H-ermes-Journal of Communication最新文献_第8页

Spunti etici nell’educazione linguistica di alunni figli di migranti = Ethical ideas in the linguistic education of pupils children of migrants 移民子女语言教育中的伦理思想

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H-ermes-Journal of Communication Pub Date : 2018-11-05 DOI: 10.1285/I22840753N11P139

V. Scalone

{"title":"Spunti etici nell’educazione linguistica di alunni figli di migranti = Ethical ideas in the linguistic education of pupils children of migrants","authors":"V. Scalone","doi":"10.1285/I22840753N11P139","DOIUrl":"https://doi.org/10.1285/I22840753N11P139","url":null,"abstract":"Ethical ideas in the linguistic education of pupils children of migrants. Nowadays modern societies have to copy with the multiculturality and the problem of inclusion of foreign people. Migrants are by now a steady presence in our towns and, consequently, also in our schools. So it is not more possible to put the cultural, social and political debates concerning their condition off. But what is ‘good’ in language instruction for students coming from abroad or whose parents were migrants? And how can we set up educational approaches (together with methods and practices of language teaching/learning), whose aim is the pursuit of ‘good’ for this specific target and, consequently, for the entire welcoming and inclusive community? Being engaged in this ethical evaluation is not obvious nor even simple. It is first necessary to clearly explicate language instruction in order to identify its key elements and their specific object of study. A theoretical and a practical reflection on language instruction implies thus the definition of the sustainability of the language teaching system. Teaching and learning in a ethically sustainable way means giving the appropriate value to each single element of the language instruction process: the subject (mainly the student/the class-group), the object (mainly the language/the culture) and the agent (mainly the teacher/language book). So, among the issues concerning the educational inclusion of the children learning a not-native language, the improvement of the L2 (second language) knowledge becomes a real integration strategy for their full inclusion in the native community and also the prelude of a process leading to the collective ‘well-being’, that is the common good.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2017 1","pages":"139-154"},"PeriodicalIF":0.1,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N11P139","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49038105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La solitudine del corpo. Il terrore dell'incomunicabilità nell'immaginario audiovisivo di genere = The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary 身体的孤独。类型视听图像中无法沟通的恐怖=身体的孤独。视听类型想象中的无法沟通的恐怖

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/i22840753n12p81

Francesca Fichera

{"title":"La solitudine del corpo. Il terrore dell'incomunicabilità nell'immaginario audiovisivo di genere = The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary","authors":"Francesca Fichera","doi":"10.1285/i22840753n12p81","DOIUrl":"https://doi.org/10.1285/i22840753n12p81","url":null,"abstract":"The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary. Starting from a definition of sci-fi imaginary as a space where it is possible to \"reinvent reality as fiction\" (Baudrillard 1980), the posthuman metaphors (Braidotti 2014) highlighted by recent sci-fi works turn into privileged witnesses of the contemporary rewriting process of the human body, a process which also involves its communication capabilities. In particular, this paper aims to underline, through a joint analysis of three films which are alike in the same narrative genre as in a particularly innovative way of representing the relational dimension of human body, the main role played by the fear of the incommunicability in the postmodernity context, where the meeting point between sci-fi imaginary and social conflict narratives has been confirmed further. The image of a human body affected by the fear of losing its medium vocation comes out from the lonely clone of Moon (Duncan Jones, 2009), from the progressive annihilation of the five senses narrated by Perfect Sense (David Mackenzie, 2011), and from the romance between a young man and an A.I. which leads Her (Spike Jonze, 2013). Its narrative and symbolic isolation definitively mirrors the human sense of disorientation towards his new posthuman dimension.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2018 1","pages":"81-94"},"PeriodicalIF":0.1,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/i22840753n12p81","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47321204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Da solo, al buio. Pratiche narrative ed esperienze videoludiche della paura = Alone, in the dark. Narrative practices and videogame experiences of fear 独自一人在黑暗中。在黑暗中孤独。叙事实践和电子游戏体验恐惧

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/i22840753n12p127

Emiliano Chirchiano

引用次数: 0

Online Media Coverage of BitCoin Crypto-currency in Nigeria: A study of Selected Online Version of Leading Mainstream Newspapers in Nigeria 尼日利亚BitCoin加密货币的网络媒体报道：对尼日利亚主流报纸网络版的研究

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/i22840753n12p141

Sheila Ogochukwu Nnabuife, Yosra Jarrar

{"title":"Online Media Coverage of BitCoin Crypto-currency in Nigeria: A study of Selected Online Version of Leading Mainstream Newspapers in Nigeria","authors":"Sheila Ogochukwu Nnabuife, Yosra Jarrar","doi":"10.1285/i22840753n12p141","DOIUrl":"https://doi.org/10.1285/i22840753n12p141","url":null,"abstract":"Given the economic hardship in Nigeria in the past few years, Nigerians resorted to finding alternative ways as a survival strategy. Bit-coin and a good number of other crypto currencies formed the long sought economic alternative to such extent that it is gradually getting public acceptance as a means of transaction. Subsequent upon the collapse of MMM, the Nigerian government dismissed the use of crypto as legal means of exchange in Nigeria. This brought about reaction from bit-coin participants, experts and government officials. This study therefore is an examination of online media coverage aimed at ascertaining the slant of coverage, the dominant media source and type and how detailed the reports issued in the media concerning Bit-coin are. The researcher used the qualitative and quantitative content analysis research method to examine the manifest contents of the selected online media while framing and social responsibility theory formed the benchmark for the study. The study spanned for three months covering December 2017 through February 2018. Findings revealed that Nigerian online media gave negative slant to their coverage of Bit-coin crypto currency. It was also found that while government source dominates news source, straight news reports dominated the types of media used in the coverage of Bit-coin crypto-currency. The researcher concluded that the media had played their social responsibility role to the public by providing detailed reports on bit-coin and recommended that the mainstream media should also join hands in delivering detailed messages on salient issues.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2018 1","pages":"141-172"},"PeriodicalIF":0.1,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/i22840753n12p141","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43488181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Metropolis, apparato del Novecento. La distopia come oggettivazione delle paure urbane = Metropolis, 20th century apparatus. Dystopia as objectification of urban fear 大都会，20世纪的仪器。反乌托邦是城市恐惧的客观化。反乌托邦是城市恐惧的目标

