La solitudine del corpo. Il terrore dell'incomunicabilità nell'immaginario audiovisivo di genere = The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary

IF 0.2 Q4 COMMUNICATION
Francesca Fichera
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Abstract

The solitude of the body. The terror of incommunicability in the audiovisual genre imaginary. Starting from a definition of sci-fi imaginary as a space where it is possible to "reinvent reality as fiction" (Baudrillard 1980), the posthuman metaphors (Braidotti 2014) highlighted by recent sci-fi works turn into privileged witnesses of the contemporary rewriting process of the human body, a process which also involves its communication capabilities. In particular, this paper aims to underline, through a joint analysis of three films which are alike in the same narrative genre as in a particularly innovative way of representing the relational dimension of human body, the main role played by the fear of the incommunicability in the postmodernity context, where the meeting point between sci-fi imaginary and social conflict narratives has been confirmed further. The image of a human body affected by the fear of losing its medium vocation comes out from the lonely clone of Moon (Duncan Jones, 2009), from the progressive annihilation of the five senses narrated by Perfect Sense (David Mackenzie, 2011), and from the romance between a young man and an A.I. which leads Her (Spike Jonze, 2013). Its narrative and symbolic isolation definitively mirrors the human sense of disorientation towards his new posthuman dimension.
身体的孤独。类型视听图像中无法沟通的恐怖=身体的孤独。视听类型想象中的无法沟通的恐怖
身体的孤独。想象类视听作品中不可沟通的恐惧。从将科幻想象定义为一个可能“将现实重塑为小说”的空间(Baudrillard 1980)开始,近年来科幻作品所强调的后人类隐喻(Braidotti 2014)成为当代人体重写过程的特权证人,这一过程也涉及其传播能力。特别是,本文旨在通过对三部叙事类型相似的电影的联合分析,以一种特别创新的方式表现人体的关系维度,强调在后现代性语境中对不可沟通性的恐惧所起的主要作用,从而进一步证实了科幻虚构与社会冲突叙事的交汇点。由于害怕失去媒介职业而受到影响的人体形象来自孤独的克隆电影《月亮》(Duncan Jones, 2009),来自《完美感觉》(David Mackenzie, 2011)叙述的五种感官的逐渐湮灭,以及一个年轻人和一个人工智能之间的浪漫故事(Spike Jones, 2013)。它的叙事和象征孤立明确地反映了人类对他的新后人类维度的迷失感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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