Ekphrasis-Images Cinema Theory Media最新文献

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Cinema as Eco-critical Criticism: Can Movies Represent the Conscience of the Anthropocene? 作为生态批判的电影:电影能代表人类世的良知吗?
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.12
Doru Pop
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引用次数: 1
Representing the Anthropocene: Transmediation of Narratives and Truthfulness from Science to Feature Film 代表人类世:从科学到故事片的叙事与真实性的跨界
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.3
Lars Elleström
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引用次数: 0
Eco-Intermediality and the Artful Recluse’s Hut: Mizuki Shigeru’s Manga Hōjōki 生态中间性和巧妙的隐士小屋:水木茂的漫画Hōjōki
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.4
Daniela Kato
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引用次数: 0
Intermedial Ecocriticism: The Anthropocene Ecological Crisis across Media and the Arts 中期生态批评:跨媒体和艺术的人类世生态危机
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/EKPHRASIS.24.1
J. Bruhn
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引用次数: 3
Adrift in History, Who Is This One?: Art in the Critical Zone 在历史上漂流的人是谁?:关键地带的艺术
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.9
C. Ramsay
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引用次数: 1
Climate Anxiety on YouTube: Young people reflect on how to handle the climate crisis YouTube上的气候焦虑:年轻人反思如何应对气候危机
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.6
Hans T. Sternudd
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引用次数: 2
Larger than Life: Endangered Species across Media in Louis Psihoyos’s Racing Extinction 比生命更大:路易斯·普西霍约斯的《加速灭绝》中跨媒体的濒危物种
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.2
Alexa Weik von Mossner
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引用次数: 1
Spherical encounters of the Anthropocene: from Telescope to Kaleidoscope 人类世的球形相遇:从望远镜到万花筒
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.8
A. Muntean
{"title":"Spherical encounters of the Anthropocene: from Telescope to Kaleidoscope","authors":"A. Muntean","doi":"10.24193/ekphrasis.24.8","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.8","url":null,"abstract":": Spherical encounters of the Anthropocene refers to the impact of humanity’s global ecological footprint that is addressed through the metaphor of the spheres. The new human-generated Anthropo-Noo-spheres and their interaction with the Spheres of Earth are tackled through ecocritical investigation showcasing the diverse representational modalities and intermedial expressions found in the Planetarium and artistic spherical environments. The technological requirements for high quality geoscientific visualizations have taken about a decade longer to mature than the astronomical features of digital planetariums, but Earth System Science is finally adopted by the Planetarium and artists. From Telescope to Kaleidoscope refers to the transition between the emergence of the modern scientific, telescopic viewpoint, and the increasing rationalization and bureaucratization of society enabled by the technological and economic advances of the age, that created a sense of alienation of the individual, from the natural environment and the social other, to an environmental re-enchantment , a regaining of our sense of wonder and awe brought back by the kaleidoscopic visions artists apply to these spherical mediums. As this article seeks to demonstrate, the scientific and imaginative visions fused into interconnected, parallel universes can challenge our mundane notions opening up new causal connections, creating exciting discoveries, all under the notion of Anthropocene. However, these spherical environments showcasing kaleidoscopic visions are not an aestheticization of the Anthroposphere, but a testimony that artists as antennas capture and showcase the contemporary human sentiment, topics and observations by conveying experiential projects which involve strategies to forge communities, to re-build lost paradises, to re-connect us with the sky and earth, to foster regeneration and new sustainable systems and to ask future questions. Through the stylistic element of the Cosmic Zoom, we are travelling from the unknown of the outer space to the inner reaches of our human heart. Alice, Google and we anthropomorphised artificial intelligence –powered voice assistants in our homes or in our hands for weather, news, homework help and such. The Future Room is both utopia and dystopia. According to the project’s motto, the Future Room provides thought and visions for the future. Encapsulated in a cloud of information, the future will only be visible where we strive to imagine it. From abstract generative animations to politically relevant statements, the animations treat the dome as an intermediary membrane between the inside and the outside, a thin layer between disenchantment and re-enchantment. The project allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. It is very true that the method of our time is to use not a single but multiple models for exploration.","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84401755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Lost in the Moment: Ephemeral Art as a Creative Strategy to Explore the Anthropocene 迷失在当下:短暂的艺术作为一种探索人类世的创造性策略
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.10
Sophie C. Kromholz
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引用次数: 0
Truth Written in Verse: Transmediations of Scientific Discourse in Swedish Ecopoetry 写在诗中的真理:瑞典生态诗歌中科学话语的中介
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.7
Emma Tornborg
{"title":"Truth Written in Verse: Transmediations of Scientific Discourse in Swedish Ecopoetry","authors":"Emma Tornborg","doi":"10.24193/ekphrasis.24.7","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.7","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91188433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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