{"title":"Follow the Pathfinders: a Case Study Approach to Production, Use, and Readership on Scalar","authors":"Hannah Ackermans","doi":"10.20415/hyp/024.e01","DOIUrl":"https://doi.org/10.20415/hyp/024.e01","url":null,"abstract":"This born-digital article examines the multimodal academic publication Pathfinders (Moulthrop and Grigar). Through a combination of interviews with readers and the author, textual analysis of the book, and literature review of Scalar, I trace the affordances of the platform, appropriation by scholars, the media text, and readership of Pathfinders. I distill themes that are key in the multimodality of the book, including platform adoption, institutional embedding, technological context and research values. Throughout the article, which is also written on Scalar, I reflect on my own use of Scalar and the various considerations that come with it in terms of software sustainability, accessibility, and transparency of research context. I conclude with a reflection on the media specificity of Scalar as an academic platform.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121495208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Van Oudheusden, Frédéric Claisse, Hans Boeykens
{"title":"The Bullshit Cartoon Abstract: In Praise of Creative Academic Writing","authors":"M. Van Oudheusden, Frédéric Claisse, Hans Boeykens","doi":"10.20415/hyp/024.e02","DOIUrl":"https://doi.org/10.20415/hyp/024.e02","url":null,"abstract":"This article introduces and discusses a novel form of scholarly output, the bullshit cartoon abstract, which can be used to illustrate summaries of fictitious research papers for both scholarly and lay readers. Presenting five self-authored examples that meticulously deal with trivial research subjects, from the use of visual mnemonics in education to disaster marketing, the article classifies these abstracts along seven dimensions (analytic, aesthetic, existential, satirical, pedagogical, recreational, and opportunistic) to illuminate how bullshit is enacted in academic writing. Building on this classification, it reappraises academic bullshit(ting) as potentially generative of new and multi-textured expressions of creative scholarship.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126393248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ronnie James Dio","authors":"Geoffrey V. Carter","doi":"10.20415/hyp/023.r09","DOIUrl":"https://doi.org/10.20415/hyp/023.r09","url":null,"abstract":"Although Ronnie James Dio is often parodied for his lyrical ruminations on dragons, demons, and other Dungeons and Dragons style phantasmagoria, he maintained a humor about himself and possessed a capacity for openness unique to heavy metal. He is known for popularizing the devil horn hand gesture (“malocchio”) at rock shows, though he said its history extended back to his Italian Grandmother who used it as a way of protecting against someone’s evil eye. Dio also said his Grandmother could use it as a curse when provoked. Thus, Dio linked the symbol of the devil horns to protection as much as provocation. Carter’s work likewise considers the polarities in Dio’s work that made him the formidable artist of Heaven and Hell.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114283308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ian Curtis","authors":"Tim Richardson","doi":"10.20415/hyp/023.r07","DOIUrl":"https://doi.org/10.20415/hyp/023.r07","url":null,"abstract":"Tim Richardson’s work considers some of the influences and material interventions – books, records, rooms, paint - that supported Ian Curtis’s breakthrough contributions to post-punk music as well as the cassette tapes that allowed high school kids in West Texas to find and love him afterward. Tim suggests that these material affordances are personal encounters that continue to register emotionally.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123220972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A com-post","authors":"Victor J. Vitanza","doi":"10.20415/hyp/023.r01","DOIUrl":"https://doi.org/10.20415/hyp/023.r01","url":null,"abstract":"Rock … let’s look in the mirror. A com-post by Victor J. Vitanza.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"309 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133409592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rocktalog: Scholars Celebrating & Inhabiting Musicians","authors":"Geoffrey V. Carter","doi":"10.20415/hyp/023.i01","DOIUrl":"https://doi.org/10.20415/hyp/023.i01","url":null,"abstract":"The Rocktalog brings together scholars’ reflections on a selection of musicians from different styles, along with a range of imagined dialogues and statements from the artists themselves, some remixed and some improvised. Edited by Geoffrey V. Carter, this collection of sixteen works draws on “The Octalog,” a lively panel discussion at the CCCC’s in 1988, later published as “Octalog I” in Rhetoric Review. Reimaginging this original “electric” dialogue as an ongoing conversation between musicians and musical scholars, The Rocktalog asks questions about the roles of remix, conversation, and composition in engaging with music and musical artists. Each reflection features a mix of audio tracks, original essays and transcripts.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115458616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The RHIZ-cade: Ten Multimedia Projects on the Rhetoric of Pinball","authors":"","doi":"10.20415/hyp/022.s010","DOIUrl":"https://doi.org/10.20415/hyp/022.s010","url":null,"abstract":"This collection of webtexts showcases the historical, theoretical, and inventive possibilities of pinball culture.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124053400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Corpse Fauna","authors":"Emanuel Magno","doi":"10.20415/hyp/022.g02","DOIUrl":"https://doi.org/10.20415/hyp/022.g02","url":null,"abstract":"Corpse Fauna is a humble Ayahuasca report, an experimental piece of theory-fiction investigating the limits of embodiment, a poetic ode to the body and its residuality.","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125463703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Passion Traps","authors":"Joshua Jackson","doi":"10.20415/hyp/022.e03","DOIUrl":"https://doi.org/10.20415/hyp/022.e03","url":null,"abstract":"Passion Traps is a project that seeks to highlight how the concept of ‘passion’ interacts with people in videogame production","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128451253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Being Mii","authors":"Anastasia Salter","doi":"10.20415/hyp/021.let08","DOIUrl":"https://doi.org/10.20415/hyp/021.let08","url":null,"abstract":"","PeriodicalId":404888,"journal":{"name":"Hyperrhiz: New Media Cultures","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117150315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