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/I22840753N12P35

Fabio Ciracì

{"title":"Metropolis, apparato del Novecento. La distopia come oggettivazione delle paure urbane = Metropolis, 20th century apparatus. Dystopia as objectification of urban fear","authors":"Fabio Ciracì","doi":"10.1285/I22840753N12P35","DOIUrl":"https://doi.org/10.1285/I22840753N12P35","url":null,"abstract":"Metropolis, 20th century apparatus. Dystopia as objectification of urban fear. Metropolis (1927) by Fritz Lang represents the first urban dystopia in the history of 20th-century movies. The archetype of the city comes from cultural exchange between the representations of sci-fi literature and the scientific discoveries of the early 20th century: the vertical city by H. G. Wells Tales of space and time, the second industrial revolution, the so-called machine civilization, the theories of the Bauhaus and the Avant-garde. The osmosis between the hard sciences and the humanities forms a dynamic map, which is constructed by the present reality and which determines the design model of the future. But Metropolis is also a powerful representation of man, the transfiguration of the human microcosm in the urban macrocosm, a metaphor of the uncertain human ontological status. It is the dystopian model that – like Trantor by the sci-fi Foundation series of Isaac Asimov and the urban nightmares of Philip K. Dick, or like the Los Angeles of Blade Runner or the Machine City of Matrix – allows us to reflect on the present world.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2018 1","pages":"35-62"},"PeriodicalIF":0.1,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N12P35","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41783537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Paura in viaggio - Il disastro ferroviario come topos della narrativa moderna = Travelling fear: the railway disaster as a topos of modern fiction 旅行恐惧：现代小说中的铁路灾难

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/I22840753N12P95

Lorenzo Fattori

{"title":"Paura in viaggio - Il disastro ferroviario come topos della narrativa moderna = Travelling fear: the railway disaster as a topos of modern fiction","authors":"Lorenzo Fattori","doi":"10.1285/I22840753N12P95","DOIUrl":"https://doi.org/10.1285/I22840753N12P95","url":null,"abstract":"Travelling fear: the railway disaster as a topos of modern fiction. If we want to trace the antecedents of the anxieties and fears generated by communication systems, we should first recognize a continuity between transport and communication (Abruzzese, 2003), and we should therefore inspect the history of transportation technologies. That said, the image of the shipwreck emerges, it does not matter if the shipwreck is wanted by men or by an evil fate. It is the central topos of many stories and ballads since the dawn of navigation, and it finds its counterpart in industrial modernity in the railway disaster. The railway disaster, an unavoidable possibility since the birth of the railway (Schivelbusch, 1988), is a topic little or nothing considered in the social sciences; on the contrary, the railway disaster is a topos. This topos was variously explored by literature and cinematography, since Charles Dickens, subject to post-traumatic stress syndrome for having himself been involved in a derailment in 1865, poured out his anxieties in The Signal-Man (1982), and Emile Zola made a train wreck the expected conclusion of his Human Beast (2013). And if the railway disaster is uncanny, disturbing for its unexpected arrival, especially for the unsuspecting traveler, its spectacularity has made it a perfect climax for cinematographic works ranging from the famous Cassandra Crossing (Cosmatos, 2008) to Wagon Lits with Murders (Hiller, 1977) and Hugo Cabret (Scorsese, 2012), the latter reinterpreting two really happened incidents. In the present work, it is our intention to trace some relevant uses of the topos of the railway disaster in literature and cinematography, highlighting its efficiency as a trigger of that perturbing feeling that remains one of the most relevant characteristics of modern narratives.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2018 1","pages":"95-106"},"PeriodicalIF":0.1,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N12P95","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46282603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Paura della fine. Cospirazioni e complotti nell'immaginario della società contemporanea = Fear of the end. Conspiracies and plots in the imagery of contemporary society 害怕结局。当代社会想象中的阴谋和阴谋=对结局的恐惧。当代社会想象中的阴谋和情节

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/i22840753n12p107

Antonio Camorrino

引用次数: 0

I giorni del futuro sono trascorsi. L'invenzione di Morel di Emidio Greco = Days of future passed. Emidio Greco's L'invenzione di Morel 未来的日子已经过去了。希腊埃米迪奥的莫雷尔的发明=未来逝去的日子。艾米迪欧·格里科是莫雷尔的发明

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/I22840753N12P63

Luca Bandirali

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Da lontano e da vicino. Lo sguardo complesso dei Quaderni di Igort = From a long distance and a short one. The complex gaze of the Igort's Notebooks 来自远方和远方。Lo sguardo completo dei Quaderni di Igort=远距离和短距离。伊格特笔记本的复杂气体

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/I22840753N12P173

M. Serra, Rayco González

引用次数: 0

Inquietudini dell'immaginario. Forme della paura nel transumano = The Anxieties of Imagination. Forms of Fear in Transhumanism 想象力。超人类中的恐惧形式=想象的Anxieties。跨人道主义的恐惧形式

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H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI: 10.1285/I22840753N12P7

A. Allegra

引用次数: 0