{"title":"Dramatizing Democracy through Cinematic Counterdiscourse: A Comparative Analysis of Govind Nihalani’s Aakrosh (1980) and Kundan Shah’s Jaane Bhi Do Yaaro (1983)","authors":"Bageshree Trivedi","doi":"10.24193/ekphrasis.25.7","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.7","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86512918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Authenticity in Representations of Down Syndrome in Contemporary Cinema: The “Supercrip” in The Peanut Butter Falcon (2019)","authors":"M. Martausová","doi":"10.24193/ekphrasis.25.3","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.3","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86579479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction to Counterdiscourses and Counterpublics in Cinema, Art, Media and Literature","authors":"Adrian Tătăran","doi":"10.24193/ekphrasis.25.1","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.1","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81331294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reimagining Queer Film Festival as a Counterpublic Space. A Case Study of Turkey’s Pink Life Queerfest","authors":"Aylin Altunbulak","doi":"10.24193/ekphrasis.25.10","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.10","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76402999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between the Angel of History and Revolution. Jazz on the Threshold","authors":"Horea Poenar","doi":"10.24193/ekphrasis.25.4","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.4","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81223017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cuteness as Counterculture in Anthropomorphic Japanese Animation","authors":"Alice Teodorescu","doi":"10.24193/ekphrasis.25.5","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.5","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75879325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Museum as Counterpublic Space: Performing Direct Testimony","authors":"Anca Doczi Luchian","doi":"10.24193/ekphrasis.25.8","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.8","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89811576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Not a Film, but an Object: Emotional Politics of Appreciating Badfilm","authors":"M. Sari","doi":"10.24193/ekphrasis.25.6","DOIUrl":"https://doi.org/10.24193/ekphrasis.25.6","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85343418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Friends or Foes – Representations of the Relationship between Man and Nature in Three Different Media Types: Literature, Live Action Film and Animated Film","authors":"Liviu Lutas","doi":"10.24193/ekphrasis.24.13","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.13","url":null,"abstract":": The concept of nature and its relationship to man is crucial in ecocriticism, and has been much debated during the whole existence of the field. In an overview of the short history of ecocriticism, Lawrence Buell (2011) shows how the view on nature has developed since the beginning of ecocriticism in the early 1990s. During this period, nature has been seen as both friend and foe to man, it has been considered as a place for retreat for the individual but also the subject of human reshaping. It has evolved from the wilder ness of thinly populated remote areas that have to be preserved to urban and industrial landscapes which have to be adapted to man. It has been seen as a counterpart of man, but also as an integral part of man. In extreme views, it has even been suggested that nature as a concept is irrelevant. Timothy Morton argues for instance that the term “nature” is so polyvalent and baggage-ridden a term that it should be banished from the lexicon. In this paper, I will analyze three different views on the relationship between man and nature in three different media types. All the cases are dramatic representations of this complicated relationship. The first cases, representing the media type of literature, are also the earliest ones, and consist of two works by Swiss author his La grande dans la montagne ( Terror on the Mountain ) from 1927 and his short story “Scène dans la forèt” from 1945. In these examples, nature appears as a God who punishes man for to tame it. The second example is much more recent, and comes from the media type of live action film. nature Formal devices, in particular concerning narration, will be at the center of my interest, so narratology will be the main analytical tool. Besides narratology, the field of intermediality will inform my analytical approach, not only because the three examples come from three different media types, but since narration itself will be addressed as an intermedial feature.","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87167356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intermedial Apocalypticism and the Growing Anthropocene Crises","authors":"S. Estok","doi":"10.24193/ekphrasis.24.11","DOIUrl":"https://doi.org/10.24193/ekphrasis.24.11","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78208049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}