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The Control Cycle Cognitive Model in Biology, Film and Culture 生物学、电影和文化中的控制周期认知模型
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.4
M. Deaca
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引用次数: 0
Methodology as Teleology: The Economy of Secrets and Drama as Critique of Systems in the Works of Vince Gilligan and Noah Hawley 作为目的论的方法论:文斯·吉利根和诺亚·霍利作品中作为系统批判的秘密经济和戏剧
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.7
Fergal Twomey
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引用次数: 0
Mission Objective: Carry the White Man’s Burden to Outer Space – The Gamification of Colonization in Dead Space 任务目标:携带白人的负担外太空-殖民化的游戏化在死亡空间
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.9
A. Nae
{"title":"Mission Objective: Carry the White Man’s Burden to Outer Space – The Gamification of Colonization in Dead Space","authors":"A. Nae","doi":"10.24193/EKPHRASIS.20.9","DOIUrl":"https://doi.org/10.24193/EKPHRASIS.20.9","url":null,"abstract":"Survival horror video games were recognized in the late nineteen-nineties for their cumbersome gameplay determined by complicated controls and inefficient core mechanics. After 2005, survival horror games started to move away from their traditional game design and to show more openness to the dominant game design norms of the action genre. The new survival horror games sought to eliminate the hypermedial elements that had characterized their predecessors and offer gamers an immersive gameplay experience similar to that of AAA1 action games. In this article I look at the survival horror game Dead Space (EA, 2008) and analyse the way in which the game naturalizes its ludic functions in order to strengthen the illusion of immersion and how the illusion of immersion strengthens the ideology of white supremacy embedded in the remediated colonial discourse of the game. In keeping with Jesper Juul’s approach (“On Absent Carrot Sticks”) to the relation between the game’s fiction and the game’s rules, I show that in the case of Dead Space traditionally antimimetic elements of video games such as the heads-up display are implemented into the fictional text-actual-world. As a result, conventionally extradiegetic game mechanics such as the inventory now become intradiegetic elements that no longer draw the player away from the storyworld.2 The realism of the storyworld works in favour of a naturalization of the colonial tropes that the video game remediates.","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74599491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Some Traits of Cognitivism in American Ruminations on Visual Arts 美国视觉艺术反思中的认知主义特征
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/ekphrasis.20.5
G. Gherasim
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引用次数: 0
Romanian Silent Films from the 20s and the European Aesthetic Canon: Rhetorical Figures and Cognitive Markers 20年代的罗马尼亚无声电影与欧洲美学经典:修辞修辞与认知标记
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.8
Dominique Nasta
{"title":"Romanian Silent Films from the 20s and the European Aesthetic Canon: Rhetorical Figures and Cognitive Markers","authors":"Dominique Nasta","doi":"10.24193/EKPHRASIS.20.8","DOIUrl":"https://doi.org/10.24193/EKPHRASIS.20.8","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"274 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80716226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinéma et psychologie cognitive : le « tournant corporel » des études audiovisuelles 电影与认知心理学:视听研究中的“身体转变”
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.2
Laurent Jullier
{"title":"Cinéma et psychologie cognitive : le « tournant corporel » des études audiovisuelles","authors":"Laurent Jullier","doi":"10.24193/EKPHRASIS.20.2","DOIUrl":"https://doi.org/10.24193/EKPHRASIS.20.2","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90915151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Figures extatiques dans Teorema de Pasolini. Séduction et médiation 帕索里尼定理中的狂喜数字。诱惑与调解
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-11-20 DOI: 10.24193/EKPHRASIS.20.11
F. Florescu
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引用次数: 0
The World Seen Through a Vagina. The Photography of Private Space in Dani Lessnau’s Experiment 从阴道看世界。Dani Lessnau实验中的私人空间摄影
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-06-20 DOI: 10.24193/EKPHRASIS.19.8
A.-M. Turcu, Universitatea Babeș-Bolyai
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引用次数: 2
Roland Barthes and the Reception of French Structuralism in Socialist Romania 罗兰·巴特与法国结构主义在社会主义罗马尼亚的接受
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-06-20 DOI: 10.24193/EKPHRASIS.19.5
Alexandru Matei, Constanța Universitatea Ovidius
{"title":"Roland Barthes and the Reception of French Structuralism in Socialist Romania","authors":"Alexandru Matei, Constanța Universitatea Ovidius","doi":"10.24193/EKPHRASIS.19.5","DOIUrl":"https://doi.org/10.24193/EKPHRASIS.19.5","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84423593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Impossible and the Desire 不可能与渴望
Ekphrasis-Images Cinema Theory Media Pub Date : 2018-06-20 DOI: 10.24193/ekphrasis.19.9
Iulia Cârdan, Universitatea Babeș-Bolyai
{"title":"The Impossible and the Desire","authors":"Iulia Cârdan, Universitatea Babeș-Bolyai","doi":"10.24193/ekphrasis.19.9","DOIUrl":"https://doi.org/10.24193/ekphrasis.19.9","url":null,"abstract":"","PeriodicalId":40444,"journal":{"name":"Ekphrasis-Images Cinema Theory Media","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89057036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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