) 视觉与听觉的合谋:詹姆斯·威尔的《弗兰肯斯坦》(1931)中的怪异视听
Hyperrhiz: New Media Cultures Pub Date : 2019-01-27 DOI: 10.20415/HYP/019.S0108
Shane Denson
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引用次数: 1
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