Ekphrasis-Images Cinema Theory Media最新文献

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Dramatizing Democracy through Cinematic Counterdiscourse: A Comparative Analysis of Govind Nihalani’s Aakrosh (1980) and Kundan Shah’s Jaane Bhi Do Yaaro (1983) 通过电影反话语戏剧化民主:戈温德·尼哈拉尼的《阿克鲁什》(1980)与昆丹·沙阿的《阿克鲁什》(1983)比较分析
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.7
Bageshree Trivedi
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引用次数: 0
Authenticity in Representations of Down Syndrome in Contemporary Cinema: The “Supercrip” in The Peanut Butter Falcon (2019) 当代电影中唐氏综合症表现的真实性:《花生酱猎鹰》(2019)中的“超级瘸子”
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.3
M. Martausová
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引用次数: 0
Introduction to Counterdiscourses and Counterpublics in Cinema, Art, Media and Literature 电影、艺术、媒体与文学中的反话语与反公众导论
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.1
Adrian Tătăran
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引用次数: 0
Reimagining Queer Film Festival as a Counterpublic Space. A Case Study of Turkey’s Pink Life Queerfest 重新构想酷儿电影节作为反公共空间。土耳其粉红生活酷儿节个案研究
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.10
Aylin Altunbulak
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引用次数: 0
Between the Angel of History and Revolution. Jazz on the Threshold 在历史天使与革命之间。门槛上的爵士乐
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.4
Horea Poenar
{"title":"Between the Angel of History and Revolution. Jazz on the Threshold","authors":"Horea Poenar","doi":"10.24193/ekphrasis.25.4","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.4","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81223017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuteness as Counterculture in Anthropomorphic Japanese Animation 日本拟人化动画中的反主流文化——可爱
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.5
Alice Teodorescu
{"title":"Cuteness as Counterculture in Anthropomorphic Japanese Animation","authors":"Alice Teodorescu","doi":"10.24193/ekphrasis.25.5","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.5","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75879325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Museum as Counterpublic Space: Performing Direct Testimony 博物馆作为反公共空间:直接证言的表演
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-06-21 DOI: 10.24193/ekphrasis.25.8
Anca Doczi Luchian
{"title":"Museum as Counterpublic Space: Performing Direct Testimony","authors":"Anca Doczi Luchian","doi":"10.24193/ekphrasis.25.8","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.8","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89811576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Not a Film, but an Object: Emotional Politics of Appreciating Badfilm 不是一部电影,而是一个对象:欣赏烂片的情感政治
Ekphrasis-Images Cinema Theory Media Pub Date : 2021-01-01 DOI: 10.24193/ekphrasis.25.6
M. Sari
{"title":"Not a Film, but an Object: Emotional Politics of Appreciating Badfilm","authors":"M. Sari","doi":"10.24193/ekphrasis.25.6","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.6","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85343418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Friends or Foes – Representations of the Relationship between Man and Nature in Three Different Media Types: Literature, Live Action Film and Animated Film 朋友还是敌人——文学、真人电影和动画电影三种不同媒体类型中人与自然关系的表现
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.13
Liviu Lutas
{"title":"Friends or Foes – Representations of the Relationship between Man and Nature in Three Different Media Types: Literature, Live Action Film and Animated Film","authors":"Liviu Lutas","doi":"10.24193/ekphrasis.24.13","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.13","url":null,"abstract":": The concept of nature and its relationship to man is crucial in ecocriticism, and has been much debated during the whole existence of the field. In an overview of the short history of ecocriticism, Lawrence Buell (2011) shows how the view on nature has developed since the beginning of ecocriticism in the early 1990s. During this period, nature has been seen as both friend and foe to man, it has been considered as a place for retreat for the individual but also the subject of human reshaping. It has evolved from the wilder ness of thinly populated remote areas that have to be preserved to urban and industrial landscapes which have to be adapted to man. It has been seen as a counterpart of man, but also as an integral part of man. In extreme views, it has even been suggested that nature as a concept is irrelevant. Timothy Morton argues for instance that the term “nature” is so polyvalent and baggage-ridden a term that it should be banished from the lexicon. In this paper, I will analyze three different views on the relationship between man and nature in three different media types. All the cases are dramatic representations of this complicated relationship. The first cases, representing the media type of literature, are also the earliest ones, and consist of two works by Swiss author his La grande dans la montagne ( Terror on the Mountain ) from 1927 and his short story “Scène dans la forèt” from 1945. In these examples, nature appears as a God who punishes man for to tame it. The second example is much more recent, and comes from the media type of live action film. nature Formal devices, in particular concerning narration, will be at the center of my interest, so narratology will be the main analytical tool. Besides narratology, the field of intermediality will inform my analytical approach, not only because the three examples come from three different media types, but since narration itself will be addressed as an intermedial feature.","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87167356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intermedial Apocalypticism and the Growing Anthropocene Crises 中期启示主义和日益增长的人类世危机
Ekphrasis-Images Cinema Theory Media Pub Date : 2020-12-15 DOI: 10.24193/ekphrasis.24.11
S. Estok
{"title":"Intermedial Apocalypticism and the Growing Anthropocene Crises","authors":"S. Estok","doi":"10.24193/ekphrasis.24.11","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.11","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78208049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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